Works matching IS 01793780 AND DT 2019
Results: 34
Literatur -- Wissen -- Wissenschaft -- Technologie: Was hat die aktuelle Komparatistik dazu zu sagen?
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- Colloquium Helveticum, 2019, n. 48, p. 442
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Micro et macro circulations comparatistes.
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- Colloquium Helveticum, 2019, n. 48, p. 435
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La traduction comme ouverture et mise en rapport.
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- Colloquium Helveticum, 2019, n. 48, p. 430
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Réflexions méthodologiques pour comparer dans une perspective critique.
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- Colloquium Helveticum, 2019, n. 48, p. 422
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Principes et mécanismes de l'hybridité méthodologique.
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- Colloquium Helveticum, 2019, n. 48, p. 416
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Le Comparatisme comme approche critique.
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- Colloquium Helveticum, 2019, n. 48, p. 414
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„Doing authorship“: Wie Werkpolitik und Autorinszenierung in den Epitexten zusammenwirken.
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- Colloquium Helveticum, 2019, n. 48, p. 408
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Apologie des oeuvres d'art verbal et éloge de la variation.
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- Colloquium Helveticum, 2019, n. 48, p. 400
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„Der himmlischen, still widerklingenden,/der ruhigwandelnden Töne voll...“: Eine Erinnerung an Bernhard Böschenstein.
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- Colloquium Helveticum, 2019, n. 48, p. 391
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Hommage à Bernhard Böschenstein (1931-2019).
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- Colloquium Helveticum, 2019, n. 48, p. 387
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Das Kunstzitat als Selbstzitat? Verstimmte Einfühlung in Arthur Schnitzlers Fräulein Else.
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- Colloquium Helveticum, 2019, n. 48, p. 375
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Formes et fonctions de la musique dans les biographies mozartiennes.
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- Colloquium Helveticum, 2019, n. 48, p. 359
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Staring at an Absolute Beauty: Why Musical Scores Are Not Mere Performing Instructions and What Literature Can Teach Us about Them.
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- Colloquium Helveticum, 2019, n. 48, p. 341
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Quand l'émotion poético-musicale devient arme de guerre: L'amollissement d'Hannibal dans les Punica de Silius Italicus.
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- Colloquium Helveticum, 2019, n. 48, p. 255
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Woman in the World of Sounds: The Work of Gabriela Zapolska.
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- Colloquium Helveticum, 2019, n. 48, p. 315
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Showing und Telling bei literarischer Musikdarstellung: Terminologische Überlegungen am Beispiel von Helmut Kraussers Roman Melodien.
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- Colloquium Helveticum, 2019, n. 48, p. 225
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Czech Folklore and Manipulation of Emotions in Milan Kundera's The Joke.
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- Colloquium Helveticum, 2019, n. 48, p. 281
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Frédérique Toudoire-Surlapierre: L'émotion de l'inouï (Pascal Quignard).
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- Colloquium Helveticum, 2019, n. 48, p. 265
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Karol Szymanowski und Jarosław Iwaszkiewicz in Odessa: Dionysische, opernartige Ekstase jenseits vom Raum der Geschichte.
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- Colloquium Helveticum, 2019, n. 48, p. 327
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« A Shape That Matters ».
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- Colloquium Helveticum, 2019, n. 48, p. 241
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Verschriftlichte Emotionen in der litauischen Jazzliteratur der Sowjetzeit: Zusammenhänge zwischen Emotionen und Musik in Dramatik, Epik und Lyrik der Jahre 1967-1989.
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- Colloquium Helveticum, 2019, n. 48, p. 299
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Le démon et l'analogie: Fonctions émotives de la musique chez Marcel Proust et Thomas Mann.
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- Colloquium Helveticum, 2019, n. 48, p. 193
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L'instant musical : poésie et émotions.
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- Colloquium Helveticum, 2019, n. 48, p. 177
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Kunst gegen Gewalt gegen Kunst: Zur Funktion von Musik in Heinrich von Kleists Die heilige Cäcilie oder die Gewalt der Musik.
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- Colloquium Helveticum, 2019, n. 48, p. 97
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Musique, émotions et cosmopolitisme dans Consuelo de George Sand.
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- Colloquium Helveticum, 2019, n. 48, p. 145
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Le « cercle enchanté » des émotions: Liszt biographe de Chopin.
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- Colloquium Helveticum, 2019, n. 48, p. 133
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L'émotion musicale chez Stendhal.
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- Colloquium Helveticum, 2019, n. 48, p. 123
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Motion, Emotion, Musik.
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- Colloquium Helveticum, 2019, n. 48, p. 27
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Musicality as a Force Shaping Literary Works: An Aesthetic Study.
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- Colloquium Helveticum, 2019, n. 48, p. 159
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Le chant des sirènes, ou la langue émue.
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- Colloquium Helveticum, 2019, n. 48, p. 83
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Le ţarab dans la littérature arabe classique et contemporaine.
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- Colloquium Helveticum, 2019, n. 48, p. 65
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The Natural Musicality of Italians: 18th-Century Medical and Literary Discourse on Melancholy.
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- Colloquium Helveticum, 2019, n. 48, p. 113
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Introduction : Musique et émotions dans la littérature.
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- Colloquium Helveticum, 2019, n. 48, p. 13
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Writing Sound: Ekphrasis and Elemental Media.
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- Colloquium Helveticum, 2019, n. 48, p. 53
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