Works matching IS 0354818X AND DT 2019 AND VI 54 AND IP 2
Results: 17
The Piano Music of Maurice Ravel: Hermeneutical Reflections of Logoseme.
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- New Sound: International Magazine for Music, 2019, v. 54, n. 2, p. 187
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The Effects of American Experimental Music in the Domain of Contemporary Art and Theory.
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- New Sound: International Magazine for Music, 2019, v. 54, n. 2, p. 185
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The Musical Universe of Claude Debussy. In Search of the Immediacy of Correspondence between the Ear and the Eye.
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- New Sound: International Magazine for Music, 2019, v. 54, n. 2, p. 183
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The Native Melody of Momčilo Nastasijević: Interdisciplinary Reflexions.
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- New Sound: International Magazine for Music, 2019, v. 54, n. 2, p. 178
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Jugoslovenska ideja u/o muzici.
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- New Sound: International Magazine for Music, 2019, v. 54, n. 2, p. 173
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Nauka o muzici u Bosni i Hercegovini.
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- New Sound: International Magazine for Music, 2019, v. 54, n. 2, p. 171
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Trijumf reči u vizuelnoj umetnosti dvadesetog veka. Dimitrije Bašičević Mangelos i Marsel Brodars.
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- New Sound: International Magazine for Music, 2019, v. 54, n. 2, p. 168
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Eksperimentalni glas: Savremena teorija i praksa.
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- New Sound: International Magazine for Music, 2019, v. 54, n. 2, p. 164
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Plesna praksa Dinaraca u Vojvodini.
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- New Sound: International Magazine for Music, 2019, v. 54, n. 2, p. 161
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C, F-SHARP AND E-FLAT: THE TRAGIC, THE SUBLIME AND THE OPPRESSED (WITH C-SHARP AS NEMESIS): REFLECTIONS ON EINE KLEINE TRAUERMUSIK BY MILAN MIHAJLOVIĆ.
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- New Sound: International Magazine for Music, 2019, v. 54, n. 2, p. 131, doi. 10.5937/newso1954131z
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THE HOUSE THAT IS HERE BUT IS NOT THAT: ON THE LONESOME SKYSCRAPER BY IVANA OGNJANOVIĆ.
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- New Sound: International Magazine for Music, 2019, v. 54, n. 2, p. 123, doi. 10.5937/newso1954123g
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IMPROVISED MUSIC AS SOCIALLY ENGAGED ART: POETICS OF CARDEW AND RZEWSKI.
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- New Sound: International Magazine for Music, 2019, v. 54, n. 2, p. 109, doi. 10.5937/newso1954109m
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FROM "BACH" TO "BACH'S SON": THE WORK OF AESTHETIC IDEOLOGY IN THE HISTORICAL RECEPTION OF CARL PHILIPP EMANUEL BACH.
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- New Sound: International Magazine for Music, 2019, v. 54, n. 2, p. 90, doi. 10.5937/newso1954090c
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THE SYMPHONIC CONCERTO FOR PIANO AND ORCHESTRA (1935) BY MANOLIS KALOMIRIS: REAFFIRMING THE NATIONAL-IDEAL TOPOS THROUGH THE (OLD) WESTERN CANON.
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- New Sound: International Magazine for Music, 2019, v. 54, n. 2, p. 68, doi. 10.5937/newso1954068s
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LITHUANIAN AND POLISH MUSICAL NETWORKING DURING THE COLD WAR: POLITICAL CURTAINS AND CULTURAL CONFRONTATIONS.
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- New Sound: International Magazine for Music, 2019, v. 54, n. 2, p. 44, doi. 10.5937/newso1954044s
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BOUNCING AS A DISTINGUISHABLE STRUCTURAL FEATURE OF SRPSKO KOLO: ASPECTS OF IDENTIFICATION AND NOTATION.
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- New Sound: International Magazine for Music, 2019, v. 54, n. 2, p. 19, doi. 10.5937/newso1954019r
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AN IMPORTANT THING THAT WESTERN CONTEMPORARY MUSIC HAS FORGOTTEN ABOUT: JOY: An Interview with the Composer Ana Sokolović.
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- New Sound: International Magazine for Music, 2019, v. 54, n. 2, p. 9
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