Works matching IS 10103627 AND DT 2020
Results: 60
WHERE WE BELONG.
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- Cinema, 2020, n. 65, p. 208
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GATEWAYS TO NEW YORK.
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- Cinema, 2020, n. 65, p. 207
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HOTEL JUGOSLAVIJA.
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- Cinema, 2020, n. 65, p. 206
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BROTHER MOVE ON.
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- Cinema, 2020, n. 65, p. 205
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BAGHDAD IN MY SHADOW.
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- Cinema, 2020, n. 65, p. 204
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CRONOFOBIA.
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- Cinema, 2020, n. 65, p. 203
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S’BLOCH – EIN LEBENDIGER BRAUCH IM APPENZELLERLAND.
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- Cinema, 2020, n. 65, p. 202
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LOVE ME TENDER.
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- Cinema, 2020, n. 65, p. 201
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LA SÉPARATION DES TRACES.
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- Cinema, 2020, n. 65, p. 200
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WER HAT EIGENTLICH DIE LIEBE ERFUNDEN?
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- Cinema, 2020, n. 65, p. 199
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GOLDEN AGE.
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- Cinema, 2020, n. 65, p. 198
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DIGITALKARMA.
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- Cinema, 2020, n. 65, p. 197
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LE VENT TOURNE.
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- Cinema, 2020, n. 65, p. 196
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DAS LEBEN IST EINES DER LEICHTESTEN.
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- Cinema, 2020, n. 65, p. 195
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PASSION – ZWISCHEN REVOLTE UND RESIGNATION.
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- Cinema, 2020, n. 65, p. 194
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DER BÜEZER.
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- Cinema, 2020, n. 65, p. 193
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ALL INCLUSIVE.
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- Cinema, 2020, n. 65, p. 192
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LOULOU.
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- Cinema, 2020, n. 65, p. 191
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DER NACKTE KÖNIG – 18 FRAGMENTE ÜBER REVOLUTION.
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- Cinema, 2020, n. 65, p. 190
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AFRICAN MIRROR.
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- Cinema, 2020, n. 65, p. 189
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ZWINGLI.
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- Cinema, 2020, n. 65, p. 188
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DIE GENTRIFIZIERUNG BIN ICH – BEICHTE EINES FINSTERLINGS.
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- Cinema, 2020, n. 65, p. 187
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LE RENARD ET L’OISILLE.
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- Cinema, 2020, n. 65, p. 186
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SICILIAN GHOST STORY.
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- Cinema, 2020, n. 65, p. 185
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INSULAIRE.
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- Cinema, 2020, n. 65, p. 184
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SOHN MEINES VATERS.
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- Cinema, 2020, n. 65, p. 183
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L‘INTRUSA.
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- Cinema, 2020, n. 65, p. 182
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L‘ÎLE AUX OISEAUX.
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- Cinema, 2020, n. 65, p. 181
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TASTE OF HOPE.
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- Cinema, 2020, n. 65, p. 180
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LES DAMES.
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- Cinema, 2020, n. 65, p. 179
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EISENBERGER — KUNST MUSS SCHÖN SEIN, SAGT DER FROSCH ZUR FLIEGE.
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- Cinema, 2020, n. 65, p. 178
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ISOLA.
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- Cinema, 2020, n. 65, p. 177
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BARACOA.
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- Cinema, 2020, n. 65, p. 176
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SAS.
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- Cinema, 2020, n. 65, p. 175
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DIE FRUCHTBAREN JAHRE SIND VORBEI.
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- Cinema, 2020, n. 65, p. 174
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LA TRAQUE.
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- Cinema, 2020, n. 65, p. 173
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MAMA ROSA.
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- Cinema, 2020, n. 65, p. 172
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SALAM GODZILLA.
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- Cinema, 2020, n. 65, p. 171
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TERMINAL.
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- Cinema, 2020, n. 65, p. 170
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THE RELIABLE NARRATOR.
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- Cinema, 2020, n. 65, p. 158
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«PROVOKATIVES MACHWERK» ODER «MEISTERHAFTES KUNSTWERK»? — DER FERNSEHFILM URSULA.
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- Cinema, 2020, n. 65, p. 144
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DER ROMAN IN DEN BÜSCHEN.
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- Cinema, 2020, n. 65, p. 132
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ANSTÖSSIG, UNMORALISCH, SKANDALÖS — FRÜHE HOLLYWOODFILME UND IHRE REGULIERUNG.
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- Cinema, 2020, n. 65, p. 122
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Irréversible de Gaspard Noé (FR 2002).
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- Cinema, 2020, n. 65, p. 121
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WERK ODER MACHWERK? — SERIENKILLER-FILME ALS ZERRSPIEGEL EINER GESELLSCHAFT.
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- Cinema, 2020, n. 65, p. 108
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La Leçon de Piano de Jane Campion (NZ/AU/FR 1993).
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- Cinema, 2020, n. 65, p. 107
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ANGRIFF DER SKORPIONE — L’ÂGE D’OR VON LUIS BUÑUEL UND SALVADOR DALÍ.
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- Cinema, 2020, n. 65, p. 95
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Tomboy de Céline Sciamma (FR 2011).
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- Cinema, 2020, n. 65, p. 94
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GASPAR NOÉ — ENVERS ET CONTRE TOUT/TOUS.
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- Cinema, 2020, n. 65, p. 87
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KOJI WAKAMATSU UND DIE BERLINALE 1965.
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- Cinema, 2020, n. 65, p. 78
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