THE REMAKING OF THE RADICAL IN THE HARLEM RENAISSANCE: CLAUDE MCKAY’S HOME TO HARLEM.
- Published in:
- Revista Canaria de Estudios Ingleses, 2022, n. 84, p. 31, doi. 10.25145/j.recaesin.2022.84.03
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- Publication type:
- Article
Works matching Claude McKay
Results: 115
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Old Aesthetics, New Ethics: Claude McKay’s Socially Engaged (Proletarian) Sonnets.
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- Acta Neophilologica, 2023, v. 56, n. 1/2, p. 91, doi. 10.4312/an.56.1-2.91-106
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- Article
3
Claude McKay and Black Diaspora.
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- Language in India, 2019, v. 19, n. 6, p. 289
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- Article
4
Claude McKay, The Workers' Dreadnought , and collaborative poetics.
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- Literature & History, 2019, v. 28, n. 1, p. 27, doi. 10.1177/0306197319829356
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- Article
5
Black Internationalism, Print Culture, and Political Education in Claude McKay's Banjo.
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- Radical History Review, 2024, v. 2024, n. 150, p. 53, doi. 10.1215/01636545-11257395
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- Article
6
Claude McKay's BATTLE.
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- 2015
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- Publication type:
- Poetry Review
7
Claude McKay Describes His Own Life.
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- MĀNOA: A Pacific Journal of International Writing, 2019, v. 31, n. 2, p. 103, doi. 10.1353/man.2019.0104
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- Article
8
Claude McKay's HARLEM SHADOWS.
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- 2009
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- Publication type:
- Poetry Review
9
Letters from London in Black and Red: Claude McKay, Marcus Garvey and the Negro World.
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- History Workshop Journal, 2018, v. 85, p. 281, doi. 10.1093/hwj/dby002
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- Article
10
El tránsito como estrategia de vida y de literatura: el proyecto literario transnacional en resistencia de los intelectuales afrocaribeños Eric Walrond, Claude McKay y Samuel Nation.
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- Revista de Estudios Hispánicos, 2020, v. 54, n. 1, p. 49, doi. 10.1353/rvs.2020.0008
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- Article
11
“The Beauty of Other Horizons”: Sartorial Self-Fashioning in Claude McKay's Banjo: A Story without a Plot.
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- 2014
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- Publication type:
- Literary Criticism
12
In the Nest of Extreme Radicalism: Radical Networks and the Bolshevization of Claude McKay in London.
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- Comparative American Studies, 2017, v. 15, n. 3/4, p. 174, doi. 10.1080/14775700.2017.1551604
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- Article
13
"A Thing Apart": Sonnet Poetics and Radical Politics in Claude McKay's Harlem Shadows.
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- Aspeers, 2021, n. 14, p. 15, doi. 10.54465/aspeers.14-03
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- Article
14
Gender and Racial Inequality in James Baldwin’ Go Tell It on The Mountain and Claude McKay's, Home to Harlem: Comparative Study.
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- Journal of College of Education / Wasit, 2022, v. 3, n. 46, p. 487, doi. 10.31185/eduj.Vol3.Iss46.2829
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- Article
15
"HOME TO HARLEM, AWAY FROM HARLEM": TRANSNATIONAL SUBTEXTS IN NELLA LARSEN'S QUICKSAND AND CLAUDE MCKAY'S HOME TO HARLEM.
- Published in:
- 2014
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- Publication type:
- Literary Criticism
16
Caribbean Models for Modernism in the Work of Claude McKay and Jean Rhys.
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- Modernism/Modernity, 2004, v. 11, n. 2, p. 219, doi. 10.1353/mod.2004.0043
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- Article
17
"[T]he happiest, well-feddest wolf in Harlem": Asexuality as Resistance to Social Reproduction in Claude McKay's Home to Harlem.
- Published in:
- 2020
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- Publication type:
- Literary Criticism
18
Escaping the Tropics Through New York: Eric Walrond and Claude McKay in the American Grain.
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- Global South, 2013, v. 7, n. 2, p. 37, doi. 10.2979/globalsouth.7.2.37
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- Article
19
Claude McKay's vagabond classicisms: empire, uplift, and antiquity.
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- Classical Receptions Journal, 2023, v. 15, n. 4, p. 355, doi. 10.1093/crj/clad016
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- Article
20
The Anti-Essentialist Poetics of Claude McKay's Banjo.
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- Anglica. An International Journal of English Studies, 2020, v. 29, n. 1, p. 41
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- Article
21
A Critical Reading of Authentic Existence in Claude Mckay's Banana Bottom.
- Published in:
- 2017
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- Publication type:
- Book Review
22
Revisiting Claude McKay's "Quashie to Buccra": "Language . . . [as] a Political Instrument" in Disenfranchising Linguistic and Sociopolitical Systems.
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- South Atlantic Review, 2020, v. 85, n. 3, p. 152
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- Article
23
Diaspora Doubtful: Illegible Diasporic Subjects in Claude McKay's Banjo and Nadifa Mohamed's Black Mamba Boy.
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- South Atlantic Review, 2017, v. 82, n. 4, p. 98
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- Article
24
Claude McKay's `If We Must Die,' Home to Harlem, and the hog trope.
- Published in:
- 1995
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- Publication type:
- Literary Criticism
25
Losing LeninInst Internationalism in Claude McKay's Lost Novel.
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- Journal of Transnational American Studies, 2023, v. 14, n. 1, p. 31, doi. 10.5070/T814151884
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- Article
26
The Snares of Intimacy: Black Femininity in Claude McKay's Naturalist Novels.
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- Studies in American Naturalism, 2021, v. 16, n. 1, p. 1, doi. 10.1353/san.2021.0006
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- Article
27
Crosstown Jakes in 1920s Manhattan: Racial Formations in John Dos Passo's "Manhattan Transfer" and Claude McKay's "Home to Harlem."
- Published in:
- 2008
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- Publication type:
- Literary Criticism
28
Diaspora Cruises: Queer Black Proletarianism in Claude McKay's "A Long Way from Home."
- Published in:
- Modern Fiction Studies, 2003, v. 49, n. 4, p. 714, doi. 10.1353/mfs.2003.0072
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- Article
29
RACE, CAPITALISM, AND THE THIRD-SEX IDEAL: CLAUDE MCKAY'S HOME TO HARLEM AND THE LEGACY OF EDWARD CARPENTER.
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- Modern Fiction Studies, 2002, v. 48, n. 4, p. 825, doi. 10.1353/mfs.2002.0077
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- Article
30
CLAUDE MCKAY'S ROAD TO CATHOLICISM.
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- 2014
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- Essay
31
"A WOMAN IS A CONJUNCTION" The Ends of Improvisation in Claude McKay's Banjo: A Story without a Plot.
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- 2013
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- Publication type:
- Essay
32
Claude McKay, Code Name Sasha: Queer Black Marxism and the Harlem Renaissance.
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- 2008
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- Publication type:
- Book Review
33
Claude McKay's "The Biter Bit": "Calalu" and Caribbean Colonialism.
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- Callaloo, 2007, v. 30, n. 1, p. 313, doi. 10.1353/cal.2007.0138
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- Article
34
Hybridity, identity and cultural commerce in Claude McKay's Banana Bottom.
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- Callaloo, 1999, v. 22, n. 1, p. 176, doi. 10.1353/cal.1999.0029
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- Article
35
McKay, Claude. Romance in Marseille.
- Published in:
- 2020
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- Publication type:
- Book Review
36
`A long way from home': The art and protest of Claude McKay and James Baldwin.
- Published in:
- 1993
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- Publication type:
- Book Review
37
Hearing the Pandemic in Claude McKay's "If We Must Die".
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- PMLA: Publications of the Modern Language Association of America, 2021, v. 136, n. 2, p. 254, doi. 10.1632/s0030812921000158
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- Publication type:
- Article
38
Primitivist tensions in Caribbean-American literature: Claude McKay's and Paule Marshall's return to the island.
- Published in:
- Literature, Critique & Empire Today, 2024, v. 59, n. 2/3, p. 206, doi. 10.1177/00219894221099653
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39
Writing from the Margins of the Margins: Michael Gold's "Jews Without Money" and Claude McKay's "Home to Harlem."
- Published in:
- 2010
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- Publication type:
- Literary Criticism
40
The last word: Claude McKay's unpublished `Cycle Manuscript'.
- Published in:
- 1996
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- Publication type:
- Literary Criticism
41
Claude McKay: Rebel Sojourner m the Harlem Renaissance: A biography.
- Published in:
- 1987
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- Publication type:
- Book Review
42
Claude McKay: Rebel Sojourner in the Harlem Renaissance, A Biography.
- Published in:
- Journal of American Studies, 1989, v. 23, n. 3, p. 473, doi. 10.1017/S0021875800004217
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- Article
43
Modernism and the Harlem Renaissance/Claude McKay, Rebel Sojourner in the Harlem Renaissance: A Biography/Figures in Black: Words, Signs and the Racial Self.
- Published in:
- 1989
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- Publication type:
- Book Review
44
CLAUDE McKAY: THE EVOLUTION OF A CONSERVATIVE.
- Published in:
- CLA Journal, 1992, v. 36, n. 2, p. 157
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- Article
45
REREADING CLAUDE MCKAY.
- Published in:
- CLA Journal, 1990, v. 34, n. 1, p. 68
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- Article
46
CLAUDE MCKAY'S ROMANTICISM.
- Published in:
- CLA Journal, 1989, v. 32, n. 3, p. 296
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- Article
47
REREADING BANJO: CLAUDE MCKAY AND THE FRENCH CONNECTION.
- Published in:
- CLA Journal, 1986, v. 30, n. 1, p. 46
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- Article
48
Winston James, Claude McKay: The Making of a Black Bolshevik.
- Published in:
- American Literary History, 2025, v. 37, n. 1, p. 280, doi. 10.1093/alh/ajae157
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- Article
49
Claude McKay, Romance in Marseille, ed. Gary Edward Holcomb and William J. Maxwell.
- Published in:
- 2022
- By:
- Publication type:
- Book Review
50
The Red Is East: Claude McKay and the New Black Radicalism of the Twentieth Century.
- Published in:
- 2009
- By:
- Publication type:
- Literary Criticism