Manly Mechanicals on the Early Modern English Stage.
- Published in:
- 2014
- By:
- Publication type:
- Book Review
Works matching DE "17TH century English drama"
Results: 110
1
2
Jacobean Antony and Cleopatra .
- Published in:
- 1985
- By:
- Publication type:
- Literary Criticism
3
Shakespeare for Women? Margaret Cavendish and Judith Drake on Seventeenth-century Theatre, Pleasure and Education.
- Published in:
- Journal of the Wooden O, 2016, v. 16/17, p. 109
- By:
- Publication type:
- Article
4
Experiencing Drama in the English Renaissance: Readers and Audiences.
- Published in:
- 2019
- By:
- Publication type:
- Book Review
5
Kyd's THE SPANISH TRAGEDY.
- Published in:
- 1980
- By:
- Publication type:
- Literary Criticism
6
Cartwright's THE ORDINARY.
- Published in:
- 1980
- By:
- Publication type:
- Literary Criticism
7
Restoration Theatre Production (Book).
- Published in:
- 1985
- By:
- Publication type:
- Book Review
8
THE TONE OF THE JASPER AND LUCE SCENES IN BEAUMONT'S THE KNIGHT OF THE BURNING PESTLE.
- Published in:
- 1975
- By:
- Publication type:
- Literary Criticism
9
Dramatic Excerpts in Seventeenth-Century Manuscripts: Watching, Reading, Changing Plays.
- Published in:
- 2016
- By:
- Publication type:
- Book Review
10
Black Roma: Afro-Romani Connections in Early Modern Drama (and Beyond).
- Published in:
- Renaissance Quarterly, 2022, v. 75, n. 4, p. 1266, doi. 10.1017/rqx.2022.332
- By:
- Publication type:
- Article
11
Thomas Heywood's Theatre, 1599-1639: Locations, Translations, and Conflict.
- Published in:
- 2010
- By:
- Publication type:
- Book Review
12
Staging Islam in England, Drama and Culture, 1640-1685.
- Published in:
- 2008
- By:
- Publication type:
- Book Review
13
Aphra Behn: Portraiture and The Biographical Account.
- Published in:
- Review of English Studies, 2021, v. 72, n. 305, p. 481, doi. 10.1093/res/hgaa098
- By:
- Publication type:
- Article
14
Dramatic Extracts in Seventeenth-Century Manuscripts: Watching, Reading, Changing Plays.
- Published in:
- 2016
- By:
- Publication type:
- Book Review
15
The Wrong Kind of Wonder: Ben Jonson and Cornelis Drebbel.
- Published in:
- Review of English Studies, 2015, v. 66, n. 273, p. 60, doi. 10.1093/res/hgu059
- By:
- Publication type:
- Article
16
Middleton's A Game at Chess and the Making of a Theatrical Public.
- Published in:
- SEL: Studies in English Literature (Johns Hopkins), 2015, v. 55, n. 2, p. 423, doi. 10.1353/sel.2015.0016
- By:
- Publication type:
- Article
17
Recent Studies in Tudor and Stuart Drama.
- Published in:
- SEL: Studies in English Literature (Johns Hopkins), 2011, v. 51, n. 2, p. 465, doi. 10.1353/sel.2011.0019
- By:
- Publication type:
- Article
18
Recent Studies in Tudor and Stuart Drama.
- Published in:
- SEL: Studies in English Literature (Johns Hopkins), 1999, v. 39, n. 2, p. 383, doi. 10.2307/1556171
- By:
- Publication type:
- Article
19
Staging Women and the Soul-Body Dynamic in Early Modern England.
- Published in:
- 2016
- By:
- Publication type:
- Book Review
20
Thomas Middleton in Context, ed. Suzanne Gossett.
- Published in:
- 2014
- By:
- Publication type:
- Book Review
21
The difficulty of The White Devil and The Duchess of Malfi.
- Published in:
- 1980
- By:
- Publication type:
- Literary Criticism
22
Milton's masque: occasion, form and meaning.
- Published in:
- 1978
- By:
- Publication type:
- Literary Criticism
23
The English Renaissance Stage: Geometry, Poetics, and the Practical Spatial Arts 1580-1630.
- Published in:
- 2009
- By:
- Publication type:
- Book Review
24
Apocalypse and Anti-Catholicism in Seventeenth Century English Drama.
- Published in:
- 2019
- By:
- Publication type:
- Book Review
25
Discovering the Sins of the Cellar in The Dutch Courtesan: Turpe est difficiles habere nugas.
- Published in:
- 2013
- By:
- Publication type:
- Literary Criticism
26
"'Batter'd, not demolish'd': staging the tortured body in The Martyred Soldier.
- Published in:
- 2013
- By:
- Publication type:
- Literary Criticism
27
Thomas Heywood's Theatre, 1599-1639: Locations, Translations, and Conflict.
- Published in:
- 2011
- By:
- Publication type:
- Book Review
28
"A Fine and Private Place": Chapman's Theatrical Widow.
- Published in:
- 2009
- By:
- Publication type:
- Literary Criticism
29
John Marston's Entertainment at Ashby and the 1606 Fleet Conduit Eclogue.
- Published in:
- 2006
- By:
- Publication type:
- Literary Criticism
30
Class Categorization, Capitalism, and the Problem of "Gentle" Identity in The Royall King and the Loyall Subject and Eastward Ho!
- Published in:
- 2006
- By:
- Publication type:
- Literary Criticism
31
A Jacobean Ghost, and Other Stories.
- Published in:
- Medieval & Renaissance Drama in England (Rosemont Publishing & Printing Corporation), 2005, v. 17, p. 37
- By:
- Publication type:
- Article
32
The Presentment of Bushell's Rock: Place, Politics, and Theatrical Self-Promotion.
- Published in:
- Medieval & Renaissance Drama in England (Rosemont Publishing & Printing Corporation), 2003, v. 16, p. 39
- By:
- Publication type:
- Article
33
Leaning Too Hard Upon the Pen: Suburb Wenches and City Wives in Westward Ho.
- Published in:
- 2002
- By:
- Publication type:
- Literary Criticism
34
Songs by Aurelian Townshend, in the hand of Sir Henry Herbert, for an Unrecorded Masque by the Merchant Adventurers.
- Published in:
- 2002
- By:
- Publication type:
- Literary Criticism
35
COGNITION AND RECOGNITION IN KING LEAR, ACT IV. SCENE vii.
- Published in:
- Quidditas, 2010, v. 31, p. 233
- By:
- Publication type:
- Article
36
Playwriting Playgoers in Shakespeare's Theater.
- Published in:
- 2019
- By:
- Publication type:
- Book Review
37
Shadow and Substance: Eucharistic Controversy and English Drama Across the Reformation Divide.
- Published in:
- 2019
- By:
- Publication type:
- Book Review
38
Thomas Heywood, Just in Time.
- Published in:
- Early Theatre, 2014, v. 17, n. 2, p. 122, doi. 10.12745/et.17.2.1209
- By:
- Publication type:
- Article
39
Introduction: Entire Hands and Main Fingers.
- Published in:
- Early Theatre, 2014, v. 17, n. 2, p. 119, doi. 10.12745/et.17.2.1204
- By:
- Publication type:
- Article
40
THE UNIQUE EYE-WITNESS REPORT OF MIDDLETON'S A GAME AT CHESS.
- Published in:
- Review of English Studies, 1991, v. 42, n. 166, p. 168, doi. 10.1093/res/XLII.166.168
- By:
- Publication type:
- Article
41
Disintegration and Reintegration of the Self in John Marston’s Antonio’s Revenge.
- Published in:
- 2017
- By:
- Publication type:
- Literary Criticism
42
“Its Only Test is in Performance”: Aphra Behn and the Modern London Stage.
- Published in:
- Women's Writing, 2016, v. 23, n. 3, p. 298, doi. 10.1080/09699082.2016.1159019
- By:
- Publication type:
- Article
43
Point, Counterpoint, Needlepoint: The Tapestry in Margaret Cavendish's The Unnatural Tragedy.
- Published in:
- 2013
- By:
- Publication type:
- Essay
44
The "Four" Men Who Censored the Birth of British Drama.
- Published in:
- 2022
- By:
- Publication type:
- Book Review
45
Parsing the City: Jonson,Middleton, Dekker, and City Comedy's London as Language.
- Published in:
- 2015
- By:
- Publication type:
- Book Review
46
Shadow and Substance: Eucharistic Controversy and English Drama across the Reformation Divide.
- Published in:
- 2021
- By:
- Publication type:
- Book Review
47
A Heifer's Horns in Chapman's ALL FOOLS.
- Published in:
- 2015
- By:
- Publication type:
- Literary Criticism
48
SAMSON AGONISTES 1010–1017.
- Published in:
- 2013
- By:
- Publication type:
- Literary Criticism
49
Faustus as Dunce: The Degeneration of Man and Word.
- Published in:
- 2013
- By:
- Publication type:
- Literary Criticism
50
Making Make-Believe Real: Politics and Theater in Shakespeare's Time.
- Published in:
- Heythrop Journal, 2015, v. 56, n. 2, p. 327, doi. 10.1111/heyj.12239_17
- By:
- Publication type:
- Article