Works matching DE "MICROTONAL music"
Results: 23
Commentary.
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- Music Theory Online, 2024, v. 30, n. 4, p. 24, doi. 10.30535/mto.30.4.29
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- Article
Briefs / Feuilletons.
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- Fontes Artis Musicae, 2020, v. 67, n. 2, p. 161, doi. 10.1353/fam.2020.0011
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- Article
Alois Hába's Microtonal Systems and Their Practical Use in Selected String Quartets.
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- Kwartalnik Mlodych Muzykologów UJ, 2018, v. 38, n. 3, p. 47, doi. 10.4467/23537094KMMUJ.18.033.9734
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The Microtonal Guitars of Harry Partch.
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- Soundboard Scholar, 2015, n. 1, p. 26
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How Different Are Our Perceptions of Equal-Tempered and Microtonal Intervals? A Behavioural and EEG Survey.
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- PLoS ONE, 2015, v. 10, n. 8, p. 1, doi. 10.1371/journal.pone.0135082
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- Article
Alternatives to Semitones and Quartertones: Music-Theoretical Suggestions.
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- Mathematical Intelligencer, 2018, v. 40, n. 3, p. 37, doi. 10.1007/s00283-018-9800-z
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- Article
Quarter-Tone and Sixth-Tone Musical Instruments Built according to Designs by Alois Hába.
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- Musicalia, 2013, n. 1/2, p. 43
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- Article
Microtonal Tunings in Electronic Dance Music: A Survey of Precedent and Potential.
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- Contemporary Music Review, 2016, v. 35, n. 2, p. 242, doi. 10.1080/07494467.2016.1221635
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Computer-Assisted Tone Arrangement Using Calculated Consonance.
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- Contemporary Music Review, 2013, v. 32, n. 5, p. 447, doi. 10.1080/07494467.2013.849873
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An empirical study of quarter-tone intonation.
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- Contemporary Music Review, 2003, v. 22, n. 1/2, p. 53, doi. 10.1080/0749446032000134742
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Temperaments, tonalities and microtonalities: an introduction.
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- Contemporary Music Review, 2003, v. 22, n. 1/2, p. 1, doi. 10.1080/0749446032000134706
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Commentary on Microtonal Analysis of "Blue Notes" and the Blues Scale.
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- Empirical Musicology Review, 2018, v. 13, n. 1/2, p. 103
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Commentary on Microtonal Analysis of "Blue Notes" and the Blues Scale.
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- Empirical Musicology Review, 2018, v. 13, n. 1/2, p. 100
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Microtonal Analysis of "Blue Notes" and the Blues Scale.
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- Empirical Musicology Review, 2018, v. 13, n. 1/2, p. 84
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COMPOSER, JOURNALIST AND PEDAGOGUE DRAGUTIN ČOLIĆ (1907-1987) ON THE OCCASION OF THE CENTENARY OF HIS BIRTH.
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- New Sound: International Magazine for Music, 2007, n. 29, p. 21
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Leonardo/ISAST NEWS.
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- Leonardo, 2001, v. 34, n. 3, p. 286, doi. 10.1162/002409401750287092
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cents_analysis_v1.0.
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- Revista Vortex, 2014, v. 2, n. 2, p. 207, doi. 10.33871/23179937.2014.2.2.478
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Kinesiology of the Viola.
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- Brooklyn Rail, 2019, p. 1
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THE LONGING PARADIGM IN ENESCU'S WORK.
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- Bulletin of the Transilvania University of Brasov, Series VIII: Art & Sport, 2012, v. 5, n. (54) 2, p. 67
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THE HAPPY VALLEY BAND: CREATIVE (MIS)TRANSCRIPTION.
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- Leonardo Music Journal, 2016, v. 26, n. 1, p. 76, doi. 10.1162/LMJ_a_00973
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The Difficulty of Learning Microtonal Tunings Rapidly: The Influence of Pitch Intervals and Structural Familiarity.
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- Psychomusicology: Music, Mind & Brain, 2018, v. 28, n. 1, p. 50, doi. 10.1037/pmu0000207
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Learning a well-formed microtonal scale: Pitch intervals and event frequencies.
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- Journal of New Music Research, 2018, v. 47, n. 3, p. 206, doi. 10.1080/09298215.2018.1432060
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Parallel History of Russian Musical Avant-garde.
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- Musicology of Lithuania / Lietuvos muzikologija, 2015, n. 16, p. 90
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