Works matching Wilson, August, 1945-2005
Results: 140
The One Who Went Before: Remembering the playwright August Wilson, 1945-2005.
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- American Scholar, 2006, v. 75, n. 1, p. 122
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- Article
O jogo do patriarcado em Um limite entre nós.
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- Revista Estudos Feministas, 2021, v. 29, n. 3, p. 1, doi. 10.1590/1806-9584-2021v29n372447
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- Article
Significance of Songs and Music in August Wilson's "The Piano Lesson".
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- Bulletin of Advanced English Studies (BAES), 2024, v. 9, n. 2, p. 51, doi. 10.31559/BAES2024.9.2.2
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- Article
Over the Ramp: Building Bridges.
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- Teaching Artist Journal, 2007, v. 5, n. 3, p. 205, doi. 10.1080/15411790701409713
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- Article
August Wilson Interview.
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- 2002
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- Interview
The Religious Tension between Christianity and African Religion in August Wilson's Joe Turner's Come and Gone.
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- Journal of The Iraqi University, 2021, v. 49, n. 2, p. 440
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- Article
Currents of Memory: Ancestral Waters in Henry Dumas's “Ark of Bones” and August Wilson's Gem of the Ocean.
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- 2009
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- Literary Criticism
Call-and-Response in the City: Embodied Mercy in August Wilson's.
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- Kalfou, 2022, v. 9, n. 1, p. 34, doi. 10.15367/kf.v9i1.420
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- Article
Constructive Intersections.
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- 2007
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- Essay
The Writer's Racial Paradox: August Wilson, Choosing the Black Route.
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- Journal of Humanistic & Social Studies, 2021, v. 12, n. 1, p. 21
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- Article
WOMEN AS HOPE OF AFRICAN-AMERICAN COMMUNITY IN AUGUST WILSON’S PLAYS.
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- Interstudia, 2021, n. 29, p. 48
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- Article
The Father-Son Conflict in August Wilson's Jitney.
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- Labyrinth: An International Refereed Journal of Postmodern Studies, 2013, v. 4, n. 4, p. 115
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- Article
Unfencing the Fence: The Wife as Mediator in August Wilson's Fences.
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- Labyrinth: An International Refereed Journal of Postmodern Studies, 2013, v. 4, n. 2, p. 63
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- Article
Shamanism and African Identity: An Exploration into August Wilson's Joe Turner's Come and Gone.
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- Labyrinth: An International Refereed Journal of Postmodern Studies, 2013, v. 4, n. 1, p. 91
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- Article
Sukla Basu-Sen: 'Bera' as stage-play and classroom text.
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- Muse India, 2014, n. 58, p. 1
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No One Size Fits All: Womanhood, Feminism, and Female Archetypes in August Wilson's Joe Turner's Come and Gone.
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- 2014
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- Essay
Property, Person, Piano: Ownership in August Wilson's The Piano Lesson.
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- 2014
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- Essay
Rocking the Boat: The Value of Revolutionary Black Masculinity and Critiquing Neoliberal Capitalism in Gem of the Ocean and Radio Golf.
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- 2014
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- Essay
August Wilson: Hometown Son.
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- 2014
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- Interview
A Short Biographic Sketch and Annotated Bibliography on August Wilson.
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- Making Connections: Interdisciplinary Approaches to Cultural Diversity, 2014, v. 15, n. 2, p. 65
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- Article
Editor's Introduction.
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- Making Connections: Interdisciplinary Approaches to Cultural Diversity, 2014, v. 15, n. 2, p. iv
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- Article
Tiger on the Wall: African-American Middle-Class Identity in Wilson's Radio Golf.
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- 2010
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- Essay
Ghosts and spirits in Afro culture: Morrison and Wilson.
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- Anglican Theological Review, 1991, v. 73, n. 3, p. 297
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- Article
'The first black battalion': Casting in Hamilton.
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- Studies in Musical Theatre, 2019, v. 13, n. 3, p. 299, doi. 10.1386/smt_00008_1
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- Article
Aggression in August Wilson’s King Hedley II Asma’a Mohannad Saad.
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- Alustath, 2019, v. 58, n. 4, p. 13
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- Article
Acting Out "Cool": "Coolness"; as a Mask in August Wilson's Ma Rainey's Black Bottom.
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- Monograf, 2021, n. 15, p. 114
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- Article
Racial Otherness in the American Modern Theatre.
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- Journal of Language Teaching & Research, 2015, v. 6, n. 6, p. 1320, doi. 10.17507/jltr.0606.20
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- Article
The History, Geography, and Heterogeneity of American Dramatic Realism.
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- American Literary History, 1999, v. 11, n. 4, p. 710, doi. 10.1093/alh/11.4.710
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- Article
Yoruba Gods on the American stage: August Wilson's `Joe Turner's Come and Gone'.
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- 1999
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- Literary Criticism
The Cambridge Companion to August Wilson.
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- 2010
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- Book Review
An Analysis of the Protagonists’ Psychology in The Piano Lesson from the Perspective of Triple Personality Structure Theory.
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- International Journal of Linguistics, Literature & Translation, 2022, v. 5, n. 10, p. 135, doi. 10.32996/ijllt.2022.5.10.15
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- Article
Shaping the Identity through Dramatizing the Memories - A Study of August Wilson’s The Piano Lesson.
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- Journal of Al-Frahids Arts, 2022, p. 549, doi. 10.51990/jaa.14.50.3.28
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- Article
The walking blues.
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- Black Scholar, 1995, v. 25, n. 2, p. 30, doi. 10.1080/00064246.1995.11430717
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- Article
A MULHER NEGRA CRIADA NA AUSÊNCIA -- dinâmicas de representação e a composição de elementos visuais de Rose Maxson em Fences.
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- Ilha do Desterro: A Journal of English Language, Literatures in English & Cultural Studies, 2023, v. 76, n. 2, p. 217, doi. 10.5007/2175-8026.2023.e92664
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- Article
Erupting Thunder: Race and Class in the 20th Century Plays of August Wilson.
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- Socialism & Democracy, 2003, v. 17, n. 1, p. 339, doi. 10.1080/08854300308428356
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- Article
Hyper-Masculinity and the Black Male Subject: Honor Killings, Sexual Conquests, and Revenge in August Wilson's Post-1950s Plays Two Trains Running, Jitney, and King Hedley II.
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- Cinematic Codes Review, 2018, v. 3, n. 3, p. 54
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- Article
Re-reading August Wilson's Fences: The influence of the Black Aesthetic and Chinua Achebe's Things Fall Apart.
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- English Text Construction, 2013, v. 6, n. 2, p. 213, doi. 10.1075/etc.6.2.01ogo
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- Article
Hi-Tech Everything: A Fragmented Report from the Heart of Techno-Consumerism.
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- Body, Space & Technology, 2018, v. 17, n. 1, p. 177, doi. 10.16995/bst.301
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- Article
Yale Repertory Theatre: New Haven, Connecticut, 2016-2017.
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- New England Theatre Journal, 2017, v. 28, p. 172
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- Article
The Yale Repertory Theatre New Haven, Connecticut, 2010-2011.
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- 2011
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- Performance Review
Interview with Kenny Leon.
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- 2008
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- Interview
Visualizing August Wilson's Gem of the Ocean.
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- New England Theatre Journal, 2008, v. 19a, p. 75
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- Article
Waking the Dead: History and Memory in August Wilson's Ma Rainey's Black Bottom, Joe Turner's Come and Gone and The Piano Lesson.
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- New England Theatre Journal, 2008, v. 19a, p. 61
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- Article
Reparations: Repairing the Damages Suffered During the Middle Passage in August Wilson's Joe Turner's Come and Gone.
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- New England Theatre Journal, 2008, v. 19a, p. 45
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- Article
The Piano Lesson: August Wilson's Object Lessons and Ethnographic (Dis)Play.
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- New England Theatre Journal, 2008, v. 19a, p. 29
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The Nice-Nasty Politics of Fragmenting August Wilson's Legacy.
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- New England Theatre Journal, 2008, v. 19a, p. 7
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Infinite Variety: Introduction to the Special Issue on August Wilson.
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- New England Theatre Journal, 2008, v. 19a, p. 1
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- Article
A Study in Black and White.
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- New England Theatre Journal, 2008, v. 19a, p. 2
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- Article
NEW ENGLAND THEATRE IN REVIEW.
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- New England Theatre Journal, 2007, v. 18, p. 109
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- Article
The Theatre of Sheppard Randolph Edmonds.
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- New England Theatre Journal, 2005, v. 16, p. 21
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- Article