Opera Addict: The Rake's Progress and W.H. Auden's Operatic Theory.
- Published in:
- 2016
- By:
- Publication type:
- Essay
Works matching DE "LIBRETTISTS"
Results: 53
1
2
Offred Reframed: The Adaptation from Novel to Opera.
- Published in:
- University of Toronto Quarterly, 2006, v. 75, n. 3, p. 835, doi. 10.1353/utq.2006.0261
- By:
- Publication type:
- Article
3
He was an Englishman.
- Published in:
- History Today, 2011, v. 61, n. 5, p. 43
- By:
- Publication type:
- Article
4
FRENCH WOMEN OPERA COMPOSERS AND THE AESTHETICS OF ROUSSEAU.
- Published in:
- Feminist Studies, 2000, v. 26, n. 1, p. 69, doi. 10.2307/3178593
- By:
- Publication type:
- Article
5
Poetry and Opera.
- Published in:
- 2013
- By:
- Publication type:
- Essay
6
Opera, The Writer & The Composer.
- Published in:
- 2013
- By:
- Publication type:
- Essay
7
Words for Music.
- Published in:
- 2013
- By:
- Publication type:
- Essay
8
Counting the Syllables: Paul Muldoon as Librettist.
- Published in:
- 2013
- By:
- Publication type:
- Essay
9
Old and new covenants: Historical and theological contexts in Scribe's and Haléévy's La Juive.
- Published in:
- Semiotica, 2011, v. 2011, n. 184, p. 139, doi. 10.1515/semi.2011.026
- By:
- Publication type:
- Article
10
RETOUR SUR LA GENÈSE DU LIVRET DE L'ANNONCE FAITE À MARIE POUR PHILIPPE LEROUX.
- Published in:
- Bulletin de la Société Paul Claudel, 2023, v. 2, n. 240, p. 33
- By:
- Publication type:
- Article
11
Pelléas and Mélisande - Maurice Maeterlinck and the Opera Performance. 2018 Retrospective.
- Published in:
- Theatrical Colloquia, 2019, n. 27, p. 163, doi. 10.2478/tco-2019-0003
- By:
- Publication type:
- Article
12
Who Can Write An Opera? F.C. Bressand and the Baroque Opera Libretto.
- Published in:
- Monatshefte, 2007, v. 99, n. 4, p. 441, doi. 10.1353/mon.2008.0014
- By:
- Publication type:
- Article
13
OF OPERA IN THE ENLIGHTENMENT: ENLIGHTENED GENDER AND GENRE.
- Published in:
- Classical Russia / Imperskaia Rossiia 1700-1825, 2010, v. 3-5, p. 51
- By:
- Publication type:
- Article
14
Interview with Gerald Barry.
- Published in:
- 2010
- By:
- Publication type:
- Interview
15
Outstaring the Sun: Contemporary Opera and the Literary Librettist.
- Published in:
- Contemporary Music Review, 2010, v. 29, n. 2, p. 121, doi. 10.1080/07494467.2010.534917
- By:
- Publication type:
- Article
16
Opera as Experience.
- Published in:
- Journal of Aesthetic Education, 2009, v. 43, n. 4, p. 74, doi. 10.1353/jae.0.0063
- By:
- Publication type:
- Article
17
FRIEDRICH WILHELM GOTTER (1746-1797).
- Published in:
- Aufklärung, 2022, v. 34, p. 269
- By:
- Publication type:
- Article
18
The letters of Casa Ricordi.
- Published in:
- Bibliothek Forschung und Praxis, 2018, v. 42, n. 2, p. 255, doi. 10.1515/bfp-2018-0034
- By:
- Publication type:
- Article
19
Recitative in the Savoy Operas.
- Published in:
- Musical Quarterly, 2012, v. 95, n. 4, p. 549, doi. 10.1093/musqtl/gds028
- By:
- Publication type:
- Article
20
Schoenberg's Vienna, Freud's Vienna: Re-Examining the Connections between the Monodrama Erwartung and the Early History of Psychoanalysis.
- Published in:
- Musical Quarterly, 2010, v. 93, n. 1, p. 144, doi. 10.1093/musqtl/gdq003
- By:
- Publication type:
- Article
21
Baletų lietuviškumo ir modernumo klausimu: tapatumo formų sąveika ir virsmas Lietuvos balete.
- Published in:
- Menotyra, 2011, v. 18, n. 2, p. 165
- By:
- Publication type:
- Article
22
PULCINELLA'S MOUTHFULS: THE PULCINELLATE OF CARLO SIGISMONDO CAPECE AND THE LANGUAGE OF OTHERNESS.
- Published in:
- Quaderni d'italianistica, 2021, v. 42, n. 2, p. 71, doi. 10.33137/q.i..v42i2.39692
- By:
- Publication type:
- Article
23
IL TEATRO MUSICALE DI PRIMO OTTOCENTO NELLE CONSIDERAZIONI CRITICHE DEL NOBILE DILETTANTE DI MUSICA CESARE DI CASTELBARCO<sup>1</sup>.
- Published in:
- Rivista Italiana di Musicologia, 2007, v. 42, n. 1, p. 105
- By:
- Publication type:
- Article
24
Dvořák, his Librettists, and the Working Libretto for ‘Armida’.
- Published in:
- Music & Letters, 2010, v. 91, n. 4, p. 555, doi. 10.1093/ml/gcq101
- By:
- Publication type:
- Article
25
THE ROMAN TRIUMPH IN PURCELL'S ODES.
- Published in:
- Music & Letters, 2002, v. 83, n. 3, p. 371, doi. 10.1093/ml/83.3.371
- By:
- Publication type:
- Article
26
Deianira nel teatro musicale: memorie poetiche antiche dal libretto del musical drama Hercules di G.F. Handel (1745).
- Published in:
- Dioniso, 2015, n. 5, p. 147
- By:
- Publication type:
- Article
27
SHAKESPEARE'S UNTRANSLATABLE ENGLISHNESS TRANSLATED INTO OPERA.
- Published in:
- Metacritic Journal for Comparative Studies & Theory, 2016, v. 2, n. 1, p. 193
- By:
- Publication type:
- Article
28
E. M. FORSTER'S BILLY BUDD AND THE COLLABORATIVE WORK OF OPERA.
- Published in:
- 2010
- By:
- Publication type:
- Essay
29
Handel’s Israelite Oratorio Libretti: Sacred Drama and Biblical Exegesis. By Deborah W. Rooke.
- Published in:
- 2014
- By:
- Publication type:
- Book Review
30
Preliminary observations on the Ballo primo of Europa riconosciuta by Antonio Salieri: Milan, La Scala Theatre, 1778.
- Published in:
- Recercare, 2004, v. 16, p. 263
- By:
- Publication type:
- Article
31
Benedetto Pamphilj as librettist: Mary Magdalene and the harmony of the spheres in Handel's Il trionfo del Tempo e del Disinganno.
- Published in:
- Recercare, 2004, v. 16, p. 133
- By:
- Publication type:
- Article
32
Comment construire un livret d'opéra selon W. H. Auden.
- Published in:
- Caietele Echinox, 2009, v. 16, p. 338
- By:
- Publication type:
- Article
33
Giuseppe Millico and La pietà d'amore: from Naples to Lisbon to Rio de Janeiro.
- Published in:
- Revista Música Hodie, 2016, v. 16, n. 1, p. 45, doi. 10.5216/mh.v16i1.43048
- By:
- Publication type:
- Article
34
Franz Lehár's The Merry Widow: Revisiting Pontevedro.
- Published in:
- Serbian Studies, 2011, v. 25, n. 2, p. 259
- By:
- Publication type:
- Article
35
Between Progress and Regression.
- Published in:
- Word & Music Studies, 2006, v. 8, p. 273
- Publication type:
- Article
36
Introduction to The Essence of Opera (1964).
- Published in:
- Word & Music Studies, 2006, v. 8, p. 33
- Publication type:
- Article
37
The Libretto as Literature (1961).
- Published in:
- Word & Music Studies, 2006, v. 8, p. 3
- Publication type:
- Article
38
Elements of Bile: Placing Daniel Ottolengui (1836-1918) in the Heritage of Hate.
- Published in:
- Journal of Hate Studies, 2015, v. 13, n. 1, p. 115
- By:
- Publication type:
- Article
39
W. H. Auden's Public Art: From Poetic Reticence to Operatic Performance.
- Published in:
- Text & Performance Quarterly, 2009, v. 29, n. 4, p. 367, doi. 10.1080/10462930903242863
- By:
- Publication type:
- Article
40
Intrusive Narrators: The Representation of Narration and Narrators in the Operatic Adaptations of The Great Gatsby and Sophie's Choice.
- Published in:
- Forum for Modern Language Studies, 2012, v. 48, n. 2, p. 222, doi. 10.1093/fmls/cqs007
- By:
- Publication type:
- Article
41
Much Ado about The Tempest: London Opera Politics, Intercultural Incomprehension, and Felix Mendelssohn.
- Published in:
- Journal of Musicological Research, 2010, v. 29, n. 2-3, p. 86, doi. 10.1080/01411896.2010.482511
- By:
- Publication type:
- Article
42
GOING TO CHURCH WITH J.S. BACH.
- Published in:
- One in Christ, 2016, v. 50, n. 2, p. 270
- By:
- Publication type:
- Article
43
Images of the friendship with Bartók: From Béla Balázs's recollections.
- Published in:
- Hungarian Studies (02366568), 2014, v. 28, n. 2, p. 211, doi. 10.1556/HStud.28.2014.2.2
- By:
- Publication type:
- Article
44
⪡SCRIVERE A GUSTI DEL POPOLO⪢.
- Published in:
- Il Saggiatore Musicale, 2006, v. 13, n. 2, p. 221
- By:
- Publication type:
- Article
45
Arms and the girls: The powerful weapon that is women writing women for the musical stage.
- Published in:
- Studies in Musical Theatre, 2012, v. 6, n. 3, p. 335, doi. 10.1386/smt.6.3.335_1
- By:
- Publication type:
- Article
46
Lorenzo Da Ponte: Mozart's Librettist.
- Published in:
- History Today, 1978, v. 28, n. 3, p. 161
- By:
- Publication type:
- Article
47
Music in Arcadia: Batoni's portrait of Giacinta Orsini and Aurisicchio's cantata on the departure of her father.
- Published in:
- Early Music, 2018, v. 46, n. 4, p. 615, doi. 10.1093/em/cay048
- By:
- Publication type:
- Article
48
Bouffonnerie Musicale: The Story of H. B. Farnie, Author, Journalist, Golfer, Librettist, Adapter, and Song Writer (1836-1889).
- Published in:
- 2011
- By:
- Publication type:
- Book Review
49
“A Time to Dance”: Music, the Bible and the Book of Ecclesiastes.
- Published in:
- Expository Times, 2014, v. 126, n. 3, p. 114, doi. 10.1177/0014524614525311
- By:
- Publication type:
- Article
50
"Intonazioni degli Ebrei" from Benedetto Marcello's Estro poetico-armonico in Prague in 1729.
- Published in:
- Musicology / Hudební Věda, 2015, v. 52, n. 1, p. 5
- By:
- Publication type:
- Article