MOTIVO LITERARIO Y TRADUCCIÓN: SOBRE EL VERSO QUI AMANS EGENS INGRESSUS EST PRINCEPS IN AMORIS VIAS DEL PERSA PLAUTINO.Published in:Exemplaria Classica, 2012, v. 16, p. 35By:POZO, J. L. ARCAZPublication type:Article
The Time of the Hero and the Dream of the Celt: A Case Study of Narrative Continuity in Mario Vargas Llosa.Published in:2019By:Boland, Roy C.Publication type:Literary Criticism
Othello and the Unweaponed City.Published in:Shakespeare Quarterly, 2015, v. 66, n. 2, p. 137, doi. 10.1353/shq.2015.0020By:SISSON, ANDREWPublication type:Article
Security Forces in African States: Cases and Assessment.Published in:2017By:Chido, Diane E.Publication type:Book Review
Monstrous M*A*S*H: Khaki Gothic and Comedy.Published in:Gothic Studies, 2017, v. 19, n. 1, p. 91, doi. 10.7227/GS.0021By:Swift, SundayPublication type:Article
Herself alone in orange rain – extract from a novel.Published in:New Writing: The International Journal for the Practice & Theory of Creative Writing, 2017, v. 14, n. 3, p. 293, doi. 10.1080/14790726.2017.1301962By:Iceton, TraceyPublication type:Article
NEW MODEL ARMIES: RE-CONTEXTUALIZING THE CAMP IN MARGARET CAVENDISH'S BELL IN CAMPO.Published in:2011By:PASUPATHI, VIMALA C.Publication type:Literary Criticism
'De gente que a ningún rey obedecen': Republicanism and Empire in Alonso de Ercilla's La Araucana.Published in:2014By:SUTTONQ, IMOGENPublication type:Poetry Review