Results: 12
Marriage, Credit-Worthiness, and the Woman Chained in The Comedy of Errors.
- Published in:
- 2016
- By:
- Publication type:
- Performance Review
A Natural Transformation: Shakespeare's Reimagining of Fairies as a Social Critique and an Observation of Ecological Anxiety.
- Published in:
- Journal of the Wooden O, 2016, v. 16/17, p. 165
- By:
- Publication type:
- Article
Shakespeare's Problem Wars.
- Published in:
- Journal of the Wooden O, 2016, v. 16/17, p. 138
- By:
- Publication type:
- Article
Shakespeare for Women? Margaret Cavendish and Judith Drake on Seventeenth-century Theatre, Pleasure and Education.
- Published in:
- Journal of the Wooden O, 2016, v. 16/17, p. 109
- By:
- Publication type:
- Article
A Strange-disposed Time: Julius Caesar and Fascism.
- Published in:
- 2016
- By:
- Publication type:
- Performance Review
The London Theatre Scene in William Hazlitt's Dramatic Criticism.
- Published in:
- Journal of the Wooden O, 2016, v. 16/17, p. 86
- By:
- Publication type:
- Article
"Not of Woman Born": Lady Macbeth's Cesarean Section.
- Published in:
- 2016
- By:
- Publication type:
- Performance Review
"Masculine Margaret?": Margaret of Anjou's Gender Performance in Shakespeare's First.
- Published in:
- Journal of the Wooden O, 2016, v. 16/17, p. 56
- By:
- Publication type:
- Article
ACTING SHAKESPEARE: A Roundtable Discussion with Artists from the Utah Shakespeare Festival's 2016 Production of Much Ado About Nothing.
- Published in:
- 2016
- By:
- Publication type:
- Proceeding
How Shakespeare Lost the American West.
- Published in:
- Journal of the Wooden O, 2016, v. 16/17, p. 28
- By:
- Publication type:
- Article
"Peace, Count the Clock": Shakespeare's Humanist Usage of Anachronism in Julius Caesar.
- Published in:
- 2016
- By:
- Publication type:
- Performance Review
Cry Me a River: Tears and the Dissolution of Boundaries in Titus Andronicus.
- Published in:
- 2016
- By:
- Publication type:
- Performance Review