Embodying Otherness: Nelisiwe Xaba's Fremde Tänze.
- Published in:
- Textus, 2017, v. 30, n. 2, p. 141
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- Publication type:
- Article
Works matching IS 18243967 AND DT 2017 AND VI 30 AND IP 2
Results: 8
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Embodied Otherness and Hybridity: David Greig's The Bacchae and the Reprise of Ancient Greek Tragedy.
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- Textus, 2017, v. 30, n. 2, p. 121
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- Publication type:
- Article
3
Lament as Women's Speech in Femi Osofisan's Adaptation of Euripides' Trojan Women: Women of Owu.
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- Textus, 2017, v. 30, n. 2, p. 105
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- Publication type:
- Article
4
Acting Agency in Aotearoa New Zealand: Hone Kouka's and Briar Grace-Smith's Debut Plays.
- Published in:
- Textus, 2017, v. 30, n. 2, p. 83
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- Publication type:
- Article
5
Black British Women's Theatre in the 1980s and the Politics of Representation.
- Published in:
- Textus, 2017, v. 30, n. 2, p. 67
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- Publication type:
- Article
6
"The Real Australian Story": Studying Kullark as a Reassessment of Cultural Identities.
- Published in:
- Textus, 2017, v. 30, n. 2, p. 51
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- Publication type:
- Article
7
"The Freedom of the Thief": Derek Walcott's The Joker of Seville as a Cross-cultural Dialogue with Tirso de Molina.
- Published in:
- Textus, 2017, v. 30, n. 2, p. 27
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- Publication type:
- Article
8
Introduction: Postcolonial Embodiments in Contemporary Performance.
- Published in:
- Textus, 2017, v. 30, n. 2, p. 7
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- Publication type:
- Article