Difficult to Digest: Rubem Fonseca's "Intestino Grosso" ["Large Intestine"] as a Scatological Theory of Crime Fiction.Published in:2017By:Barco, Nicole SparlingPublication type:Literary Criticism
From Barbarized to Disneyfied: Viewing 1990s New York City Through Eve Dallas, J.D. Robb's Futuristic Homicide Detective.Published in:2017By:Kamble, JayashreePublication type:Literary Criticism
Violence and Globalization in De que nada se sabe (2002) by Alfredo Noriega: A Dark Account of Late Twentieth Century Ecuador in a Glocal Noir Ecuatoriano.Published in:2017By:Aluma-Cazorla, AndresPublication type:Literary Criticism
Detective Fiction in the Monster, Mexico City.Published in:2017By:Wiest, Leisa RothlisbergerPublication type:Literary Criticism
Donde todo se paga: Ricardo Piglia's Blanco nocturno as a Lesson in Noir Economics.Published in:2017By:Larson, ErikPublication type:Literary Criticism
The Sound of L.A. Noir - Listening to Marlowe's Los Angeles in Raymond Chandler's The Long Goodbye and Benjamin Black's The Black-Eyed Blonde.Published in:2017By:Eisenberg, AnnikaPublication type:Literary Criticism
Capital Crimes in the Americas.Published in:FIAR: Forum for Inter-American Research, 2017, v. 10, n. 1, p. 5By:Barco, Nicole SparlingPublication type:Article