THE QUIET GAME: ROMANTICS VS. CROKER IN THE BATTLE FOR THE ENGLISH VOICE.Published in:2016By:Suhl, ErickaPublication type:Abstract
OH MY GOD! THEY KILLED ANNABEL LEE! (YOU BASTARDS!).Published in:2016By:Turberville, ErinPublication type:Abstract
REFORMIST PUNCH: IMAGES OF THE SEAMSTRESS IN PUNCH.Published in:2016By:Alexander, Lynn M.Publication type:Abstract
BYLAWS FOR THE TENNESSEE PHILOLOGICAL ASSOCIATION.Published in:Tennessee Philological Bulletin, 2016, v. 53, p. 137Publication type:Article
Saturday Morning Business Meeting February 27, 2016.Published in:2016By:Holmes, Thomas AlanPublication type:Proceeding
CONSTITUTION AND BY-LAWS TENNESSEE PHILOLOGICAL ASSOCIATION.Published in:Tennessee Philological Bulletin, 2016, v. 53, p. 134Publication type:Article
Friday Morning Business Meeting February 26, 2016.Published in:2016By:Holmes, Thomas AlanPublication type:Proceeding
Thursday Evening Executive Committee Meeting February 25, 2016.Published in:2016By:Holmess, Thomas AlanPublication type:Proceeding
HIMSELF, MYSELF, OUR SELF, A SELF IN WALT WHITMAN, ROBERT MONTGOMERY BIRD, AND HARRIET WILSON.Published in:2016By:Atkinson, WesPublication type:Abstract
BENJAMIN FRANKLIN AND THE IMAGE OF THE PIRATE.Published in:2016By:Curtis, David E.Publication type:Abstract
"HOSPITABLE IMPORTUNITY": ACCULTURATION AND IMMIGRATION IN MELVILLE'S TYPEE.Published in:2016By:Boyd, JoshuaPublication type:Abstract
AND EVER THE TWAIN SHALL TWEET: TEACHING TWAIN IN THE TWENTY-FIRST CENTURY.Published in:2016By:Steele, WilliamPublication type:Abstract
DOMESTIC AND WILDERNESS SPACES: THE ECOGOTHIC UP TO THE WORKS OF AMBROSE BIERCE.Published in:2016By:Whitaker, BrandynPublication type:Abstract
GETTING FROM PLACE TO PLACE IN HIGHBURY AND ITS ENVIRONS.Published in:2016By:Null, LindaPublication type:Abstract
AREOPAGITICA FOR THE TWENTY-FIRST CENTURY.Published in:2016By:Hart, Sherry AlusowPublication type:Abstract
PSYCHOANALYTICAL APPROACH TO CHAUCER'S TROILUS AND CRISEYDE.Published in:2016By:Baugher, LukePublication type:Abstract
THE WORKING MAN'S NIGHTMARE: MARXISM IN JOHN CARPENTER'S THE THING.Published in:2016By:Miller, Jessica KasperPublication type:Abstract
ALISON BECHDEL'S FUN HOME: DAEDALUS AND ICARUS.Published in:2016By:Holmes, Thomas AlanPublication type:Abstract
A SHORT HISTORY OF SHAKESPEARE IN GERMAN TRANSLATION.Published in:2016By:Brockman, BeatrixPublication type:Abstract
SHAKESPEAREAN ENGLISH IS NOT A FOREIGN LANGUAGE: TEACHING HAMLET WITH FILM.Published in:2016By:White-Major, CharlaPublication type:Abstract
"OUT, OUT, BRIEF CANDLE!": USING SHAKESPEARE'S MACBETH AS A FOUNDATION FOR THE STUDY OF FAULKNER'S THE SOUND AND THE FURY.Published in:2016By:Clark, Anna H.Publication type:Abstract
HOW SAFE IS YOUR GIRL DETECTIVE?: J. EDGAR HOOVER AND THE IMAGERY OF SEXUAL VIOLENCE IN GIRLS' DETECTIVE FICTION.Published in:2016By:Walker, BethPublication type:Abstract
PANEL: ASSESSING SHAKESPEARE'S RELEVANCE IN A TWENTY-FIRST-CENTURY DIGITAL ENVIRONMENT.Published in:2016By:Wadia, MickeyPublication type:Abstract
IDENTIFYING GENDER-BASED PATTERNS OF LANGUAGE IN THE DICCIONARIO DE LA REAL ACADEMIA ESPAÑOLA.Published in:2016By:Honea, KatherinePublication type:Abstract
REACHING FOR INFORMATION FROM MISTAKEN AND UNAWARE INTERVIEWEES.Published in:2016By:Major, David L.Publication type:Abstract
MIXED MYTHOLOGIES: SUBVERTED EXPECTATIONS IN A MIDSUMMER NIGHT'S DREAM.Published in:2016By:Duncan, LauraPublication type:Conference Paper/Materials
THE MAKING OF MEANING: USING CRITICAL STYLISTICS IN THE COMPOSITION CLASSROOM.Published in:2016By:Shafer, Philip M.Publication type:Abstract
ADVERBIAL CLAUSES AND GENDER IN SHAKESPEARE'S COMEDIES.Published in:2016By:McGarry, TheresaPublication type:Abstract
GUSTAV FREYTAG'S PYRAMID REVERSED: THE FALL AND RISE OF KING LEAR.Published in:2016By:Parker, JohnPublication type:Abstract
"READ IT FOR RESTORATIVES": HEALING THE FRAGMENTARY IN PERICLES, PRINCE OF TYRE.Published in:2016By:McLaughlin, JohnPublication type:Abstract
TRANSLATING DANCE IN SHAKESPEARE'S PLAYS.Published in:2016By:Kendall, YvonnePublication type:Abstract
THE USE OF HISTORY IN RON RASH'S THE COVE.Published in:2016By:Ensor, Allison R.Publication type:Abstract
"I WILL...GILD MYSELF": THE TRADE OF RELATIONS IN THE MERCHANT OF VENICE.Published in:2016By:Bond, MatthewPublication type:Abstract
ENOBARBUS: THE FOOL IN ANTONY AND CLEOPATRA.Published in:2016By:Shawen, Edgar McD.Publication type:Abstract
BLOOD MONEY, BLOOD FEUD: ANGLO-SAXON CULTURE IN ROMEO AND JULIET.Published in:2016By:Winters, RebeccaPublication type:Abstract
SELF/POSSESSION: THE APHRODITIC AND THE ARTEMISIAN IN A.S. BYATT'S POSSESSION.Published in:2016By:Hall, JessicaPublication type:Abstract
ROMANCING THE ARCHIVE: REDISCOVERING HUMAN AND HISTORICAL VALUE IN A. S. BYATT'S POSSESSION: A ROMANCE.Published in:2016By:Solomon, Kelsey A.Publication type:Abstract
OF GODS AND WOMEN: REPURPOSING OF THE BIBLICAL TEXT IN JEANETTE WINTERSON'S ORANGES ARE NOT THE ONLY FRUIT.Published in:2016By:Hill, JonathanPublication type:Abstract
DANGERS OF THE PERPETUAL PRESENT IN GRAHAM SWIFT'S WATERLAND AND SEBASTIAN FAULKES'S BIRDSONG.Published in:2016By:Castle, JacobPublication type:Abstract
PRODIGAL CHILDREN AND HONOR IN TITUS ANDRONICUS AND HENRY IV PART 1.Published in:2016By:Wolfe, SarahPublication type:Abstract
MIXED MYTHOLOGIES: HOW SHAKESPEARE SUBVERTS EXPECTATIONS IN A MIDSUMMER NIGHT'S DREAM.Published in:2016By:Duncan, LauraPublication type:Abstract
CRISEYDE, CRESSIDA, AND CRESSEID: PORTRAITS OF AN UNFAITHFUL WOMAN IN CHAUCER, SHAKESPEARE, AND HENRYSON.Published in:2016By:Sikes, MarisaPublication type:Abstract
OUT OF THE ASHES: POST-WAR JAPANESE FILMS OF REDEMPTION.Published in:2016By:Jensen, ArdenPublication type:Abstract
CHARACTERIZATION IN A LITERARY HISTORIAN: BRASIDAS AND KLEON IN THUCYDIDES.Published in:2016By:Winters, Timothy F.Publication type:Abstract
CHILDREN AS SOLDIERS IN DARK HEART OF THE NIGHT.Published in:2016By:Collins, AubreyPublication type:Abstract
IT'S IMPOSSIBLE TO LEARN TO PLOW BY READING BOOKS.Published in:2016By:Lee, Nicholas DalePublication type:Abstract