Works matching Igor Stravinsky
Results: 287
The Opera that Never was: Dylan Thomas and Igor Stravinsky’s Projected Collaboration.
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- Atlantis (0210-6124), 2024, v. 46, n. 1, p. 89, doi. 10.28914/Atlantis-2024-46.1.06
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Dissociação entre forma e estrutura harmônica em obras de Claude Debussy e Igor Stravinsky.
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- Revista Música Hodie, 2021, v. 21, p. 96, doi. 10.5216/mh.v21.63737
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Corporeality and Dance in the Music of Igor Stravinsky.
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- Muzikologija, 2023, n. 34, p. 85, doi. 10.2298/MUZ2334085S
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Fire As A First Cause Of Phenomenon In Gaston Bachelard’s The Psychoanalysis Of Fire And Igor Stravinsky’s The Rite Of Spring.
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- Kwartalnik Mlodych Muzykologów UJ, 2021, v. 50, n. 3, p. 43, doi. 10.4467/23537094KMMUJ.21.006.16100
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- Article
Mekan Ve Bellek Bağlamında Igor Stravınsky'nin Bahar Ayini Eserinin Galasında Yaşananların İncelenmesi.
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- Journal of Social Sciences Research / Sosyal Bilimler Arastirmalari Dergisi, 2023, v. 13, n. 1, p. 595, doi. 10.48146/odusobiad.1139763
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La réception d’Igor Stravinsky entre 1945 et 1956 : examen de la presse communiste française.
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- Slavica Occitania, 2022, n. 55, p. 91
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Diabulus in Musica: la configuración híbrida de Mefisto en la obra de Igor Stravinsky.
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- Oceánide, 2013, n. 5, p. 1
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Direcionalidade em duas melodias do século XX: Syrinx, de Claude Debussy e a primeira das Três peças para clarinete solo, de Igor Stravinsky.
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- PER MUSI: Revista Academica de Musica, 2012, n. 26, p. 47, doi. 10.1590/S1517-75992012000200005
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- Article
Elementos de teoría de la percepción en la musicología de Pierre Souvtchinsky: El principio de desdoblamiento y concentración en Igor Stravinsky.
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- Epistemus. Journal of Music, Cognition & Culture Research, 2019, v. 7, n. 1, p. 9, doi. 10.24215/18530494e001
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- Article
"Primitive Sounds": An Examination of the Conflicting Discourse in the Early British Reception of Igor Stravinsky's Russian Ballets.
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- Journal of Musicological Research, 2019, v. 38, n. 2, p. 117, doi. 10.1080/01411896.2019.1586009
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Charles Wuorinen's Reliquary for Igor Stravinsky.
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- Contemporary Music Review, 2001, v. 20, n. 4, p. 9, doi. 10.1080/07494460100640261
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- Article
SIGNS OF CHRISTIAN ECUMENISM IN IGOR STRAVINSKY'S "SYMPHONY OF PSALMS".
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- Musicology & Cultural Science / Musikismc'odneoba da Kulturologia, 2019, v. 20, n. 2, p. 81
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Igor Stravinsky: The Poetics and Politics of Music.
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- Avant, 2013, v. 4, n. 3, p. 199, doi. 10.12849/40302013.1012.0001
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A Most Unsuccessful Project: Nadia Boulanger, Igor Stravinsky, and the Symphony in C, 1939–45.
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- Musical Quarterly, 2011, v. 94, n. 1/2, p. 234, doi. 10.1093/musqtl/gdq024
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- Article
"The Collapse of Empires" in music of the twentieth century: France–Russia, Maurice Ravel–Igor Stravinsky.
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- Studies in East European Thought, 2023, v. 75, n. 4, p. 671, doi. 10.1007/s11212-022-09490-1
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BERCEUSES DU CHAT BY IGOR STRAVINSKY.
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- Studia Universitatis Babes-Bolyai, Musica, 2013, v. 58, n. 1, p. 187
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Igor Stravinsky, Stravinsky's Histoire du Soldat: A Facsimile of the Sketches.
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- 2008
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- Book Review
U2 and Igor Stravinsky: Textures, Timbres, and the Devil.
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- Christian Scholar's Review, 2012, v. 41, n. 2, p. 147
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Poetic Soundings: Aesthetic Correlation in the Work of T.S. Eliot and Igor Stravinsky.
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- Australian Literary Studies, 2014, v. 29, n. 1/2, p. 65
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Symphonizing the Psalms: Igor Stravinsky's Musical Exegesis.
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- Interpretation: A Journal of Bible & Theology, 2017, v. 71, n. 1, p. 25, doi. 10.1177/0020964316670949
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Spiritual dualities revealed by the hermeneutic analysis of Symphony of Psalms by Igor Stravinsky.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2019, v. 12, p. 31, doi. 10.31926/but.pa.2019.12.61.26
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Igor Stravinsky's "Symphony of Psalms" - a testimony of the composer's faith.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2016, v. 9, n. 2, p. 17
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Eastern Orthodox Spirituality in the Choral Music of Igor Stravinsky.
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- Choral Journal, 2008, v. 49, n. 2, p. 8
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Josh Hawley meets Igor Stravinsky: A leadership symphony.
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- Leadership (17427150), 2023, v. 19, n. 4, p. 339, doi. 10.1177/17427150231170471
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Architectural Forms in Stravinsky's Music: Site-Specific Case Studies.
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- SituArte, 2023, v. 18, n. 31, p. 77
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Igor Stravinsky: Monumentum.
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- 2011
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- Music Review
Igor Stravinsky, Stravinsky's Histoire du Soldat: A Facsimile of the Sketches. Ed. by Maureen A. Carr.Igor Stravinsky, Les Noces: Study Score, Scènes chorégraphiques russes avec chant et musique composées par Igor Stravinsky. Ed. by Margarita Mazo ...
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- Music & Letters, 2008, v. 89, n. 3, p. 444, doi. 10.1093/ml/gcm101
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الأوبرا-أو ا رتوریو "الملك أودیب" لإیغور ست ا رفینسكي والمسرح الموسیقي المعاصر: اللیبریتو، الحلول المسرحیة ودور الكورا ل
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- Journal of Mu'tah Lil-Buḥūth wad-Dirāsāt: Humanities & Social Sciences Series, 2020, v. 35, n. 4, p. 247
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Composer Portraits: Francis Poulenc: His Life & Work with Authoritative Text and Selected Music/Composer Portraits: Lennox Berkeley: His Life & Work with Authoritative Text and Selected Music/Composer Portraits: Igor Stravinsky: His Life & Work with Authoritative Text and Selected Music...
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- 2015
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- Book Review
Reading Igor Stravinsky's Poetics of Music in Christian Higher Education.
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- International Journal of Christianity & Education, 2022, v. 26, n. 2, p. 177, doi. 10.1177/20569971221087689
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Igor Stravinsky's Harp Writing.
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- 2017
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- Excerpt
Igor Stravinsky's Harp Writing.
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- 2017
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- Excerpt
On Rimsky-Korsakov's False (Hexatonic) Progressions Outside the Limits of a Tonality.
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- Music Theory Spectrum, 2020, v. 42, n. 1, p. 122, doi. 10.1093/mts/mtz020
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Ideology, Humanness, and Value. On Adorno’s Stravinsky.
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- Muzikologija, 2023, n. 34, p. 95, doi. 10.2298/MUZ2334095T
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Expressiveness in Stravinsky’s Late Works.
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- Muzikologija, 2023, n. 34, p. 59, doi. 10.2298/MUZ2334059F
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Sakharov, Kireevsky, Afanasyev and Others: Stravinsky in the Context of Russian Folkloristics.
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- Muzikologija, 2023, n. 34, p. 19, doi. 10.2298/MUZ2334019Z
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Stravinsky and Maritain: Philosophies of Work.
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- Muzikologija, 2023, n. 34, p. 33, doi. 10.2298/MUZ2334033M
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BORIS ASAFIEV AS A STRAVINSKY SCHOLAR.
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- Muzikologija, 2021, n. 31, p. 37, doi. 10.2298/MUZ2131037S
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On reconstructing Gesualdo’s Sacrae Cantiones, Liber secundus.
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- Early Music, 2013, v. 41, n. 4, p. 657, doi. 10.1093/em/cat104
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Opera Addict: The Rake's Progress and W.H. Auden's Operatic Theory.
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- 2016
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- Essay
Sonet VIII Williama Szekspira w pieśniach Dymitra Kabalewskiego, Igora Strawińskiego i Pawła Mykietyna.
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- Kwartalnik Mlodych Muzykologów UJ, 2017, v. 33, n. 2, p. 77, doi. 10.4467/23537094kmmuj.17.018.7847
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- Article
“Ad dissonantiam per consonantiam”: the scope and limits of Darius Milhaud´s system of “Polytonalité harmonique”: the immanent and poietic levels (Part 1).
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- Revista Brasileira de Música, 2015, v. 28, n. 2, p. 265
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- Article
Kalevala-sarja Uuno Klamiego jako dzieło przełomowe fińskiego narodowego modernizmu.
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- Avant, 2016, v. 7, n. 1, p. 117, doi. 10.26913/70102016.0111.0007
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About Two Tendencies of Modernization of Rhythm: Eastern Europe (Stravinsky, Shostakovich) and Others (Cage, Boulez).
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- Musicology of Lithuania / Lietuvos muzikologija, 2016, n. 17, p. 111
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A Tonnetz model for pentachords.
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- Journal of Mathematics & Music, 2013, v. 7, n. 1, p. 29, doi. 10.1080/17459737.2013.769637
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Revisiting Stravinsky’s Poetics of Music: The Souvtchinsky Connection.
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- Muzikologija, 2023, n. 34, p. 45, doi. 10.2298/MUZ2334045L
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Stravinsky and the Post-War Generation in France: Aspects of Influence.
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- Muzikologija, 2023, n. 34, p. 69, doi. 10.2298/MUZ2334069C
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ENTERING THE STAGE - MUSICIANS AS PERFORMERS IN CONTEMPORARY MUSIC THEATRE.
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- 2010
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- Essay
"Ad dissonantiam per consonantiam": the scope and limits of Darius Milhaud's system of "Polytonalité harmonique": the esthesic level (Part 2).
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- Revista Brasileira de Música, 2016, v. 29, n. 1, p. 181
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- Article
Backlot Suburbia: A California Story.
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- Architectural Design, 2023, v. 93, n. 2, p. 14, doi. 10.1002/ad.2910
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- Article