French Film History, 1895–1946: RICHARD NEUPERT, 2022, Madison, University of Wisconsin Press, pp. xvi + 378, illus., bibliography and index, $42.95 (casebound).
- Published in:
- 2024
- By:
- Publication type:
- Book Review
Works matching French films -- History
Results: 58
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The Catholic Spectator: Cinema and the Church in France in the 1920s.
- Published in:
- Historical Journal of Film, Radio & Television, 2012, v. 32, n. 4, p. 501, doi. 10.1080/01439685.2012.727338
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- Publication type:
- Article
3
Film in the Teaching of French History.
- Published in:
- French Historical Studies, 2002, v. 25, n. 1, p. 1
- By:
- Publication type:
- Article
4
The Last Hope of Intuition: Francis Picabia, Erik Satie and René Clair's Intermedial Project Relâche.
- Published in:
- 2011
- Publication type:
- Film/TV Criticism and Review
5
French Film History, 1895-1946.
- Published in:
- 2024
- By:
- Publication type:
- Book Review
6
Looking at Muslims: the visibility of Islam in contemporary French cinema.
- Published in:
- 2014
- By:
- Publication type:
- Film/TV Criticism and Review
7
The Play's the Thing: The Legend of Lovers in Alain Resnais's Vous n'avez encore rien vu.
- Published in:
- 2015
- By:
- Publication type:
- Film/TV Criticism and Review
8
Brutal Intimacy: Analyzing Contemporary French Cinema by Tim Palmer. Middletown, CT: Wesleyan UP, 2011.
- Published in:
- 2015
- By:
- Publication type:
- Book Review
9
Toward Alternative Film Histories: Lesbian Films, Spectators, Filmmakers and the French Cinematic/Cultural Apparatus.
- Published in:
- Quarterly Review of Film & Video, 1993, v. 15, n. 1, p. 55, doi. 10.1080/10509209309361424
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- Publication type:
- Article
10
Toi, c’est moi (1936) and Prends la route (1937): mobilising desire in the operetta films of Jacques Pills and André Tabet.
- Published in:
- 2017
- By:
- Publication type:
- Film/TV Criticism and Review
11
French film in Britain: sex, art and cinephilia.
- Published in:
- 2015
- By:
- Publication type:
- Book Review
12
Animating the Cinéfils: Alain Resnais and the Cinema of Discovery.
- Published in:
- Cinema Journal, 2015, v. 54, n. 4, p. 1, doi. 10.1353/cj.2015.0043
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- Publication type:
- Article
13
Memory and History: Early Film, Colonialism and the French Civilising Mission in Indochina.
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- French History & Civilization, 2011, v. 4, p. 223
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- Publication type:
- Article
14
Memories of the Unlived Body: Jean-Louis Schefer, Georges Bataille and Gilles Deleuze.
- Published in:
- 2017
- By:
- Publication type:
- Literary Criticism
15
"This is our land!": Owning the Nation in Luc Belvaux's Chez Nous (2017).
- Published in:
- 2021
- By:
- Publication type:
- Film/TV Criticism and Review
16
Place de la République 1974–2004: The Sociological Time-Machine of Cinéma Direct.
- Published in:
- 2016
- By:
- Publication type:
- Film/TV Criticism and Review
17
Studying French Cinema.
- Published in:
- 2015
- By:
- Publication type:
- Book Review
18
SEX RATIO, SOCIO-SEXUALITY, AND THE EMERGENCE OF THE FEMME FATALE IN CLASSIC FRENCH AND AMERICAN FILM NOIR.
- Published in:
- 2015
- By:
- Publication type:
- Film/TV Criticism and Review
19
Agnès Varda.
- Published in:
- 2017
- By:
- Publication type:
- Book Review
20
Studying French Cinema.
- Published in:
- 2016
- By:
- Publication type:
- Book Review
21
‘Come you spirits unsex me!’ Representations of the Female Executive in Recent French Film and Fiction.
- Published in:
- Modern & Contemporary France, 2015, v. 23, n. 4, p. 511, doi. 10.1080/09639489.2015.1054372
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- Publication type:
- Article
22
MAZDON, Lucy and WHEATLEY, Catherine French Film in Britain Sex, Art and Cinephilia Oxford: Berghan Books, 2013 248 pp., £55, ISBN: 978-0-85745-379-2.
- Published in:
- 2014
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- Publication type:
- Book Review
23
Eric Rohmer at Arts: A Cinema Writer.
- Published in:
- Film Criticism, 2014, v. 39, n. 1, p. 67
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- Publication type:
- Article
24
EFFACING THE EFFACED Chris Marker's collectivist period.
- Published in:
- 2013
- By:
- Publication type:
- Film/TV Criticism and Review
25
CUBISM AND THE CARNIVALESQUE IN JACQUES DEMY'S DEMOISELLES DE ROCHEFORT.
- Published in:
- 2016
- By:
- Publication type:
- Film/TV Criticism and Review
26
JACQUES DEMY'S BAY OF ANGELS: A NEW WAVE MODE OF PRODUCTION.
- Published in:
- 2016
- By:
- Publication type:
- Film/TV Criticism and Review
27
THE FILMS OF JACQUES DEMY: INTRODUCTION.
- Published in:
- Post Script, 2016, v. 35, n. 2, p. 3
- By:
- Publication type:
- Article
28
Post-Beur Cinema: North African Émigré and Maghrebi-French Filmmakers in France since 2000.
- Published in:
- 2017
- By:
- Publication type:
- Book Review
29
L’image de l’ « Arabe » dans le cinéma français de 1970 à nos jours.
- Published in:
- Archiv orientální (ArOr), 2012, v. 80, n. 2, p. 207
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- Publication type:
- Article
30
Loin du Vietnam.
- Published in:
- 2014
- By:
- Publication type:
- Film/TV Criticism and Review
31
'My Body was Aflame with His Memory': War, Gender and Colonial Ghosts in Hiroshima mon amour (1959).
- Published in:
- 2016
- By:
- Publication type:
- Film/TV Criticism and Review
32
The spatial-affective economy of (post)colonial Paris: reading Haneke's Caché (2005) through Octobre à Paris (1962).
- Published in:
- Studies in European Cinema, 2017, v. 14, n. 1, p. 48, doi. 10.1080/17411548.2016.1246309
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- Publication type:
- Article
33
Onscreen and off-screen flesh and blood: performance, affect and ethics in Catherine Breillat’s films.
- Published in:
- 2015
- By:
- Publication type:
- Film/TV Criticism and Review
34
Jean Vigo’s Zéro de conduite and the spaces of revolt.
- Published in:
- Paedagogica Historica, 2014, v. 50, n. 4, p. 443, doi. 10.1080/00309230.2014.904388
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- Publication type:
- Article
35
Teaching Colonial History through Film.
- Published in:
- French Historical Studies, 2002, v. 25, n. 1, p. 41, doi. 10.1215/00161071-25-1-41
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- Publication type:
- Article
36
THE ARCHEOLOGY OF FRENCH FILM THEORY AND CRITICISM.
- Published in:
- 1989
- By:
- Publication type:
- Book Review
37
'Le concerto pour Éclair et Nagra': a sonic snapshot of Paris in Le Joli mai (1963).
- Published in:
- French Screen Studies, 2020, v. 20, n. 3/4, p. 222, doi. 10.1080/26438941.2020.1741301
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- Publication type:
- Article
38
Abstracts.
- Published in:
- 2010
- Publication type:
- Abstract
39
Visibility, speech and disembodiment in Jacques Panijel's Octobre à Paris.
- Published in:
- French Cultural Studies, 2017, v. 28, n. 4, p. 360, doi. 10.1177/0957155817724958
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- Publication type:
- Article
40
The latest attraction: Léos Carax and the French cinematic patrimoine.
- Published in:
- French Cultural Studies, 2002, v. 13, n. 38, p. 225, doi. 10.1177/095715580201300206
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- Publication type:
- Article
41
"La Dixième Muse" Meets "Un Monstre Sacré:" Theatricality and the Cinema in Jean Cocteau's L'Aigle à deux têtes.
- Published in:
- Quarterly Review of Film & Video, 2008, v. 25, n. 1, p. 37, doi. 10.1080/10509200500541066
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- Publication type:
- Article
42
The Historian and Historical Films The Present State of Things and a Look to the Future.
- Published in:
- Journal of Higher Education, 1968, v. 39, n. 7, p. 388, doi. 10.2307/1980088
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- Publication type:
- Article
43
Introduction.
- Published in:
- Historical Journal of Film, Radio & Television, 1998, v. 18, n. 2, p. 165, doi. 10.1080/01439689800260101
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- Publication type:
- Article
44
Notes on Contributors.
- Published in:
- South Central Review, 2024, v. 41, n. 2, p. 168, doi. 10.1353/scr.2024.a932714
- Publication type:
- Article
45
Sonic 'Detheatricalization': Jean Cocteau, Film Music, and 'Les Parents Terribles'.
- Published in:
- Music & Letters, 2019, v. 100, n. 4, p. 654, doi. 10.1093/ml/gcz081
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- Publication type:
- Article
46
Shorter notices.
- Published in:
- 1992
- By:
- Publication type:
- Book Review
47
Ridicule (Film).
- Published in:
- 2004
- By:
- Publication type:
- Film/TV Criticism and Review
48
Hats, Hotels, Mayhem and Marx: Film, Theatre and the Cinematic Collaborations of the Groupe Octobre, 1932-1936.
- Published in:
- Modern & Contemporary France, 2010, v. 18, n. 3, p. 357, doi. 10.1080/09639489.2010.493929
- By:
- Publication type:
- Article
49
Popular postcolonial masculinities: gangsters and soldiers in Maghrebi-French cinema.
- Published in:
- Gender, Place & Culture: A Journal of Feminist Geography, 2020, v. 27, n. 2, p. 153, doi. 10.1080/0966369X.2019.1596884
- By:
- Publication type:
- Article
50
Re-making History and Cultural Identity: From The Return of Martin Guerre to Sommersby.
- Published in:
- Film Criticism, 2001, v. 26, n. 1, p. 2
- By:
- Publication type:
- Article