Oral transmission and the production of guitar tablature books in seventeenth-century Italy.Published in:Recercare, 2015, v. 27, n. 1/2, p. 185By:Gavito, Cory M.Publication type:Article
“Un’arpa grande tutta intagliata e dorata”. New documents on the Barberini harp.Published in:2015By:Granata, ChiaraPublication type:Essay
Frescobaldi’s Toccate e partite … libro primo (1615–1616) as a pedagogical text. Artisanship, imagination, and the process of learning.Published in:Recercare, 2015, v. 27, n. 1/2, p. 103By:Cypess, RebeccaPublication type:Article
Giovanni Gabrieli, un consorzio di organisti, quattro compagnie di musici: documenti inediti sulla cooperazione musicale autonoma a Venezia nel primo Seicento.Published in:Recercare, 2015, v. 27, n. 1/2, p. 61By:Di Pasquale, MarcoPublication type:Article
Making lutes in Quattrocento Venice: Nicolò Sconvelt and his German colleagues.Published in:2015By:Blackburn, Bonnie J.Publication type:Essay
For whom the fire burns: medieval images of Saint Cecilia and music.Published in:Recercare, 2015, v. 27, n. 1/2, p. 5By:Marchi, LuciaPublication type:Article