Back Matter.
- Published in:
- Film History, 2016, v. 28, n. 2, p. 1, doi. 10.2979/filmhistory.28.2.bm
- Publication type:
- Article
Works matching IS 08922160 AND DT 2016 AND VI 28 AND IP 2
Results: 10
1
2
Editor's Introduction: Film History and the Individual Film.
- Published in:
- Film History, 2016, v. 28, n. 2, p. v, doi. 10.2979/filmhistory.28.2.01
- By:
- Publication type:
- Article
3
Bennett, Breen, and the Birdman of Alcatraz: A Case Study of Collaborative Censorship between the Production Code Administration and the Federal Bureau of Prisons.
- Published in:
- Film History, 2016, v. 28, n. 2, p. 1, doi. 10.2979/filmhistory.28.2.02
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- Publication type:
- Article
4
Making John Ford's How Green Was My Valley.
- Published in:
- Film History, 2016, v. 28, n. 2, p. 32, doi. 10.2979/filmhistory.28.2.03
- By:
- Publication type:
- Article
5
Self-Censorship in Hollywood during the Silent Era: A Woman of Affairs(1928) by Clarence Brown.
- Published in:
- Film History, 2016, v. 28, n. 2, p. 81, doi. 10.2979/filmhistory.28.2.04
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- Publication type:
- Article
6
Seeing through Spirits: Superimposition, Cognition, and The Phantom Carriage.
- Published in:
- Film History, 2016, v. 28, n. 2, p. 114, doi. 10.2979/filmhistory.28.2.05
- By:
- Publication type:
- Article
7
Copycats: Anschütz Chronophotographs as Direct Source Material for Early Edison Kinetoscope Films.
- Published in:
- Film History, 2016, v. 28, n. 2, p. 142, doi. 10.2979/filmhistory.28.2.06
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- Publication type:
- Article
8
The Orgy at Lil's PlacePressbook.
- Published in:
- Film History, 2016, v. 28, n. 2, p. 173
- By:
- Publication type:
- Article
9
Submission Guidelines.
- Published in:
- Film History, 2016, v. 28, n. 2, p. 196, doi. 10.2979/filmhistory.28.2.08
- Publication type:
- Article
10
Front Matter.
- Published in:
- Film History, 2016, v. 28, n. 2, p. 1, doi. 10.2979/filmhistory.28.2.fm
- Publication type:
- Article