Scott and the scene of explanation: Framing contextuality in The Bride of Lammermoor.Published in:1994By:Chandler, JamesPublication type:Literary Criticism
SCOTT'S DREAMS OF THE PAST: THE BRIDE OF LAMMERMOOR AS POLITICAL FANTASY.Published in:1986By:Kerr, JamesPublication type:Literary Criticism
SCOTT, MACKENZIE, AND STRUCTURE IN THE BRIDE OF LAMMERMOOR.Published in:1981By:Shaw, Harry E.Publication type:Literary Criticism
'It is well that he does remain there': The Importance of Joseph in Wuthering Heights.Published in:2018By:Quinnell, JamesPublication type:Literary Criticism
'It has Devoured My Existence': the Power of the Will and Illness in The Bride of Lammermoor and Wuthering Heights.Published in:2007By:Krishnan, LakshmiPublication type:Literary Criticism
Word and Picture in Walter Scott.Published in:2021By:Fermanis, PorschaPublication type:Literary Criticism
Scott, Baillie, and the Bewitching of Social Relations.Published in:2005By:Hewitt, ReginaPublication type:Literary Criticism
Scott's Ghost-Seeing.Published in:Gothic Studies, 2022, v. 24, n. 1, p. 44, doi. 10.3366/gothic.2022.0120By:Duncan, IanPublication type:Article
On Scott's Russian Shadow: Historicity in The Bride of Lammermoor and Dead Souls.Published in:2014By:VOLKOVA, OLGAPublication type:Literary Criticism
WALTER SCOTT'S "EVERLASTING SAID HE'S AND SAID SHE'S": DIALOGUE, PAINTING, AND THE STATUS OF THE NOVEL.Published in:ELH, 2015, v. 82, n. 4, p. 1159, doi. 10.1353/elh.2015.0046By:SCALIA, CHRISTOPHER J.Publication type:Article
National histories, national fictions: Joyce's A Portrait of the Artist As a Young Man and...Published in:ELH, 1998, v. 65, n. 4, p. 1017, doi. 10.1353/elh.1998.0032By:Klein, Scott W.Publication type:Article