Cinematic Operatics: Barbara Willis Sweete Directs Metropolitan Opera HD Transmissions.
- Published in:
- University of Toronto Quarterly, 2012, v. 81, n. 4, p. 909, doi. 10.3138/UTQ.81.4.909
- By:
- Publication type:
- Article
Works matching DE "OPERA audiences"
Results: 28
1
2
Jedno sociološko istraživanje publike Opere Narodnog pozorišta u Beogradu.
- Published in:
- Filozofija i Drustvo, 2012, v. 3, n. 23, p. 295, doi. 10.2298/FID1203295H
- By:
- Publication type:
- Article
3
ÇAĞDAŞ TÜRK OPERALARI İÇİNDE FARKLI BİR TAT "ALİBABA VE KIRK HARAMİLER OPERASI".
- Published in:
- Social Sciences Review of the Faculty of Sciences & Letters University of Uludag / Fen Edebiyat Fakültesi Sosyal Bilimler Dergisi, 2012, v. 13, n. 23, p. 243
- By:
- Publication type:
- Article
4
Glyndebourne's outreach work.
- Published in:
- 2013
- By:
- Publication type:
- Essay
5
Targeting university students in audience development strategies for opera and ballet.
- Published in:
- Service Industries Journal, 2008, v. 28, n. 2, p. 179, doi. 10.1080/02642060701842191
- By:
- Publication type:
- Article
6
Scandal at the Opera: Politics, the Press, and the Public at the Inauguration of the Budapest Opera House in 1884.
- Published in:
- Austrian History Yearbook, 2013, v. 44, p. 88, doi. 10.1017/S0067237813000088
- By:
- Publication type:
- Article
7
Are Children a Curse? The tragic episodes of fathers and daughters in Verdi operas.
- Published in:
- Opera Journal, 2017, v. 50, n. 2, p. 1
- By:
- Publication type:
- Article
8
The Opera Fanatic: Sociology of an Obsession.
- Published in:
- 2015
- By:
- Publication type:
- Book Review
9
Projecting the voice: observations of audience behaviours in ICT-mediated contemporary opera.
- Published in:
- 2014
- By:
- Publication type:
- Case Study
10
Notation and expression of emotion in operatic laughter.
- Published in:
- Behavioral & Brain Sciences, 2008, v. 31, n. 5, p. 591, doi. 10.1017/S0140525X08005463
- By:
- Publication type:
- Article
11
Desperately seeking cultural capital.
- Published in:
- New Humanist, 2017, v. 132, n. 1, p. 74
- By:
- Publication type:
- Article
12
Becoming a Fan: On the Seductions of Opera.
- Published in:
- Qualitative Sociology, 2009, v. 32, n. 2, p. 131, doi. 10.1007/s11133-009-9123-7
- By:
- Publication type:
- Article
13
Opera Culture in Japan: Is the Recent Boom Genuine?
- Published in:
- Economy, Culture & History Japan Spotlight Bimonthly, 2007, v. 26, n. 1, p. 52
- By:
- Publication type:
- Article
14
An Annotated Wordbook of The Beggar’s Opera (1728).
- Published in:
- Notes & Queries, 2013, v. 60, n. 1, p. 111, doi. 10.1093/notesj/gjs290
- By:
- Publication type:
- Article
15
Reframing models of arts attendance: Understanding the role of access to a venue. The case of opera in London.
- Published in:
- Cultural Trends, 2013, v. 22, n. 2, p. 97, doi. 10.1080/09548963.2013.783175
- By:
- Publication type:
- Article
16
How God and King Affect Our Music Tastes: Religiosity and Political Interest as Predictors of Omnivorousness.
- Published in:
- International Journal of Arts Management, 2018, v. 21, n. 1, p. 91
- By:
- Publication type:
- Article
17
Massenet for the Masses? The Opera Virgins Project.
- Published in:
- Opera Quarterly, 2018, v. 34, n. 4, p. 284, doi. 10.1093/oq/kbz003
- By:
- Publication type:
- Article
18
A Note from the Guest Editors.
- Published in:
- Opera Quarterly, 2018, v. 34, n. 4, p. 261, doi. 10.1093/oq/kbz008
- By:
- Publication type:
- Article
19
Two Notes, One Ending (Three Operas) at the Boundary of the Great Divide; or, Aesthetic Meanderings of the Sonic Psyche.
- Published in:
- Opera Quarterly, 2015, v. 31, n. 1/2, p. 71, doi. 10.1093/oq/kbu022
- By:
- Publication type:
- Article
20
Despots, Triangles, and Bass Drums: Orientalism on the Operatic Stage in Gustav III's Stockholm.
- Published in:
- Opera Quarterly, 2012, v. 28, n. 3/4, p. 213, doi. 10.1093/oq/kbs051
- By:
- Publication type:
- Article
21
Despots, Triangles, and Bass Drums: Orientalism on the Operatic Stage in Gustav III's Stockholm.
- Published in:
- 2012
- By:
- Publication type:
- Essay
22
The veil of ignorance or unveiling Yoko Ono's Cut Piece.
- Published in:
- Scene (2044-3714), 2014, v. 2, n. 1/2, p. 133, doi. 10.1386/scene.2.1-2.133_1
- By:
- Publication type:
- Article
23
CHAPTER TWO: THE SONG OF ELECTRA: THE TRAGIC HEROINE AS AN OPERATIC DIVA.
- Published in:
- Bulletin of the Institute of Classical Studies, 2012, v. 55, p. 73, doi. 10.1111/j.2041-5370.2012.tb00087.x
- Publication type:
- Article
24
The Prologues of the Tragédies Lyriques (Operas) of Philippe Quinault: "A Very Agreeable Propaganda".
- Published in:
- Rhetor. Journal of the Canadian Society for the Study of Rhetoric, 2004, v. 1, p. 1
- By:
- Publication type:
- Article
25
CHILD OF PARADISE.
- Published in:
- 2013
- By:
- Publication type:
- Essay
26
Co-opting Classicism and Debating Cultural Identity on the German National Stage in Mannheim.
- Published in:
- Seminar -- A Journal of Germanic Studies, 2012, v. 48, n. 4, p. 440, doi. 10.3138/sem.48.4.440
- By:
- Publication type:
- Article
27
The Melodrama of City Life in Early 20th-Century Russia.
- Published in:
- 2015
- By:
- Publication type:
- Book Review
28
The reflection of negative social phenomena in contemporary opera practice.
- Published in:
- Human Affairs, 2013, v. 23, n. 1, p. 66, doi. 10.2478/s13374-013-0107-7
- By:
- Publication type:
- Article