The Iran Portfolio.
- Published in:
- Journal of Visual Culture, 2022, v. 21, n. 3, p. 461, doi. 10.1177/14704129231157630
- By:
- Publication type:
- Article
Works matching IS 1470-4129 AND VI 21 AND IP 3 AND DT 2022
Results: 8
1
2
Sarah Kanouse and Shiloh Krupar, eds, A People's Atlas of Nuclear Colorado (2021) , reviewed by Joseph M Sussi.
- Published in:
- Journal of Visual Culture, 2022, v. 21, n. 3, p. 524, doi. 10.1177/14704129221144985
- By:
- Publication type:
- Article
3
Ronak Kapadia, Insurgent Aesthetics: Security and the Queer Life of the Forever War , reviewed by Emilia Sawada.
- Published in:
- Journal of Visual Culture, 2022, v. 21, n. 3, p. 520, doi. 10.1177/14704129221142494
- By:
- Publication type:
- Article
4
Jae Emerling, Vivre sa vie pour JLG.
- Published in:
- Journal of Visual Culture, 2022, v. 21, n. 3, p. 515, doi. 10.1177/14704129221142493
- By:
- Publication type:
- Article
5
Infrastructural fugitivity: contraband cellphones, TikTok, and vital media behind bars.
- Published in:
- Journal of Visual Culture, 2022, v. 21, n. 3, p. 390, doi. 10.1177/14704129221141922
- By:
- Publication type:
- Article
6
Dirty encounters: Pier Paolo Pasolini's legacy in David Wojnarowicz's work.
- Published in:
- Journal of Visual Culture, 2022, v. 21, n. 3, p. 425, doi. 10.1177/14704129221139864
- By:
- Publication type:
- Article
7
Dust against the Anthropocene: Yhonnie Scarce's nuclear geo-fictions.
- Published in:
- Journal of Visual Culture, 2022, v. 21, n. 3, p. 495, doi. 10.1177/14704129221136217
- By:
- Publication type:
- Article
8
'Words have a charge': six moments from a dialogue.
- Published in:
- Journal of Visual Culture, 2022, v. 21, n. 3, p. 410, doi. 10.1177/14704129221142279
- By:
- Publication type:
- Article