Ahmad Tohari’s The dancer: Revisited.
- Published in:
- k@ta, 2017, v. 19, n. 2, p. 77, doi. 10.9744/kata.19.2.77-86
- By:
- Publication type:
- Article
Works matching IS 14112639 AND DT 2017 AND VI 19 AND IP 2
Results: 6
1
2
Mediocrity Madness: the Destructive Effects of Antonio Salieri’s Narcissistic Personality Disorder in Amadeus.
- Published in:
- k@ta, 2017, v. 19, n. 2, p. 71, doi. 10.9744/kata.19.2.71-76
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- Publication type:
- Article
3
Transposition of the Scientific Elements in Hiroshi Teshigahara’s Adaptation of Kobo Abe’s the Face of Another.
- Published in:
- k@ta, 2017, v. 19, n. 2, p. 63, doi. 10.9744/kata.19.2.63-70
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- Publication type:
- Article
4
Transcultural Hamlet: Representations of Ophelia and Gertrud in 21<sup>st</sup>-century Iran.
- Published in:
- k@ta, 2017, v. 19, n. 2, p. 55, doi. 10.9744/kata.19.2.55-62
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- Publication type:
- Article
5
The Phonological Errors by Dutch Exchange Students in Reading Indonesian Texts.
- Published in:
- k@ta, 2017, v. 19, n. 2, p. 48, doi. 10.9744/kata.19.2.48-54
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- Publication type:
- Article
6
Destruction of Bekisar Merah: Antoine Berman’s Deforming Tendencies in The Red Bekisar.
- Published in:
- k@ta, 2017, v. 19, n. 2, p. 41, doi. 10.9744/kata.19.2.41-47
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- Publication type:
- Article