Works matching Griffith, D. W. (David Wark), 1875-1948
1
- Canadian Journal of Film Studies, 2017, v. 26, n. 2, p. 1, doi. 10.3138/CJFS.26.2.2017-0005
- GAUDREAULT, ANDRÉ;
- GAUTHIER, PHILIPPE
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2
- Image, 1958, v. 7, n. 3, p. 66
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3
- New Mexico Historical Review, 2020, v. 95, n. 1, p. 33
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4
- Nineteenth Century Theatre & Film, 2008, v. 35, n. 1, p. 48, doi. 10.7227/NCTF.35.1.5
- Day-Mayer, Helen;
- Mayer, David
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5
- Film History, 1990, v. 4, n. 4, p. 337
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8
- Adaptation, 2010, v. 3, n. 2, p. 155, doi. 10.1093/adaptation/apq012
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9
- Literature Film Quarterly, 1976, v. 4, n. 1, p. 76
- Hilenski, Ferdinand Alexi
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11
- Film History, 2011, v. 23, n. 2, p. 174, doi. 10.2979/filmhistory.23.2.174
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13
- Modernist Cultures, 2010, v. 5, n. 1, p. 9, doi. 10.3366/mod.2010.0003
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14
- Early Popular Visual Culture, 2022, v. 20, n. 1, p. 83, doi. 10.1080/17460654.2022.2064088
- McGinity-Peebles, Adelaide
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17
- Modernism/Modernity, 2008, v. 15, n. 2, p. 221, doi. 10.1353/mod.2008.0040
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18
- Modernism/Modernity, 2008, v. 15, n. 2, p. 221, doi. 10.1353/mod.2008.0040
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19
- Cinema Journal, 2000, v. 39, n. 4, p. 3, doi. 10.1353/cj.2000.0016
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21
- 2015
- Film/TV Criticism and Review
22
- 1976
- Film/TV Criticism and Review
24
- CounterPunch, 2021, p. 1
- Article
25
- Digital Scholarship in the Humanities, 2017, v. 32, n. 1, p. 1, doi. 10.1093/llc/fqv035
- Baxter, Mike;
- Khitrova, Daria;
- Tsivian, Yuri
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26
- 2012
- Film/TV Criticism and Review
27
- Early Popular Visual Culture, 2023, v. 21, n. 2, p. 299, doi. 10.1080/17460654.2023.2207844
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28
- Literature Film Quarterly, 1990, v. 18, n. 2, p. 87
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29
- American Scholar, 1990, v. 59, n. 2, p. 255
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30
- Nineteenth Century Theatre & Film, 2020, v. 47, n. `2, p. 100, doi. 10.1177/1748372720942737
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31
- 2013
- Film/TV Criticism and Review
32
- Social Identities, 1997, v. 3, n. 2, p. 161, doi. 10.1080/13504639752041
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33
- Film History, 2023, v. 35, n. 2, p. 95, doi. 10.2979/fih.00005
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34
- Adaptation, 2012, v. 5, n. 2, p. 219, doi. 10.1093/adaptation/aps013
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35
- Film Matters, 2016, v. 7, n. 1, p. 25, doi. 10.1386/fm.7.1.25_1
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36
- Swedish American Genealogist, 2007, v. 27, n. 3, p. 16
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37
- Film International (16516826), 2006, v. 4, n. 2, p. 6, doi. 10.1386/fiin.4.2.6
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38
- Berichte zur Wissenschafts-Geschichte, 2014, v. 37, n. 2, p. 112, doi. 10.1002/bewi.201401679
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39
- Early Popular Visual Culture, 2012, v. 10, n. 3, p. 211, doi. 10.1080/17460654.2012.694690
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40
- Film History, 1999, v. 11, n. 3, p. 342
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42
- Music Theory Online, 2018, v. 24, n. 2, p. 1, doi. 10.30535/mto.24.2.2
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43
- University of Toronto Quarterly, 2010, v. 79, n. 2, p. 819, doi. 10.3138/UTQ.79.2.819
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44
- Concept (2248-3756), 2021, v. 22, n. 1, p. 98
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45
- Fracture & Structural Integrity, 2010, v. 4, p. 63, doi. 10.3221/IGF-ESIS.12.07
- Angelillo, M.;
- Fortunato, A.;
- Babilio, E.;
- Lippiello, M.;
- Cardamone, L.
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46
- Meteoritics & Planetary Science, 2005, v. 40, n. 6, p. 933, doi. 10.1111/j.1945-5100.2005.tb00164.x
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48
- Education, 1973, v. 94, n. 2, p. 134
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49
- Film History, 2004, v. 16, n. 2, p. 117, doi. 10.2979/FIL.2004.16.2.117
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50
- Image, 1972, v. 15, n. 4, p. 26
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