Gothic Videogames, Survival Horror, and the Silent Hill Series.Published in:Gothic Studies, 2012, v. 14, n. 2, p. 106, doi. 10.7227/GS.14.2.8By:Kirkland, EwanPublication type:Article
Temporality, Narrative Discordance and the Phantom as Transgenerational Trauma in Elizabeth Gaskell's 'The Poor Clare'.Published in:2012By:Koustinoudi, AnnaPublication type:Literary Criticism
Gothic Castles in the Landscape: Sir Walter Scott and the Hudson River School of Painting.Published in:2012By:Carso, Kerry DeanPublication type:Literary Criticism
Contributors.Published in:Gothic Studies, 2012, v. 14, n. 2, p. 9, doi. 10.7227/GS.14.2.1Publication type:Article
War Trauma and Gothic Landscapes of Dispossession and Dislocation in Pat Barker's Regeneration Trilogy.Published in:2012By:Haider, AmnaPublication type:Literary Criticism
Gothicism and English Goth Music: Notes on the Repertoire.Published in:Gothic Studies, 2012, v. 14, n. 2, p. 74, doi. 10.7227/GS.14.2.6By:Mueller, CharlesPublication type:Article
Casting an Eye: M. R. James at the Edge of the Frame.Published in:2012By:Brewster, ScottPublication type:Literary Criticism
Gothic Vancouver: Blood Ties and Vampire Television.Published in:Gothic Studies, 2012, v. 14, n. 2, p. 89, doi. 10.7227/GS.14.2.7By:Peirse, AlisonPublication type:Article