A Spectromorphological Analysis of Jean-François Laporte's La plénitude du vide.
- Published in:
- Circuit: Musiques Contemporaines, 2013, v. 23, n. 1, p. 97
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- Publication type:
- Article
Works matching IS 11831693 AND DT 2013 AND VI 23 AND IP 1
Results: 20
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Object-oriented composition.
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- Circuit: Musiques Contemporaines, 2013, v. 23, n. 1, p. 96
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- Article
3
Tactile Sound or Eccentric Sensoriality in the Solo Performances of Magali Babin.
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- Circuit: Musiques Contemporaines, 2013, v. 23, n. 1, p. 96
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- Article
4
Some Examples of Interactions between Sounds and Everyday Objects in European Musical Creation.
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- Circuit: Musiques Contemporaines, 2013, v. 23, n. 1, p. 95
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- Article
5
Sonde's Sahibi: The Evolution of a Sound Source.
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- Circuit: Musiques Contemporaines, 2013, v. 23, n. 1, p. 95
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- Article
6
Les illustrations.
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- Circuit: Musiques Contemporaines, 2013, v. 23, n. 1, p. 91, doi. 10.7202/1017218ar
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- Article
7
music for a piano / music for a book.
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- Circuit: Musiques Contemporaines, 2013, v. 23, n. 1, p. 88
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- Article
8
Bouliane - Gougeon - Rea.
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- Circuit: Musiques Contemporaines, 2013, v. 23, n. 1, p. 86
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- Article
9
Palimpsestes.
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- Circuit: Musiques Contemporaines, 2013, v. 23, n. 1, p. 85
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- Article
10
30<sup>e</sup> Festival international du Film sur l'Art, du 15 au 25 mars 2012.
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- Circuit: Musiques Contemporaines, 2013, v. 23, n. 1, p. 82, doi. 10.7202/1017216ar
- Publication type:
- Article
11
Le chant des ondes: sur la piste de Maurice Martenot, documentaire de Caroline Martel.
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- Circuit: Musiques Contemporaines, 2013, v. 23, n. 1, p. 79, doi. 10.7202/1017215ar
- Publication type:
- Article
12
Études sur la perception auditive de Gérard Pelé.
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- Circuit: Musiques Contemporaines, 2013, v. 23, n. 1, p. 76, doi. 10.7202/1017214ar
- Publication type:
- Article
13
Dossier de création: Re Orso (2012) de Marco Stroppa.
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- Circuit: Musiques Contemporaines, 2013, v. 23, n. 1, p. 69, doi. 10.7202/1017213ar
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- Article
14
Entretien avec Charles de Mestral (2008).
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- Circuit: Musiques Contemporaines, 2013, v. 23, n. 1, p. 67, doi. 10.7202/1017212ar
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- Article
15
Analyse spectromorphologique de La plénitude du vide de Jean-François Laporte.
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- Circuit: Musiques Contemporaines, 2013, v. 23, n. 1, p. 45, doi. 10.7202/1017211ar
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- Article
16
Composition orientée objet.
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- Circuit: Musiques Contemporaines, 2013, v. 23, n. 1, p. 33, doi. 10.7202/1017210ar
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- Article
17
Le son tactile ou la sensorialité excentrique dans les performances solos de Magali Babin.
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- Circuit: Musiques Contemporaines, 2013, v. 23, n. 1, p. 26, doi. 10.7202/1017209ar
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- Article
18
Quelques exemples d'interactions entre sons et objets quotidiens dans la création musicale européenne.
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- Circuit: Musiques Contemporaines, 2013, v. 23, n. 1, p. 15, doi. 10.7202/1017208ar
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- Article
19
Le sahabi de Sonde : évolution d'une source sonore.
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- Circuit: Musiques Contemporaines, 2013, v. 23, n. 1, p. 9, doi. 10.7202/1017207ar
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- Article
20
Introduction: autour des patenteux.
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- Circuit: Musiques Contemporaines, 2013, v. 23, n. 1, p. 5, doi. 10.7202/1017206ar
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- Article