The Transmediation of Ambivalence. Violence and Music in Burgess's A Clockwork Orange and Kubrick's Film Adaptation.
- Published in:
- Ekphrasis (2067-631X), 2019, v. 22, n. 2, p. 26, doi. 10.24193/ekphrasis.22.2
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- Article
Works matching Clockwork Orange, A (Film)
Results: 43
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스탠리 큐브릭 감독의 영상 스타일 분석 연구 (그의 영화“시계태엽오렌지(1971)”를 중심으로)
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- Journal of Digital Convergence, 2017, v. 15, n. 9, p. 453, doi. 10.14400/JDC.2017.15.9.453
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- Article
3
The Ludovico Effect of Intermediality in A Clockwork Orange: The Novel and the Film.
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- Anachronist, 2022, v. 20, p. 102, doi. 10.53720/XIYI2506
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- Article
4
Kubrick's Neobaroque Spectacle: An Aesthetic Analysis of Artificiality and Violence in A Clockwork Orange.
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- Issues in Ethnology Anthropology, 2017, v. 12, n. 2, p. 489, doi. 10.21301/EAP.V12I2.7
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- Article
5
From Alex to Riefenstahl: Nazism, propaganda, and Stanley Kubrick's A Clockwork Orange (1971).
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- Historical Journal of Film, Radio & Television, 2022, v. 42, n. 1, p. 60, doi. 10.1080/01439685.2022.2018562
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- Article
6
Labouring on A Clockwork Orange (1971): finding the voices of creative, technical, and administrative workers in the Stanley Kubrick Archive.
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- Historical Journal of Film, Radio & Television, 2022, v. 42, n. 1, p. 24, doi. 10.1080/01439685.2022.2018560
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- Article
7
The legacy of A Clockwork Orange in The Great Ecstasy of Robert Carmichael (Thomas Clay, 2005) and Bronson (Nicolas Winding Refn, 2009): 'all form and no content'?
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- Historical Journal of Film, Radio & Television, 2022, v. 42, n. 1, p. 75, doi. 10.1080/01439685.2022.2018558
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- Article
8
The Censorship of Art After Death: Looking at Stanley Kubrick's History with Censorship.
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- Film Matters, 2015, v. 6, n. 3, p. 60, doi. 10.1386/fm.6.3.60_1
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- Article
9
The metaphor of dance in Stanley Kubrick's 2001: A Space Odyssey, A Clockwork Orange and Full Metal Jacket.
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- Journal of Adaptation in Film & Performance, 2012, v. 5, n. 1, p. 51, doi. 10.1386/jafp.5.1.51_1
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- Article
10
A Clockwork Orange: The Art of Moral Panic?
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- Cambridge Quarterly, 2016, v. 45, n. 2, p. 119, doi. 10.1093/camqtly/bfw004
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- Article
11
Kjubrikovo čitanje Bardžisa: Značaj kostima za razumevanje Paklene pomorandže.
- Published in:
- Issues in Ethnology Anthropology, 2016, v. 11, n. 2, p. 477, doi. 10.21301/EAP.V11I2.8
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- Article
12
Understanding vernacular experiences of film in an academic environment.
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- Art, Design & Communication in Higher Education, 2005, v. 4, n. 1, p. 49, doi. 10.1386/adch.4.1.49/1
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- Article
13
Note From the Editor.
- Published in:
- Methods: A Journal of Acting Pedagogy, 2018, v. 4, p. 1
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- Article
14
The Shared History of Stanley Kubrick's A Clockwork Orange (1971) and Ken Russell's The Devils (1971).
- Published in:
- Historical Journal of Film, Radio & Television, 2022, v. 42, n. 1, p. 8, doi. 10.1080/01439685.2022.2018557
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- Publication type:
- Article
15
Utopia Gone Wrong: Mirages of Communist Totalitarianism in the Clockwork Mirror.
- Published in:
- Historical Journal of Film, Radio & Television, 2022, v. 42, n. 1, p. 103, doi. 10.1080/01439685.2022.2018555
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- Article
16
Homo pavlovius: Cinema, Conditioning, and the Cold War Subject.
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- Grey Room, 2011, v. 45, p. 42, doi. 10.1162/GREY_a_00049
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17
Deviant Subjects in Foucault and A Clockwork Orange: Congruent Critiques of Criminological...
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- Critical Studies in Media Communication, 2001, v. 18, n. 3, p. 270, doi. 10.1080/07393180128088
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- Publication type:
- Article
18
'A place in London's future': A Clockwork Orange, Thamesmead and the urban dystopia of the modernist large-scale plan.
- Published in:
- 2018
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- Publication type:
- Film/TV Criticism and Review
19
Straw Dogs, A Clockwork Orange and the Critics.
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- Screen, 1972, v. 13, n. 2, p. 17, doi. 10.1093/screen/13.2.17
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- Article
20
Film Essay Reality game: Contemporary violence and denaturization of language.
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- 2008
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- Publication type:
- Film/TV Criticism and Review
21
'Let this be Kubrick's final word. Do you hear us Warner Bros.?': Fan reception to the death of Stanley Kubrick and his final film, Eyes Wide Shut.
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- Journal of Fandom Studies, 2018, v. 6, n. 1, p. 21, doi. 10.1386/jfs.6.1.21_1
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- Article
22
Embodiment and Violence: From Lived Experience to Imagistic Givenness: Embodiment and Violence: From Lived Experience to Imagistic Givenness: C. Ciocan.
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- Sophia, 2025, v. 64, n. 1, p. 229, doi. 10.1007/s11841-024-01050-w
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- Article
23
A New Gang in Town: Kubrick's A Clockwork Orange as Adaptation and Subversion of the 1950s Juvenile Delinquent Cycle.
- Published in:
- 2015
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- Publication type:
- Film/TV Criticism and Review
24
Feelings in Conflict: A Clockwork Orange and the Explanation of Audiovisual Emotions.
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- Projections: The Journal for Movies & Mind, 2008, v. 2, n. 2, p. 66, doi. 10.3167/proj.2008.020205
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- Article
25
Spielberg, iconophobia, and the mimetic uncanny.
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- New Review of Film & Television Studies, 2009, v. 7, n. 1, p. 51, doi. 10.1080/17400300802602940
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- Article
26
Unstuck in time: Clockwork Orange and Slaughterhouse-Five.
- Published in:
- 1973
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- Publication type:
- Arts/Entertainment Review
27
Observe All: On the Staging of Fundamental Fantasy, Jouissance, and Gaze in Stanley Kubrick's A Clockwork Orange.
- Published in:
- 2013
- By:
- Publication type:
- Essay
28
THE VIEWER'S ROLE IN FILMED VERSIONS OF: A Streetcar Named DESIRE.
- Published in:
- Journal of Popular Film & Television, 1986, v. 14, n. 3, p. 114, doi. 10.1080/01956051.1986.9943947
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- Article
29
VIDDY WELL, BROTHER: An Australian comic's tribute to Stanley Kubrick.
- Published in:
- 2013
- By:
- Publication type:
- Literary Criticism
30
Erotic, Silent, Dead: The concept of women in the ñlms of Stanley Kubrick.
- Published in:
- 2012
- By:
- Publication type:
- Film/TV Criticism and Review
31
INDIRECTED BY STANLEY KUBRICK.
- Published in:
- 2013
- By:
- Publication type:
- Essay
32
Ambiguities of Violence in Beethoven's Ninth through the Eyes of Stanley Kubrick's A Clockwork Orange.
- Published in:
- German Quarterly, 2011, v. 84, n. 2, p. 159, doi. 10.1111/j.1756-1183.2011.00109.x
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- Publication type:
- Article
33
Escutas da imagem: as resultantes do som nos componentes semióticos da linguagem visual.
- Published in:
- Discursos Fotográficos, 2014, v. 10, n. 16, p. 269, doi. 10.5433/1984-7939.2014v10n16p269
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- Publication type:
- Article
34
EL IMAGINARIO FÍLMICO SUBURBIAL DE LOS AÑOS SESENTA. EL FIN DE LAS UTOPÍAS MODERNAS.
- Published in:
- Revista Proyecto, Progreso, Arquitectura, 2022, n. 27, p. 16, doi. 10.12795/ppa.2022.i27.01
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- Publication type:
- Article
35
"DARKER THAN ANY PRISON, HOTTER THAN ANY HUMAN FLAME": PUNISHMENT, CHOICE, AND CULPABILITY IN A CLOCKWORK ORANGE.
- Published in:
- Journal of Criminal Justice Education, 2004, v. 15, n. 2, p. 429, doi. 10.1080/10511250400086061
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- Publication type:
- Article
36
Propeller's Staging of Rose Rage.
- Published in:
- 2005
- By:
- Publication type:
- Literary Criticism
37
Stanley Kubrick’s A Clockwork Orange as art against torture.
- Published in:
- Crime, Media, Culture, 2010, v. 6, n. 3, p. 267, doi. 10.1177/1741659010382332
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- Article
38
A Clockwork Orange.
- Published in:
- 2012
- By:
- Publication type:
- Book Review
39
Adapting to language.
- Published in:
- Science Fiction Film & Television, 2012, v. 5, n. 2, p. 221, doi. 10.3828/sfftv.2012.13
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- Publication type:
- Article
40
Decor as Theme: A Clockwork Orange.
- Published in:
- Literature Film Quarterly, 1981, v. 9, n. 2, p. 92
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- Publication type:
- Article
41
The End of Family in Kubrick's A Clockwork Orange.
- Published in:
- Adaptation, 2015, v. 8, n. 3, p. 321, doi. 10.1093/adaptation/apv007
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- Article
42
Science Fiction Adapted to Film.
- Published in:
- 2017
- By:
- Publication type:
- Book Review
43
NADSAT -- THE LANGUAGE OF VIOLENCE: FROM NOVEL TO FILM.
- Published in:
- Ilha do Desterro: A Journal of English Language, Literatures in English & Cultural Studies, 2017, v. 70, n. 1, p. 257, doi. 10.5007/2175-8026.2017v70n1p257
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- Publication type:
- Article