Dramatic shift: Conservative to Avant-garde in Sarah Kane's "4.48 Psychosis".
- Published in:
- Religación: Revista de Ciencias Sociales y Humanidades, 2021, v. 6, n. 28, p. 142, doi. 10.46652/rgn.v6i28.792
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- Publication type:
- Article
Works matching Sarah Kane
Results: 156
1
2
ACCIDENTAL (!) KILLINGS IN SARAH KANE'S PHAEDRA'S LOVE.
- Published in:
- Adıyaman Üniversitesi Sosyal Bilimler Enstitisü Dergisi, 2022, v. 15, n. 42, p. 407, doi. 10.14520/adyusbd.1062688
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- Publication type:
- Article
3
POST-DRAMATİK YAŞAMLARIN ÖTESİNDE: SARAH KANE VE KANAT GÜNER.
- Published in:
- Journal of International Social Research, 2014, v. 7, n. 34, p. 147
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- Article
4
AN ANALYSIS OF SARAH KANE'S BLASTED AS A WORK OF IN-YER-FACE THEATRE.
- Published in:
- Pamukkale University Journal of Social Sciences Institute / Pamukkale Üniversitesi Sosyal Bilimler Enstitüsü Dergisi, 2019, n. 35, p. 185, doi. 10.30794/pausbed.442934
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- Article
5
War, Violence and Trauma in Sarah Kane’s Blasted.
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- Journal of Babylon Center for Humanities Studies, 2024, v. 14, n. 1, p. 71
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- Article
6
Show or Tell? Seneca's and Sarah Kane's Phaedra Plays.
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- Trends in Classics, 2011, v. 3, n. 2, p. 365, doi. 10.1515/tcs.2011.016
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- Article
7
The Psychological Mechanism of Trauma and Its Effects On Sarah Kane's Experiential Theater.
- Published in:
- Studia Universitatis Babes-Bolyai, Dramatica, 2014, v. 59, n. 2, p. 97
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- Publication type:
- Article
8
SARAH KANE. THE CORROSIVE DRAMA OF AGGRESSION, TRAUMA AND DEPRESSION.
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- Studia Universitatis Babes-Bolyai, Dramatica, 2013, v. 58, n. 1, p. 95
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- Article
9
SARAH KANE'S POSTDRAMATIC STRATEGIES IN BLASTED, CLEANSED AND CRAVE.
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- Journal of International Social Research, 2011, v. 4, n. 17, p. 75
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- Publication type:
- Article
10
DEPICTION OF VIOLENCE ONSTAGE: PHYSICAL, SEXUAL AND VERBAL DIMENSIONS OF VIOLENCE IN SARAH KANE'S EXPERIENTIAL THEATRE.
- Published in:
- Journal of International Social Research, 2011, v. 4, n. 16, p. 81
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- Publication type:
- Article
11
"Beyond Journalism, Beyond Naturalism: Sarah Kane's Attempts on Truth".
- Published in:
- Journal of Artistic Creation & Literary Research, 2022, v. 10, n. 1, p. 1
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- Article
12
"It was like lightning": the theatrical resonances of Sarah Kane in Eimear McBride's A Girl Is a Half-formed Thing.
- Published in:
- Irish Studies Review, 2018, v. 26, n. 4, p. 564, doi. 10.1080/09670882.2018.1518301
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- Article
13
Voicing (Medical) Complexity in the Theatre of Sarah Kane: 4.48 Psychosis (1999) and its Stage Adaptation by Deafinitely Theatre (2018).
- Published in:
- Other Modernities / Altre Modernita / Otras Modernidades / Autres Modernités, 2024, n. 32, p. 146, doi. 10.54103/2035-7680/27289
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- Publication type:
- Article
14
Psychology of Belonging and Traumatized Soldiers in In-Yer-Face Theatre: Anthony Neilson’s Penetrator and Sarah Kane’s Blasted.
- Published in:
- Culture & Communication / Kültür ve İletişim, 2021, v. 24, n. 48, p. 516, doi. 10.18691/kulturveiletisim.894880
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- Article
15
Spectacle, Speculatıve, Spectıle: Situations in Sarah Kane, Sevim Burak, etc.
- Published in:
- Third Text, 2010, v. 24, n. 4, p. 437, doi. 10.1080/09528822.2010.491374
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- Publication type:
- Article
16
Performing Simulacra: Human/Animal Intersections in the Work of Sarah Kane.
- Published in:
- BETWEEN, 2022, v. 12, n. 24, p. 483, doi. 10.13125/2039-6597/5192
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- Publication type:
- Article
17
Uncomfortable Seats: "Enactive Spectatorship" Explored through Sarah Kane's Blasted.
- Published in:
- Folklor / Edebiyat, 2023, v. 29, n. 113, p. 299, doi. 10.22559/folklor.2263
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- Article
18
Leah Sidi. Sarah Kane's Theatre of Psychic Life: Theatre, Thought, and Mental Suffering.
- Published in:
- 2024
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- Publication type:
- Book Review
19
Vanishing Acts: Sarah Kane's Texts for Performance and Postdramatic Theatre.
- Published in:
- Modern Drama, 2015, v. 58, n. 1, p. 94, doi. 10.3138/MD.0596R.94
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- Publication type:
- Article
20
Rethinking Sarah Kane's Characters: A Human(ist) Form and Politics.
- Published in:
- Modern Drama, 2014, v. 57, n. 2, p. 252, doi. 10.3138/0586R.252
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- Publication type:
- Article
21
"Last in a Long Line of Literary Kleptomaniacs": Intertextuality in Sarah Kane's "4.48 Psychosis."
- Published in:
- 2013
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- Publication type:
- Literary Criticism
22
Subversion, Refusal, and Contingency: The Transgression of Liberal-Humanist Subjectivity and Characterization in Sarah Kane's "Cleansed," "Crave," and "4.48 Psychosis."
- Published in:
- 2012
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- Publication type:
- Literary Criticism
23
Sarah Kane and the Bakhtinian Grotesque: A Study of The Bodily Grotesque in Phaedra's Love and Cleansed.
- Published in:
- Indian Review of World Literature in English, 2021, v. 17, n. 1, p. 44
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- Publication type:
- Article
24
Othering Beings and Being's Other: A Comparative Study of Shakespeare's Hamlet and Sarah Kane's 4.48 Psychosis in Terms of Levinasian Ethical Self.
- Published in:
- 2024
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- Publication type:
- Literary Criticism
25
"Born in the Wrong Body:" The Articulation of Sexual Self-Perception in Sarah Kane's 4.48 Psychosis.
- Published in:
- Journal of Contemporary Drama in English, 2017, v. 5, n. 2, p. 277, doi. 10.1515/jcde-2017-0026
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- Publication type:
- Article
26
Words That 'Matter': Between Materiality and Immateriality of Language in Sarah Kane's 4.48 Psychosis.
- Published in:
- Journal of Contemporary Drama in English, 2013, v. 1, n. 1, p. 161, doi. 10.1515/jcde-2013-0015
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- Publication type:
- Article
27
Dealing with Bodies: The Corporeal Dimension in Sarah Kane's Cleansed and Martin Crimp's The Country.
- Published in:
- Journal of Contemporary Drama in English, 2013, v. 1, n. 1, p. 137, doi. 10.1515/jcde-2013-0013
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- Publication type:
- Article
28
NEGATIVITA SPOLOČENSKEJ REALITY U SARAH KANE - MOC A NÁSILIE AKO FAKTORY DEŠTRUKTÍVNOSTI V DRÁME SPUSTOŠENÍ.
- Published in:
- Slovak Theatre / Slovenské Divadlo, 2020, v. 68, n. 1, p. 76, doi. 10.31577/sd-2020-0006
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- Publication type:
- Article
29
OFFERING RESISTANCE: Unstageable stage directions in Sarah Kane's Cleansed.
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- European Drama & Performance Studies, 2017, p. 31
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- Article
30
The Sexual Conflict In Sarah Kane’s Blasted.
- Published in:
- Larq Journal for Philosophy, Linguistics & Social Sciences, 2023, v. 1, n. 48, p. 874
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- Article
31
ИНТЕРТЕКСТУАЛНО ЧИТАЊЕ ДРАМЕ ЖУДЊА САРЕ КЕЈН
- Published in:
- Nasleđe, 2022, n. 51, p. 318
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- Publication type:
- Article
32
Trauma and Depression in Contemporary British Theatre: A Study in Sarah Kane's 4.48 Psychosis.
- Published in:
- Journals Eduction for Girls, 2020, v. 2, n. 25, p. 43
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- Publication type:
- Article
33
Feeling the Loss of Feminism: Sarah Kane's Blasted and an Experiential Genealogy of Contemporary Women's Playwriting.
- Published in:
- Theatre Journal, 2010, v. 62, n. 4, p. 575, doi. 10.1353/tj.2010.a413932
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- Publication type:
- Article
34
"Victim. Perpetrator. Bystander": Melancholic Witnessing of Sarah Kane's "4.48 Psychosis."
- Published in:
- 2008
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- Publication type:
- Essay
35
Approaching Abjection in Sarah Kane's Blasted.
- Published in:
- Performance Research, 2014, v. 19, n. 1, p. 63, doi. 10.1080/13528165.2014.908085
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- Publication type:
- Article
36
Trespassing Physical Boundaries: Transgression, Vulnerability and Resistance in Sarah Kane's Blasted (1995).
- Published in:
- 2019
- By:
- Publication type:
- Literary Criticism
37
Reopening Sarah Kane's "Chamber of Horrors": Blasted as Gothic Drama.
- Published in:
- Modern Drama, 2019, v. 62, n. 1, p. 23, doi. 10.3138/md.0874r
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- Publication type:
- Article
38
Still: Sarah Kane after Beckett and Joy Division.
- Published in:
- 2017
- By:
- Publication type:
- Essay
39
Constructing Dying and Death as an Eco-Political Concern in Performances of Shakespeare's King Lear and Sarah Kane's Blasted.
- Published in:
- 2018
- By:
- Publication type:
- Performance Review
40
Sarah Kane's Blasted - Genesis of the Subject.
- Published in:
- Journal of Contemporary Drama in English, 2013, v. 1, n. 2, p. 249, doi. 10.1515/jcde-2013-0020
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- Publication type:
- Article
41
Blasted 1999. Sarah Kane’s Body Against the Archive.
- Published in:
- Theatralia, 2022, v. 25, n. 2, p. 41, doi. 10.5817/TY2022-2-3
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- Publication type:
- Article
42
RAZGOVOR TRIJU ŽENA O LJUBAVI: FЕDRA, MARINA CVETAJEVA I SARA KЕЈN.
- Published in:
- Annual Review of the Faculty of Philosophy / Godisnjak Filozofskog Fakulteta, 2018, v. 43, n. 1, p. 53, doi. 10.19090/gff.2018.1.53-66
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- Publication type:
- Article
43
'My mind is the subject of these bewildered fragments'. La défaite de l'homme et la défiguration progressive dans le théâtre de Sarah Kane.
- Published in:
- 2010
- By:
- Publication type:
- Literary Criticism
44
Genderqueer Perspectives on Sarah Kane's Cleansed and 4.48 Psychosis.
- Published in:
- Gender Forum, 2021, n. 79, p. 17
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- Publication type:
- Article
45
Immanuel Kant’s Moral Actions in Sarah Kane’s Blasted.
- Published in:
- Cumhuriyet Üniversitesi Fen-Edebiyat Fakültesi Sosyal Bilimler Dergisi, 2024, v. 48, p. 33
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- Publication type:
- Article
46
TOWARDS A FEMINIST AESTHETIC OF JUSTICE: SARAH KANE'S BLASTED AS THEORISATION OF THE REPRESENTATION OF SEXUAL VIOLENCE IN INTERNATIONAL LAW.
- Published in:
- Australian Feminist Law Journal, 2012, v. 36, p. 107, doi. 10.1080/13200968.2012.10854470
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- Publication type:
- Article
47
Immanuel Kant's Moral Actions in Sarah Kane's Blasted.
- Published in:
- Faculty of Letters Journal of Social Sciences / Cumhuriyet Üniversitesi Sosyal Bilimler Dergisi, 2024, v. 48, p. 33
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- Publication type:
- Article
48
The Baby's Not for Burning: The Abject in Sarah Kane's Blasted and Helen Oyeyemi's Juniper's Whitening.
- Published in:
- 3L: Southeast Asian Journal of English Language Studies, 2015, v. 21, n. 2, p. 17
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- Publication type:
- Article
49
(Post)Modern Subjectivity and the New Expressionism: Howard Barker, Sarah Kane, and Forced Entertainment.
- Published in:
- Contemporary Theatre Review, 2008, v. 18, n. 3, p. 328, doi. 10.1080/10486800802123617
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- Publication type:
- Article
50
Crave by Sarah Kane (review).
- Published in:
- 2022
- By:
- Publication type:
- Performance Review