"Beyond Journalism, Beyond Naturalism: Sarah Kane's Attempts on Truth".
- Published in:
- Journal of Artistic Creation & Literary Research, 2022, v. 10, n. 1, p. 1
- By:
- Publication type:
- Article
Works matching Kane, Sarah, 1971-1999
Results: 73
1
2
A LEVINASIAN READING OF SHAKESPEARE'S THE WINTER'S TALE AND SARAH KANE'S PHAEDRA'S LOVE.
- Published in:
- Journal of Language & Literary Studies / Folia Linguistica & Litteraria, 2023, n. 44, p. 215, doi. 10.31902/fll.44.2023.13
- By:
- Publication type:
- Article
3
Leah Sidi. Sarah Kane's Theatre of Psychic Life: Theatre, Thought, and Mental Suffering.
- Published in:
- 2024
- By:
- Publication type:
- Book Review
4
Reopening Sarah Kane's "Chamber of Horrors": Blasted as Gothic Drama.
- Published in:
- Modern Drama, 2019, v. 62, n. 1, p. 23, doi. 10.3138/md.0874r
- By:
- Publication type:
- Article
5
Still: Sarah Kane after Beckett and Joy Division.
- Published in:
- 2017
- By:
- Publication type:
- Essay
6
Vanishing Acts: Sarah Kane's Texts for Performance and Postdramatic Theatre.
- Published in:
- Modern Drama, 2015, v. 58, n. 1, p. 94, doi. 10.3138/MD.0596R.94
- By:
- Publication type:
- Article
7
Rethinking Sarah Kane's Characters: A Human(ist) Form and Politics.
- Published in:
- Modern Drama, 2014, v. 57, n. 2, p. 252, doi. 10.3138/0586R.252
- By:
- Publication type:
- Article
8
"Last in a Long Line of Literary Kleptomaniacs": Intertextuality in Sarah Kane's "4.48 Psychosis."
- Published in:
- 2013
- By:
- Publication type:
- Literary Criticism
9
Subversion, Refusal, and Contingency: The Transgression of Liberal-Humanist Subjectivity and Characterization in Sarah Kane's "Cleansed," "Crave," and "4.48 Psychosis."
- Published in:
- 2012
- By:
- Publication type:
- Literary Criticism
10
"This Disgusting Feast of Filth": Meat Eating, Hospitality, and Violence in Sarah Kane's Blasted.
- Published in:
- 2017
- By:
- Publication type:
- Literary Criticism
11
DEATH, ABUSE AND DESTRUCTIVENESS IN KANE'S BLASTED.
- Published in:
- University of Bucharest Review: Literary & Cultural Studies Series, 2017, v. 7, n. 1, p. 55
- By:
- Publication type:
- Article
12
THE STAGE AS THE CHRONOTOPE OF MEMORY.
- Published in:
- University of Bucharest Review: Literary & Cultural Studies Series, 2013, v. 3, n. 2, p. 166
- By:
- Publication type:
- Article
13
HIPPOLYTUS' NEGLECT OF EROS: A DIALOGUE BETWEEN EURIPIDES' DRAMA AND SARAH KANE'S PHAEDRA'S LOVE.
- Published in:
- New Voices in Classical Reception Studies, 2018, n. 12, p. 68
- By:
- Publication type:
- Article
14
A Review of Complete Plays by Sarah Kane, introduced by David Greig.
- Published in:
- 2003
- By:
- Publication type:
- Book Review
15
'Just a Word on a Page and there is the Drama.' Sarah Kane's Theatrical Legacy.
- Published in:
- 2003
- By:
- Publication type:
- Literary Criticism
16
SARAH KANE'S POSTDRAMATIC STRATEGIES IN BLASTED, CLEANSED AND CRAVE.
- Published in:
- Journal of International Social Research, 2011, v. 4, n. 17, p. 75
- By:
- Publication type:
- Article
17
DEPICTION OF VIOLENCE ONSTAGE: PHYSICAL, SEXUAL AND VERBAL DIMENSIONS OF VIOLENCE IN SARAH KANE'S EXPERIENTIAL THEATRE.
- Published in:
- Journal of International Social Research, 2011, v. 4, n. 16, p. 81
- By:
- Publication type:
- Article
18
A Director in Search of a Narrative.
- Published in:
- Performance Research, 2017, v. 22, n. 3, p. 49, doi. 10.1080/13528165.2017.1348659
- By:
- Publication type:
- Article
19
Blasted at the Queens Hotel: Coincidence of sign and site.
- Published in:
- Performance Research, 2013, v. 18, n. 3, p. 32, doi. 10.1080/13528165.2013.818311
- By:
- Publication type:
- Article
20
This Blasted translation: or location, dislocation, relocation.
- Published in:
- 2009
- By:
- Publication type:
- Opinion
21
Sarah Kane and the Bakhtinian Grotesque: A Study of The Bodily Grotesque in Phaedra's Love and Cleansed.
- Published in:
- Indian Review of World Literature in English, 2021, v. 17, n. 1, p. 44
- By:
- Publication type:
- Article
22
Being in Auschwitz: A Study of Sarah Kane's Cleansed as a Vivid Picture of Nazi Human Experimentation.
- Published in:
- Indian Review of World Literature in English, 2019, v. 15, n. 2, p. 1
- By:
- Publication type:
- Article
23
Saxon Violence and Social Decay in Sarah Kane's Phaedra's Love and Tony Harrison's Prometheus.
- Published in:
- 2011
- By:
- Publication type:
- Case Study
24
Don't Want to Be This - The Elusive Sarah Kane.
- Published in:
- TDR: The Drama Review (MIT Press), 2004, v. 48, n. 2, p. 139, doi. 10.1162/105420404323063445
- By:
- Publication type:
- Article
25
Dramatic shift: Conservative to Avant-garde in Sarah Kane's "4.48 Psychosis".
- Published in:
- Religación: Revista de Ciencias Sociales y Humanidades, 2021, v. 6, n. 28, p. 142, doi. 10.46652/rgn.v6i28.792
- By:
- Publication type:
- Article
26
Rape and Rape Mythology in the Plays of Sarah Kane.
- Published in:
- 2013
- By:
- Publication type:
- Essay
27
"It was like lightning": the theatrical resonances of Sarah Kane in Eimear McBride's A Girl Is a Half-formed Thing.
- Published in:
- Irish Studies Review, 2018, v. 26, n. 4, p. 564, doi. 10.1080/09670882.2018.1518301
- By:
- Publication type:
- Article
28
The Radical Formalism of Suzan-Lori Parks and Sarah Kane.
- Published in:
- Theatre Survey, 2015, v. 56, n. 2, p. 213, doi. 10.1017/S0040557415000083
- By:
- Publication type:
- Article
29
THE TRAGEDY OF HISTORY IN SARAH KANE'S BLASTED.
- Published in:
- Theatre Survey, 2005, v. 46, n. 2, p. 275, doi. 10.1017/S0040557405000165
- By:
- Publication type:
- Article
30
Crave by Sarah Kane (review).
- Published in:
- 2022
- By:
- Publication type:
- Performance Review
31
SARAH KANE IN CONTEXT.
- Published in:
- 2012
- By:
- Publication type:
- Book Review
32
Feeling the Loss of Feminism: Sarah Kane's Blasted and an Experiential Genealogy of Contemporary Women's Playwriting.
- Published in:
- Theatre Journal, 2010, v. 62, n. 4, p. 575, doi. 10.1353/tj.2010.a413932
- By:
- Publication type:
- Article
33
"Victim. Perpetrator. Bystander": Melancholic Witnessing of Sarah Kane's "4.48 Psychosis."
- Published in:
- 2008
- By:
- Publication type:
- Essay
34
THE CRUCIBLE/4.48 PSYCHOSIS/KING LEAR/THE SCHOLAR AND THE EXECUTIONER/CROWS AND SPARROWS.
- Published in:
- 2007
- By:
- Publication type:
- Arts/Entertainment Review
35
Love or Kill Me: Sarah Kane and the Theatre of Extremes (Book).
- Published in:
- 2004
- By:
- Publication type:
- Book Review
36
PHAEDRA'S LOVE.
- Published in:
- Theatre Journal, 2003, v. 55, n. 2, p. 337, doi. 10.1353/tj.2003.0072
- By:
- Publication type:
- Article
37
"Born in the Wrong Body:" The Articulation of Sexual Self-Perception in Sarah Kane's 4.48 Psychosis.
- Published in:
- Journal of Contemporary Drama in English, 2017, v. 5, n. 2, p. 277, doi. 10.1515/jcde-2017-0026
- By:
- Publication type:
- Article
38
THE BRUTALITY OF REDEMPTION.
- Published in:
- 2009
- By:
- Publication type:
- Arts/Entertainment Review
39
AN ETHICS OF CATASTROPHE.
- Published in:
- PAJ: A Journal of Performance & Art, 2001, v. 23, n. 69, p. 36, doi. 10.2307/3246332
- By:
- Publication type:
- Article
40
Shakespeare in Sarajevo: Theatrical and Cinematic Encounters with the Balkans War.
- Published in:
- Critical Survey, 2018, v. 30, n. 1, p. 26, doi. 10.3167/cs.2018.300103
- By:
- Publication type:
- Article
41
TOWARDS A FEMINIST AESTHETIC OF JUSTICE: SARAH KANE'S BLASTED AS THEORISATION OF THE REPRESENTATION OF SEXUAL VIOLENCE IN INTERNATIONAL LAW.
- Published in:
- Australian Feminist Law Journal, 2012, v. 36, p. 107, doi. 10.1080/13200968.2012.10854470
- By:
- Publication type:
- Article
42
OFFERING RESISTANCE: Unstageable stage directions in Sarah Kane's Cleansed.
- Published in:
- European Drama & Performance Studies, 2017, p. 31
- By:
- Publication type:
- Article
43
The Consumption of The Female Body in Kaçar's Tok And Kane's Phaedra's Love.
- Published in:
- 2019
- By:
- Publication type:
- Literary Criticism
44
'My mind is the subject of these bewildered fragments'. La défaite de l'homme et la défiguration progressive dans le théâtre de Sarah Kane.
- Published in:
- 2010
- By:
- Publication type:
- Literary Criticism
45
The Mediated Double Body: An Instance of Ab-sence and Alterity in Mixed-media Theatre.
- Published in:
- Body, Space & Technology, 2010, v. 9, n. 1, p. 1, doi. 10.16995/bst.115
- By:
- Publication type:
- Article
46
Trespassing Physical Boundaries: Transgression, Vulnerability and Resistance in Sarah Kane's Blasted (1995).
- Published in:
- 2019
- By:
- Publication type:
- Literary Criticism
47
Spectacle, Speculatıve, Spectıle: Situations in Sarah Kane, Sevim Burak, etc.
- Published in:
- Third Text, 2010, v. 24, n. 4, p. 437, doi. 10.1080/09528822.2010.491374
- By:
- Publication type:
- Article
48
"Summon up the Blood" The Stylized (or Sticky) Stuff of Violence in Three Plays by Sarah Kane.
- Published in:
- Theatre Symposium, 2010, v. 18, p. 11, doi. 10.1353/tsy.2010.0003
- By:
- Publication type:
- Article
49
"I Stink of You": Queer Sexuality in Sarah Kane's Blasted.
- Published in:
- ANQ: A Quarterly Journal of Short Articles, Notes & Reviews, 2024, v. 37, n. 2, p. 307, doi. 10.1080/0895769X.2022.2103635
- By:
- Publication type:
- Article
50
Othering Beings and Being's Other: A Comparative Study of Shakespeare's Hamlet and Sarah Kane's 4.48 Psychosis in Terms of Levinasian Ethical Self.
- Published in:
- 2024
- By:
- Publication type:
- Literary Criticism