Editorial.
- Published in:
- 2025
- By:
- Publication type:
- Editorial
Works matching Tarkovskii, Andrei Arsen'evich, 1932-1986
Results: 136
1
2
The Smile. (Antarctica, Wonderland): The formation of 'Tarkovsky's method' of documentation, reliability and juvenile victimhood.
- Published in:
- Studies in Russian & Soviet Cinema, 2025, v. 19, n. 2, p. 200, doi. 10.1080/17503132.2025.2496569
- By:
- Publication type:
- Article
3
Silence, memory, mentorship and transgression: reassessing Tarkovsky's cinematic vision.
- Published in:
- Studies in Russian & Soviet Cinema, 2025, v. 19, n. 2, p. 116, doi. 10.1080/17503132.2025.2490871
- By:
- Publication type:
- Article
4
Transgression and desire in Tarkovsky's cinema.
- Published in:
- Studies in Russian & Soviet Cinema, 2025, v. 19, n. 2, p. 179, doi. 10.1080/17503132.2025.2484703
- By:
- Publication type:
- Article
5
Mentoring and the 'national cinema': Andrei Tarkovsky's letters to Bagrat Hovhannisyan (1972–1981).
- Published in:
- Studies in Russian & Soviet Cinema, 2025, v. 19, n. 2, p. 151, doi. 10.1080/17503132.2025.2484702
- By:
- Publication type:
- Article
6
Silence as cinematic device in Tarkovsky's Andrei Rublev.
- Published in:
- Studies in Russian & Soviet Cinema, 2025, v. 19, n. 2, p. 118, doi. 10.1080/17503132.2025.2481666
- By:
- Publication type:
- Article
7
CARSON-TARKOVSKI - TARKOVSKI-CARSON: Zones de correspondance.
- Published in:
- Revue Européenne de Recherches sur la Poésie, 2024, n. 10, p. 223
- By:
- Publication type:
- Article
8
The Soviet Nomad.
- Published in:
- Bulletin of Science, Technology & Society, 2015, v. 35, n. 3/4, p. 67, doi. 10.1177/0270467615624309
- By:
- Publication type:
- Article
9
The Long Take: Messianic Time in Andrei Tarkovsky's Nostalghia.
- Published in:
- Journal for Cultural Research, 2009, v. 13, n. 3/4, p. 365, doi. 10.1080/14797580903244753
- By:
- Publication type:
- Article
10
The Sound Art in Tarkovsky's Andrei Rublev. Sound Ambiguities amid Visual Certainties.
- Published in:
- 2021
- By:
- Publication type:
- Film/TV Criticism and Review
11
"You Can't Imagine How Terrible It Is to Make the Wrong Choice"--Faith, Agency and Self-Pity in Andrei Tarkovsky's Stalker.
- Published in:
- Quarterly Review of Film & Video, 2019, v. 36, n. 4, p. 264, doi. 10.1080/10509208.2019.1589855
- By:
- Publication type:
- Article
12
Film Rhythm and the Aporetics of Temporality.
- Published in:
- Quarterly Review of Film & Video, 2019, v. 36, n. 2, p. 104, doi. 10.1080/10509208.2018.1492820
- By:
- Publication type:
- Article
13
Citizen Ivanov Versus Comrade Tito: Partisans in Soviet and Yugoslav Cinema of the Second Word War (1960–1985).
- Published in:
- 2019
- By:
- Publication type:
- Film/TV Criticism and Review
14
Andrei Tarkovsky: Elements of Cinema by Robert Bird. London: Reaktion Books Ltd, 2008.
- Published in:
- 2009
- By:
- Publication type:
- Book Review
15
Tarkovsky, edited by Nathan Dunne. London: Black Dog Publishing, 2008.
- Published in:
- 2009
- By:
- Publication type:
- Book Review
16
Roughened Form of Time, Space, and Character in Andrei Tarkovsky's The Mirror.
- Published in:
- Quarterly Review of Film & Video, 2008, v. 25, n. 3, p. 241, doi. 10.1080/10509200601091524
- By:
- Publication type:
- Article
17
LA DIMENSIÓN DEL TIEMPO EN FREUD, DURAS Y TARKOVSKY.
- Published in:
- Equinoccio. Revista de Psicoterapia Psicoanalítica, 2023, v. 4, n. 1, p. 53, doi. 10.53693/ERPPA/4.1.4
- By:
- Publication type:
- Article
18
A Sacred Marriage. Hierogamy in the Most Hermetic Art, from Alchemy to The Sacrifice, by Andrei Tarkovsky.
- Published in:
- Eikón / Imago, 2022, v. 11, n. 1, p. 233, doi. 10.5209/eiko.78018
- By:
- Publication type:
- Article
19
The Multiplicity of a Still: Considerations of a Still from Andrei Tarkovsky's Stalker.
- Published in:
- Mise-en-Scène, 2018, v. 3, n. 2, p. 19
- By:
- Publication type:
- Article
20
Tillich and Tarkovsky: An Existential Analysis of Mirror.
- Published in:
- Journal of Humanistic Psychology, 2012, v. 52, n. 4, p. 451, doi. 10.1177/0022167811423787
- By:
- Publication type:
- Article
21
«Escucha el Desierto del Sonido»: las Campanas Silentes (Claudio Parmiggiani) y la Música que ha Perdido el Elemento Sonoro (Salvatore Sciarrino).
- Published in:
- BRAC: Barcelona, Research, Art, Creation, 2023, v. 11, n. 3, p. 388, doi. 10.17583/brac.10993
- By:
- Publication type:
- Article
22
Tracing the Russian Hermeneutic: Reflections on Tarkovsky's Cinematic Poetics and Global Politics.
- Published in:
- Alternatives: Global, Local, Political, 2009, v. 34, n. 1, p. 59, doi. 10.1177/030437540903400104
- By:
- Publication type:
- Article
23
Andrei Tarkovsky's Poetics of Cinema.
- Published in:
- 2013
- By:
- Publication type:
- Book Review
24
Andrei Tarkovsky: Elements of Cinema.
- Published in:
- 2009
- By:
- Publication type:
- Book Review
25
The Concept of Self-Sacrifice in the Philosophy of Andrei Tarkovsky’s Work.
- Published in:
- Rupkatha Journal on Interdisciplinary Studies in Humanities, 2022, v. 14, n. 2, p. 1, doi. 10.21659/rupkatha.v14n2.07
- By:
- Publication type:
- Article
26
Analyzing High-Fidelity Thematic Elements of the World of Stalker: From the Tarkovsky Film to the GSC Game World Video Game.
- Published in:
- Film Matters, 2018, v. 9, n. 1, p. 93, doi. 10.1386/fm.9.1.93_1
- By:
- Publication type:
- Article
27
Memória e autobiografia: uma abordagem do gênero textual no filme O Espelho, de Andrei Tarkovski.
- Published in:
- Comunicação & Sociedade, 2010, v. 31, n. 53, p. 167
- By:
- Publication type:
- Article
28
The guest: A-human ontology and Tarkovsky's Solaris.
- Published in:
- Science Fiction Film & Television, 2023, v. 16, n. 1/2, p. 5, doi. 10.3828/sfftv.2023.2
- By:
- Publication type:
- Article
29
Tarkovsky and the Strugatskii brothers.
- Published in:
- Science Fiction Film & Television, 2015, v. 8, n. 2, p. 255, doi. 10.3828/sfftv.2015.17
- By:
- Publication type:
- Article
30
Tarkovsky's Nostalghia: A Journey to the Home that Never Was.
- Published in:
- 2015
- By:
- Publication type:
- Film/TV Criticism and Review
31
Tarkovsky's Nostalghia: Refusing Modernity, Re-Envisioning Beauty.
- Published in:
- Cinema Journal, 2011, v. 50, n. 2, p. 104, doi. 10.1353/cj.2011.0012
- By:
- Publication type:
- Article
32
Andrei Tarkovsky: Elements of Cinema.
- Published in:
- 2010
- By:
- Publication type:
- Book Review
33
Working for Tarkovsky.
- Published in:
- Science Fiction Studies, 2004, v. 31, n. 3, p. 418
- By:
- Publication type:
- Article
34
The Science-Fiction Films of Andrei Tarkovsky.
- Published in:
- Science Fiction Studies, 1987, v. 14, n. 3, p. 294, doi. 10.1525/sfs.14.3.0294
- By:
- Publication type:
- Article
35
Obituaries.
- Published in:
- 1987
- By:
- Publication type:
- Obituary
36
New Ideas about the Works of Andrei Tarkovsky.
- Published in:
- 2009
- By:
- Publication type:
- Book Review
37
Labyrinths of Space and Time Andrei Tarkovsky: the Collector of Dreams.
- Published in:
- 2013
- By:
- Publication type:
- Book Review
38
ALate Soviet Film Classic Invokes the Leather-Stocking Tales.
- Published in:
- James Fenimore Cooper Society Journal, 2024, v. 35, n. 1, p. 109
- By:
- Publication type:
- Article
39
Hauntology, Ruins, and the Failure of the Future in Andrei Tarkovsky's Stalker.
- Published in:
- 2017
- By:
- Publication type:
- Film/TV Criticism and Review
40
Temporal transformations in cinema and psychoanalysis: On Philip Groenig’s Into Great Silence.
- Published in:
- International Journal of Psychoanalysis, 2009, v. 90, n. 4, p. 909, doi. 10.1111/j.1745-8315.2009.00167.x
- By:
- Publication type:
- Article
41
In search of beauty: Anticipating the 'new Renaissance' of Italian cinema: Interview with Lora Guerra.
- Published in:
- Journal of Italian Cinema & Media Studies, 2023, v. 11, n. 3/4, p. 667, doi. 10.1386/jicms_00204_7
- By:
- Publication type:
- Article
42
Slow narration in Voyage in Time by Andrei Tarkovsky and Tonino Guerra (1983).
- Published in:
- Journal of Italian Cinema & Media Studies, 2023, v. 11, n. 3/4, p. 505, doi. 10.1386/jicms_00194_1
- By:
- Publication type:
- Article
43
Andrei Tarkovsky, Kazimierz Kutz and Federico Fellini: References and counterpoints.
- Published in:
- Journal of Italian Cinema & Media Studies, 2023, v. 11, n. 3/4, p. 487, doi. 10.1386/jicms_00193_1
- By:
- Publication type:
- Article
44
The influence of Tarkovsky on the mystical gaze in Pontecorvo's Fatima (2020).
- Published in:
- Journal of Italian Cinema & Media Studies, 2023, v. 11, n. 3/4, p. 471, doi. 10.1386/jicms_00192_1
- By:
- Publication type:
- Article
45
The Cinematic Gaze as 'A Long Loving Look at the Real': Andrei Tarkovsky and Walter Burghardt's Theology of Contemplation.
- Published in:
- Heythrop Journal, 2022, v. 63, n. 3, p. 425, doi. 10.1111/heyj.13576
- Publication type:
- Article
46
Andrei Tarkovsky: stalker of the unconscious.
- Published in:
- 2017
- By:
- Publication type:
- journal article
47
EXPRESSIONS OF EMOTIONS THROUGH THE COLOUR BLUE: ANDREI TARKOVSKY'S SOLARIS AND ANDREI ZVYAGINTSEV'S THE RETURN.
- Published in:
- Concept (2248-3756), 2022, v. 24, n. 1, p. 36
- By:
- Publication type:
- Article
48
A. Tarkovsky's Stalker: A Study on the Process of Scenario Transforming the Strugatsky Brothers' Fantasy Novel to the Dostoevsky's Works.
- Published in:
- 2022
- By:
- Publication type:
- Film/TV Criticism and Review
49
Hemingway's "The Killers" and Heroic Fatalism: From Page to Screen (Thrice).
- Published in:
- Literature Film Quarterly, 2007, v. 35, n. 1, p. 404
- By:
- Publication type:
- Article
50
1+1=1: Impossible Translations in Andrey Tarkovsky's Nostalghia.
- Published in:
- Literature Film Quarterly, 2004, v. 32, n. 4, p. 300
- By:
- Publication type:
- Article