Dancing for the Dead: muu Dancers in Egyptian New Kingdom Scenes.
- Published in:
- Eikón / Imago, 2022, v. 11, n. 1, p. 185, doi. 10.5209/eiko.78355
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- Article
Works matching IS 22548718 AND DT 2022 AND VI 11 AND IP 1
Results: 44
1
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Juguetes de madera o el palimpsesto del árbol: vasos mitopoiéticos en las culturas del Mediterráneo antiguo.
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- Eikón / Imago, 2022, v. 11, n. 1, p. 9, doi. 10.5209/eiko.78015
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- Article
3
Guía Visual de la Arquitectura en el Mundo antiguo. Prehistoria, Mesopotamia, Egipto, Grecia y Roma.
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- Eikón / Imago, 2022, v. 11, n. 1, p. 427, doi. 10.5209/eiko.76100
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- Article
4
El pensamiento nocturno de Goya. En la noche de los Disparates.
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- Eikón / Imago, 2022, v. 11, n. 1, p. 425, doi. 10.5209/eiko.77769
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- Article
5
Maestras antiguas. Mujeres, arte e ideología.
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- Eikón / Imago, 2022, v. 11, n. 1, p. 421, doi. 10.5209/eiko.78407
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- Article
6
Museos y universidades. Espacios compartidos para la educación, la inclusión y el conocimiento.
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- Eikón / Imago, 2022, v. 11, n. 1, p. 417, doi. 10.5209/eiko.80514
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- Article
7
La intervención en el patrimonio arquitectónico en España. 1975-2015.
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- Eikón / Imago, 2022, v. 11, n. 1, p. 415, doi. 10.5209/eiko.76657
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8
More Art in the Public Eye.
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- Eikón / Imago, 2022, v. 11, n. 1, p. 411, doi. 10.5209/eiko.79199
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- Article
9
Harmony in Bright Colors. Memling's God the Father with Singing and Music-Making Angels Restored.
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- Eikón / Imago, 2022, v. 11, n. 1, p. 407, doi. 10.5209/eiko.79267
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- Article
10
Buen Humor. Relatos ilustrados.
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- Eikón / Imago, 2022, v. 11, n. 1, p. 405, doi. 10.5209/eiko.79480
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11
La erudición del pintor. Juan Interián de Ayala y los nuevos propósitos de la imagen religiosa en el Siglo de las Luces.
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- Eikón / Imago, 2022, v. 11, n. 1, p. 393, doi. 10.5209/eiko.77620
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12
Habitar maravillosamente el mundo. Jardines, palacios y moradas espirituales en la España de los siglos XV al XVII.
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- Eikón / Imago, 2022, v. 11, n. 1, p. 401, doi. 10.5209/eiko.76188
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- Article
13
Treasure, Memory, Nature. Church Objects in the Middle Ages.
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- Eikón / Imago, 2022, v. 11, n. 1, p. 399, doi. 10.5209/eiko.79531
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14
Públicos en transformación. Una visión interdisciplinar de las funciones, experiencias y espacios del público actual de los museos.
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- Eikón / Imago, 2022, v. 11, n. 1, p. 397, doi. 10.5209/eiko.78011
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15
Catedral de Jaca. Un edificio del siglo XI.
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- Eikón / Imago, 2022, v. 11, n. 1, p. 395, doi. 10.5209/eiko.77456
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16
Sacred Scripture / Sacred Space. The Interlacing of Real Places and Conceptual Spaces in Medieval Art and Architecture.
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- Eikón / Imago, 2022, v. 11, n. 1, p. 403, doi. 10.5209/eiko.76133
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17
Ceremony and Popular Culture. Festivities and Objects Connected with the National Theatre and other Czech Public Buildings before 1918.
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- Eikón / Imago, 2022, v. 11, n. 1, p. 159, doi. 10.5209/eiko.77104
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18
Iconografía armamentística en las monedas de Magna Grecia de Sicilia previas a la expansión romana (siglos V-III a. C.).
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- Eikón / Imago, 2022, v. 11, n. 1, p. 367, doi. 10.5209/eiko.79761
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19
Nell'arena del quadro. Il performativo come soglia del modernismo secondo Harold Rosenberg e Clement Greenberg, passando per Allan Kaprow.
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- Eikón / Imago, 2022, v. 11, n. 1, p. 355, doi. 10.5209/eiko.76765
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20
Credos, cuerpo, institución y el uso de los aparatos tecnológicos en el arte de resistencia de Marta María Pérez Bravo.
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- Eikón / Imago, 2022, v. 11, n. 1, p. 341, doi. 10.5209/eiko.76731
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21
Simultaneidad iconográfica en la escultura barroca: Antonio del Castillo y la errónea autoría del Jesús Nazareno de Benamejí (Córdoba).
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- Eikón / Imago, 2022, v. 11, n. 1, p. 327, doi. 10.5209/eiko.75247
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22
Illusion and Allegory in the Baroque Art of the Banat: An Introduction.
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- Eikón / Imago, 2022, v. 11, n. 1, p. 381, doi. 10.5209/eiko.76757
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23
Il sogno di Chopin nell'autobiografia di George Sand.
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- Eikón / Imago, 2022, v. 11, n. 1, p. 299, doi. 10.5209/eiko.77627
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24
The Newly Discovered Wall Paintings in Saydet el-Rih in Enfeh (Lebanon) through Graphic Survey.
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- Eikón / Imago, 2022, v. 11, n. 1, p. 287, doi. 10.5209/eiko.77129
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25
El tipo iconográfico de la Templanza en la "nueva visualidad".
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- Eikón / Imago, 2022, v. 11, n. 1, p. 273, doi. 10.5209/eiko.77729
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26
Literalidad y metáfora. La lepra entre el rechazo y la redención en el Medioevo.
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- Eikón / Imago, 2022, v. 11, n. 1, p. 261, doi. 10.5209/eiko.77728
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27
Matheo Pisarro: iconografías disímiles para una devoción eficaz.
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- Eikón / Imago, 2022, v. 11, n. 1, p. 311, doi. 10.5209/eiko.77362
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28
La imagen deificada de Thánatos, el dios de la Muerte, y su proyección iconográfica en el mundo latino a través del Eros-Thánatos.
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- Eikón / Imago, 2022, v. 11, n. 1, p. 245, doi. 10.5209/eiko.77625
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29
The Cosmic Symbolism of the Church and the Mystical Liturgy of the Logos in Inauguration Anthems of Hagia Sophia and the Mystagogia of Maximus the Confessor.
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- Eikón / Imago, 2022, v. 11, n. 1, p. 215, doi. 10.5209/eiko.77083
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30
Nunc quid undique ablatum sit ostendunt (Cic. Verr. II 4, 132). Immagini e memoria nelle Verrine di Cicerone.
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- Eikón / Imago, 2022, v. 11, n. 1, p. 197, doi. 10.5209/eiko.77828
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31
The Presentation of the Tatars and the Turks in the Legends Related to Miraculous Images/Icons of Our Lady in the 17-18<sup>th</sup> Centuries in the Eastern Territories of the Polish-Lithuanian Commonwealth.
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- Eikón / Imago, 2022, v. 11, n. 1, p. 169, doi. 10.5209/eiko.77629
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32
A Sacred Marriage. Hierogamy in the Most Hermetic Art, from Alchemy to The Sacrifice, by Andrei Tarkovsky.
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- Eikón / Imago, 2022, v. 11, n. 1, p. 233, doi. 10.5209/eiko.78018
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33
'A Woman Was Beating a Man Taking Him by the Forelock': How a Sacred Thing Became a Comical in Ukraine.
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- Eikón / Imago, 2022, v. 11, n. 1, p. 145, doi. 10.5209/eiko.76770
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34
The Moon Card of the Tarot Deck May Reprise an Ancient Amuletic Design Against the Evil Eye.
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- Eikón / Imago, 2022, v. 11, n. 1, p. 71, doi. 10.5209/eiko.77344
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- Article
35
The Art of the Jesuit Mission in 16th-Century Japan: The Italian Painter Giovanni Cola and the Technological Transfer at the Painting Seminario in Arie.
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- Eikón / Imago, 2022, v. 11, n. 1, p. 119, doi. 10.5209/eiko.76742
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36
High cultures e low cultures visualizzate: le metamorfosi del "Sacro Catino" di Genova tra temi cavallereschi e miti di fondazione.
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- Eikón / Imago, 2022, v. 11, n. 1, p. 107, doi. 10.5209/eiko.78846
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37
La Madonna Lactans tra Cristianesimo ed Islam. La vita di un motivo attraverso devozione popolare, arte ed élite politiche.
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- Eikón / Imago, 2022, v. 11, n. 1, p. 93, doi. 10.5209/eiko.76107
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38
Mother of Dragons.
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- Eikón / Imago, 2022, v. 11, n. 1, p. 79, doi. 10.5209/eiko.76756
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39
From the Altar to the Household. The Challenging Popularization of Christian Devotional Images, Objects, and Symbols in 16<sup>th</sup> and 17<sup>th</sup> Century China.
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- Eikón / Imago, 2022, v. 11, n. 1, p. 129, doi. 10.5209/eiko.77135
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40
Relics, Images, and Christian Apotropaic Devices in the Roman-Persian Wars (4<sup>th</sup>-7<sup>th</sup> Centuries).
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- Eikón / Imago, 2022, v. 11, n. 1, p. 57, doi. 10.5209/eiko.76706
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41
Reused from Banquet to Grave: Gold Glass, a "Popular" Medium in Late Antiquity?
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- Eikón / Imago, 2022, v. 11, n. 1, p. 47, doi. 10.5209/eiko.78845
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42
In the Guise of the Popular: the Deceptive Image of the asàrotos òikos Mosaics.
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- Eikón / Imago, 2022, v. 11, n. 1, p. 31, doi. 10.5209/eiko.77366
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43
Premodern Popular Culture: Between Democratization and Marginalization.
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- Eikón / Imago, 2022, v. 11, n. 1, p. 1, doi. 10.5209/eiko.80906
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44
Pasado interactivo. Memoria e historia en el videojuego.
- Published in:
- Eikón / Imago, 2022, v. 11, n. 1, p. 429, doi. 10.5209/eiko.79553
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- Article