Works matching IS 21592411 AND DT 2021 AND VI 9 AND IP 1
Results: 22
Books Received 2021.
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- CINEJ Cinema Journal, 2021, v. 9, n. 1, p. 557, doi. 10.5195/cinej.2021.415
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- Article
Review of Theorizing Film Through Contemporary Art: Expanding Cinema.
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- CINEJ Cinema Journal, 2021, v. 9, n. 1, p. 548, doi. 10.5195/cinej.2021.404
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- Article
Review of Shoe Reels: The History and Philosophy of Footwear in Film.
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- CINEJ Cinema Journal, 2021, v. 9, n. 1, p. 538, doi. 10.5195/cinej.2021.388
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Review of Towards A Political Aesthetics Of Cinema: The Outside Of Film.
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- CINEJ Cinema Journal, 2021, v. 9, n. 1, p. 531, doi. 10.5195/cinej.2021.371
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- Article
A Christian Approach to Cinema: Tarkovsky. Film as Prayer.
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- CINEJ Cinema Journal, 2021, v. 9, n. 1, p. 525, doi. 10.5195/cinej.2021.324
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The Impulse-Image of Vampiric Capital and the Politics of Vision and Disability: Evil and Horror in Don't Breathe.
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- CINEJ Cinema Journal, 2021, v. 9, n. 1, p. 492, doi. 10.5195/cinej.2021.382
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- Article
I'll be back? The Deconstruction of the 1980s and the 1990s Hard Body Movies.
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- CINEJ Cinema Journal, 2021, v. 9, n. 1, p. 455, doi. 10.5195/cinej.2021.369
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- Article
Disgraced of the West, Deserted of the East: Men in the Films Shame and Issız Adam (Alone).
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- CINEJ Cinema Journal, 2021, v. 9, n. 1, p. 424, doi. 10.5195/cinej.2021.359
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The world of Assamese celluloid: 'yesterday and today'.
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- CINEJ Cinema Journal, 2021, v. 9, n. 1, p. 393, doi. 10.5195/cinej.2021.358
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The reception of Cameroon Films and home videos in student residential areas: the case of Bambili - Cameroon.
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- CINEJ Cinema Journal, 2021, v. 9, n. 1, p. 371, doi. 10.5195/cinej.2021.357
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Baudrillard, Hyperreality, and the Evil in Othello and The Hateful Eight.
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- CINEJ Cinema Journal, 2021, v. 9, n. 1, p. 345, doi. 10.5195/cinej.2021.354
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The Liminal and the Surreal: The Space of Limbo and Dreams in Luis Bunuel's The Discreet Charm of the Bourgeoisie.
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- CINEJ Cinema Journal, 2021, v. 9, n. 1, p. 321, doi. 10.5195/cinej.2021.342
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Waking (Dreaming): A Vedantic Reflection on Richard Linklater's Waking Life.
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- CINEJ Cinema Journal, 2021, v. 9, n. 1, p. 292, doi. 10.5195/cinej.2021.330
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"About Miracles": Seeing the "real thing" in Hong Sang-soo's Woman on the Beach and Éric Rohmer's Le Rayon vert.
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- CINEJ Cinema Journal, 2021, v. 9, n. 1, p. 246, doi. 10.5195/cinej.2021.326
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Formation of the Ambiguous Heroic Archetype: Three Jewish-American Film Actors and the United States' Film System, 1929-1948.
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- CINEJ Cinema Journal, 2021, v. 9, n. 1, p. 200, doi. 10.5195/cinej.2021.322
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"not conducive for sobriety": Sex Addiction and Neoliberal Masculinity in Don Jon and Thanks for Sharing.
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- CINEJ Cinema Journal, 2021, v. 9, n. 1, p. 181, doi. 10.5195/cinej.2021.320
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Cinema: Not Frames But Veils.
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- CINEJ Cinema Journal, 2021, v. 9, n. 1, p. 146, doi. 10.5195/cinej.2021.312
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Portrayal of Women in Contemporary Nollywood Films: Isoken and King of Boys in Focus.
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- CINEJ Cinema Journal, 2021, v. 9, n. 1, p. 117, doi. 10.5195/cinej.2021.299
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The Social Implications of Metaphor in Bong Joon-ho's Parasite.
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- CINEJ Cinema Journal, 2021, v. 9, n. 1, p. 87, doi. 10.5195/cinej.2021.291
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- Article
The Millennial Antinostalgic: Yoav in Nadav Lapid's Synonymes.
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- CINEJ Cinema Journal, 2021, v. 9, n. 1, p. 42, doi. 10.5195/cinej.2021.288
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Female Representation in Select Films of Frank Rajah Arase: Evidence of Male Chauvinist Tendencies in the Ghanaian Film Culture.
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- CINEJ Cinema Journal, 2021, v. 9, n. 1, p. 14, doi. 10.5195/cinej.2021.287
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Diversity and Inclusion in Film, Television and Media Sector: Policy Alternatives for an Inclusive Film Industry and Training.
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- CINEJ Cinema Journal, 2021, v. 9, n. 1, p. 1, doi. 10.5195/cinej.2021.414
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- Article