Encuentro y reencuentro en el Diario de viaje de Ai Qing.
- Published in:
- Transmodernity: Journal of Peripheral Cultural Production of the Luso-Hispanic World, 2020, v. 9, n. 3, p. 196, doi. 10.5070/t493048198
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- Article
Works matching IS 21541353 AND DT 2020 AND VI 9 AND IP 3
Results: 10
1
2
Introducción: El viaje América Latina-China. Una interacción sur-sur sui generis.
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- Transmodernity: Journal of Peripheral Cultural Production of the Luso-Hispanic World, 2020, v. 9, n. 3, p. 1, doi. 10.5070/t493048187
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- Article
3
Entre lo local y lo global: Pablo De Rokha y el proyecto maoísta.
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- Transmodernity: Journal of Peripheral Cultural Production of the Luso-Hispanic World, 2020, v. 9, n. 3, p. 161, doi. 10.5070/t493048196
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- Article
4
Viajeros a la República Popular China: José Venturelli, los intelectuales, políticos y parlamentarios chilenos en los años cincuenta y sesenta.
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- Transmodernity: Journal of Peripheral Cultural Production of the Luso-Hispanic World, 2020, v. 9, n. 3, p. 6, doi. 10.5070/t493048188
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- Article
5
Algunas cuestiones en torno a las traducciones chinas de Juan Laurentino Ortiz.
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- Transmodernity: Journal of Peripheral Cultural Production of the Luso-Hispanic World, 2020, v. 9, n. 3, p. 74, doi. 10.5070/t493048191
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- Article
6
Doubts and Puzzles: Young Galeano Writing about New China during the Sino-Soviet Split.
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- Transmodernity: Journal of Peripheral Cultural Production of the Luso-Hispanic World, 2020, v. 9, n. 3, p. 138, doi. 10.5070/t493048195
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- Article
7
Del orientalismo a la provincialización de Europa. A propósito del viaje a los albores de la República Popular China.
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- Transmodernity: Journal of Peripheral Cultural Production of the Luso-Hispanic World, 2020, v. 9, n. 3, p. 56, doi. 10.5070/t493048190
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- Article
8
Gonzalo in the Middle Kingdom: What Abimael Guzmán Tells Us in His Three Discussions of His Two Trips to China.
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- Transmodernity: Journal of Peripheral Cultural Production of the Luso-Hispanic World, 2020, v. 9, n. 3, p. 114, doi. 10.5070/t493048194
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- Article
9
"Yo amo a China": la experiencia de una mujer en la China de los sesenta, Los ojos de bambú (1964), de Mercedes Valdivieso.
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- Transmodernity: Journal of Peripheral Cultural Production of the Luso-Hispanic World, 2020, v. 9, n. 3, p. 98, doi. 10.5070/t493048192
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- Article
10
"Pañales rojos" (o el archivo afectivo de una infancia revolucionaria).
- Published in:
- Transmodernity: Journal of Peripheral Cultural Production of the Luso-Hispanic World, 2020, v. 9, n. 3, p. 34, doi. 10.5070/t493048189
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- Article