Musical Symbols: The Symbiosis of Religious and Secular Themes in Art Heritage.
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- Musicological Annual / Muzikoloski Zbornik, 2014, v. 50, n. 2, p. 299, doi. 10.4312/mz.50.2.299-308
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- Article
Works matching IS 0580373X AND DT 2014 AND VI 50 AND IP 2
Results: 25
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The Sacred and the Profane in the Organ Music of the Czech Lands in the 19th and 20th Centuries.
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- Musicological Annual / Muzikoloski Zbornik, 2014, v. 50, n. 2, p. 293, doi. 10.4312/mz.50.2.293-298
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Gramofon v službi sakralne glasbe?
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- Musicological Annual / Muzikoloski Zbornik, 2014, v. 50, n. 2, p. 279, doi. 10.4312/mz.50.2.279-291
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4
Lux aeternas by Two Composers: Sacred and Profane in the Context of Genre Individualisation.
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- Musicological Annual / Muzikoloski Zbornik, 2014, v. 50, n. 2, p. 273, doi. 10.4312/mz.50.2.273-278
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5
Resurrecturis - Musical Triptych in the Form of a Concert Requiem, composed by P. Ramovš, J. Trošt, and S. Vremšak.
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- Musicological Annual / Muzikoloski Zbornik, 2014, v. 50, n. 2, p. 251, doi. 10.4312/mz.50.2.251-272
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6
The Word is not Enough: Symbol, Myth, and Ritual in Hofmannsthal's Libretto for Arabella.
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- Musicological Annual / Muzikoloski Zbornik, 2014, v. 50, n. 2, p. 239, doi. 10.4312/mz.50.2.239-249
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7
The Dionysian signs in Richard Wagner's Tannhäuser.
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- Musicological Annual / Muzikoloski Zbornik, 2014, v. 50, n. 2, p. 231, doi. 10.4312/mz.50.2.231-237
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Listening to Music in ‛Holy' Space: The Role of 19th-Century Public Concert in the Construction of Kunstreligion.
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- Musicological Annual / Muzikoloski Zbornik, 2014, v. 50, n. 2, p. 223, doi. 10.4312/mz.50.2.223-230
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9
Revived is the Lord… : Two Readings of a Dramatic Approach in Music.
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- Musicological Annual / Muzikoloski Zbornik, 2014, v. 50, n. 2, p. 213, doi. 10.4312/mz.50.2.213-221
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10
Glasbena podoba evharističnega kongresa v Ljubljani leta 1935: Med liturgično prenovo in zunanjim učinkom.
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- Musicological Annual / Muzikoloski Zbornik, 2014, v. 50, n. 2, p. 199, doi. 10.4312/mz.50.2.199-212
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11
Odnos med posvetnim in sakralnim v drugi polovici 16. stoletja na primeru maš Nasce la pena mia Bartolomea Spontoneja in Costanza Antegnatija.
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- Musicological Annual / Muzikoloski Zbornik, 2014, v. 50, n. 2, p. 181, doi. 10.4312/mz.50.2.181-198
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12
Resacralization of the sacred: Carthusian liturgical plainchant and (re)biblicization of its texts.
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- Musicological Annual / Muzikoloski Zbornik, 2014, v. 50, n. 2, p. 157, doi. 10.4312/mz.50.2.157-180
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13
The Sacralization of Straightedge Punk: Bhakti-yoga, Nada Brahma and the Divine Received: Embodiment of Krishnacore.
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- Musicological Annual / Muzikoloski Zbornik, 2014, v. 50, n. 2, p. 147, doi. 10.4312/mz.50.2.147-156
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14
Die christlichen und antichristlichen Elemente in der Musik von BLACK SABBATH (1970–1973).
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- Musicological Annual / Muzikoloski Zbornik, 2014, v. 50, n. 2, p. 137, doi. 10.4312/mz.50.2.137-145
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Sacred Music – a Forbidden Fruit: Musical and Non-musical Ways of Survival.
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- Musicological Annual / Muzikoloski Zbornik, 2014, v. 50, n. 2, p. 127, doi. 10.4312/mz.50.2.127-135
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16
Sacral Rituality and Mysticism in the Service of the Awakening of National Identity. Baltic-Balkan Parallels in the Works of B. Kutavičius, L. Lebič and V. Tormis.
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- Musicological Annual / Muzikoloski Zbornik, 2014, v. 50, n. 2, p. 111, doi. 10.4312/mz.50.2.111-125
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17
Profanation in Slovenian Contemporary Symphonic Music?
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- Musicological Annual / Muzikoloski Zbornik, 2014, v. 50, n. 2, p. 101, doi. 10.4312/mz.50.2.101-110
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18
Instrumental Music and the Franciscan Liturgy.
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- Musicological Annual / Muzikoloski Zbornik, 2014, v. 50, n. 2, p. 93, doi. 10.4312/mz.50.2.93-99
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19
The Rosary and the Rose: Clergymen as Creators of Secular Poetry and Music in Early-modern Balkans.
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- Musicological Annual / Muzikoloski Zbornik, 2014, v. 50, n. 2, p. 77, doi. 10.4312/mz.50.2.77-91
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20
Orient and Occident Encounters in Dimitrije Buzarovski's Oratorio “Radomir's Psalms".
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- Musicological Annual / Muzikoloski Zbornik, 2014, v. 50, n. 2, p. 63, doi. 10.4312/mz.50.2.63-75
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21
‚Die Dinge stets sich selbst folgen lassen‘ *– Klang und Perzeption bei Giacinto Scelsi.
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- Musicological Annual / Muzikoloski Zbornik, 2014, v. 50, n. 2, p. 53, doi. 10.4312/mz.50.2.53-62
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22
Die kunstreligiöse Botschaft der Leipziger Musikwissenschaft im späten 19. und frühen 20. Jahrhundert.
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- Musicological Annual / Muzikoloski Zbornik, 2014, v. 50, n. 2, p. 43, doi. 10.4312/mz.50.2.43-51
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23
King David and the Frog.
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- Musicological Annual / Muzikoloski Zbornik, 2014, v. 50, n. 2, p. 31, doi. 10.4312/mz.50.2.31-42
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24
Harmony, Sacrifice, and Agamben's Messianic Time.
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- Musicological Annual / Muzikoloski Zbornik, 2014, v. 50, n. 2, p. 17, doi. 10.4312/mz.50.2.17-30
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25
Musikgeschichte als heilige Geschichte - ein Versuch, die Entwicklung neu zu verstehen.
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- Musicological Annual / Muzikoloski Zbornik, 2014, v. 50, n. 2, p. 7, doi. 10.4312/mz.50.2.7-16
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