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Do Respectable Ladies Buzz, Grumble or Hum: An Analysis of Slovenian Translations of Ibsen’s Et dukkehjem.
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- Acta Neophilologica, 2023, v. 56, n. 1/2, p. 161, doi. 10.4312/an.56.1-2.161-174
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- Article
Cognitive Foundations of Ethical Literary Studies.
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- Acta Neophilologica, 2023, v. 56, n. 1/2, p. 75, doi. 10.4312/an.56.1-2.75-89
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Wer spricht? Erzählerstimme und Figurenrede in Wolframs von Eschenbach Willehalm und der Hystoria von dem wirdigen ritter sant Wilhelm.
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- Acta Neophilologica, 2023, v. 56, n. 1/2, p. 229, doi. 10.4312/an.56.1-2.229-249
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Hybridity in Theatre Translation: Surtitling Pavla above the Precipice for International Audiences.
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- Acta Neophilologica, 2023, v. 56, n. 1/2, p. 125, doi. 10.4312/an.56.1-2.125-143
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“Who the Hell Are You?”: Gender Performativity in Tom Stoppard’s Hapgood.
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- Acta Neophilologica, 2023, v. 56, n. 1/2, p. 53, doi. 10.4312/an.56.1-2.53-65
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Die Mensch-Hund-Beziehung in der deutschen Literatur des 19. Jahrhunderts: Tierethische Aspekte in den Erzählungen von Marie von Ebner-Eschenbach und Ferdinand von Saar.
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- Acta Neophilologica, 2023, v. 56, n. 1/2, p. 107, doi. 10.4312/an.56.1-2.107-124
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- Article
Art, Nature and Politics in Spring: Metamodern Sensibility in Ali Smith’s Dialogic Novel.
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- Acta Neophilologica, 2023, v. 56, n. 1/2, p. 5, doi. 10.4312/an.56.1-2.5-20
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What is the Human Heart? Some Ontological Metaphors in the New Testament.
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- Acta Neophilologica, 2023, v. 56, n. 1/2, p. 39, doi. 10.4312/an.56.1-2.39-51
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- Article
Oscillating Utopias: Oscar Wilde and the Utopian Discourse of Metamodernism.
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- Acta Neophilologica, 2023, v. 56, n. 1/2, p. 251, doi. 10.4312/an.56.1-2.251-267
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- Article
Kotzebues komische dramatische Formen auf der Ständischen Bühne in Laibach von 1830 bis 1840.
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- Acta Neophilologica, 2023, v. 56, n. 1/2, p. 303, doi. 10.4312/an.56.1-2.303-323
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From Ethical Aspects of Literature to Literary Historical Studies in an Intercultural Context: Some Research Findings in the Field of Intercultural Literary Studies.
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- Acta Neophilologica, 2023, v. 56, n. 1/2, p. 69, doi. 10.4312/an.56.1-2.69-74
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Mehrsprachigkeit in der ukrainischen Literatur am Beispiel der Autorinnen Sofija Jablons’ka und Has’ka Šyjan.
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- Acta Neophilologica, 2023, v. 56, n. 1/2, p. 209, doi. 10.4312/an.56.1-2.209-228
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Witchcraft or Otherness: An English-Slovene Contrastive Analysis of Tituba’s Speech.
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- Acta Neophilologica, 2023, v. 56, n. 1/2, p. 175, doi. 10.4312/an.56.1-2.175-188
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Übersetzung und Imagologie: Das Bild ukrainischer Literatur im Spiegel ihrer Übersetzungen ins Deutsche.
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- Acta Neophilologica, 2023, v. 56, n. 1/2, p. 189, doi. 10.4312/an.56.1-2.189-207
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Traduire la diversité culturelle dans le roman de guerre postcolonial Allah n’est pas obligé d’Ahmadou Kourouma.
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- Acta Neophilologica, 2023, v. 56, n. 1/2, p. 145, doi. 10.4312/an.56.1-2.145-160
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Die Heinrich-Heine-Rezeption in der im slowenischen ethnischen Gebiet erschienenen Presse bis 1860.
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- Acta Neophilologica, 2023, v. 56, n. 1/2, p. 285, doi. 10.4312/an.56.1-2.285-302
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Alles könnte auch anders gewesen sein. Adolf Muschgs Kurzprosa als Mittel zur Analyse gesellschaftlicher Verhältnisse.
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- Acta Neophilologica, 2023, v. 56, n. 1/2, p. 269, doi. 10.4312/an.56.1-2.269-283
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The Appeal of Haiku in the Countries of the Former Yugoslavia.
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- Acta Neophilologica, 2023, v. 56, n. 1/2, p. 21, doi. 10.4312/an.56.1-2.21-37
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Old Aesthetics, New Ethics: Claude McKay’s Socially Engaged (Proletarian) Sonnets.
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- Acta Neophilologica, 2023, v. 56, n. 1/2, p. 91, doi. 10.4312/an.56.1-2.91-106
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- Article