Works matching IS 13662724 AND DT 2014 AND VI 23 AND IP 2
Results: 18
Eccentric Objects: Rethinking Sculpture in 1960s America.
- Published in:
- 2014
- By:
- Publication type:
- Book Review
Ugo Nespolo: Films & Visions, 1967-2010/Arte Povera: A Film by Beatrice Merz and Sergio Ariotti.
- Published in:
- 2014
- By:
- Publication type:
- Film/TV Criticism and Review
Thomas Brock: Forgotten Sculptor of the Victoria Memorial.
- Published in:
- 2014
- By:
- Publication type:
- Book Review
Victoria and Albert Museum: Baroque & Later Ivories.
- Published in:
- 2014
- By:
- Publication type:
- Book Review
The production and display of Domenico Brucciani's plaster cast of Hubert Le Sueur's equestrian statue of Charles I.
- Published in:
- Sculpture Journal, 2014, v. 23, n. 2, p. 250, doi. 10.3828/sj.2014.24
- By:
- Publication type:
- Article
George Frampton's homes and studios in St John's Wood: a sculptor's architectural ideal realized.
- Published in:
- 2014
- By:
- Publication type:
- Architecture Review
Encountering Victorian sculpture: recollections of objects, people and publications.
- Published in:
- 2014
- By:
- Publication type:
- Interview
On re-displaying Victorian sculputre.
- Published in:
- 2014
- Publication type:
- Interview
Postcards from the edge? Thomas Woolner's Captain Cook for Sydney.
- Published in:
- Sculpture Journal, 2014, v. 23, n. 2, p. 209, doi. 10.3828/sj.2014.20
- By:
- Publication type:
- Article
Framing Victoria: royal portraiture and architectural sculpture in Victorian Britain.
- Published in:
- Sculpture Journal, 2014, v. 23, n. 2, p. 197, doi. 10.3828/sj.2014.19
- By:
- Publication type:
- Article
Transparent forms: tinting, whiteness and John Gibson's Venus.
- Published in:
- Sculpture Journal, 2014, v. 23, n. 2, p. 185, doi. 10.3828/sj.2014.18
- By:
- Publication type:
- Article
Luca della Robbia: South Kensington and the Victorian revival of a Florentine sculptor.
- Published in:
- Sculpture Journal, 2014, v. 23, n. 2, p. 171, doi. 10.3828/sj.2014.17
- By:
- Publication type:
- Article
Chryselephantine and polychrome: Richard Cockle Lucas and the effect of coloured ivories in mid-Victorian Britain.
- Published in:
- Sculpture Journal, 2014, v. 23, n. 2, p. 159, doi. 10.3828/sj.2014.16
- By:
- Publication type:
- Article
A creative engagement with historic and modern sculpture: Waldo Story's Fallen Angel.
- Published in:
- Sculpture Journal, 2014, v. 23, n. 2, p. 145, doi. 10.3828/sj.2014.15
- By:
- Publication type:
- Article
Italian tricks for London shows: Raffaele Monti at the Royal Panopticon.
- Published in:
- Sculpture Journal, 2014, v. 23, n. 2, p. 131, doi. 10.3828/sj.2014.14
- By:
- Publication type:
- Article
Introduction: Displaying Victorian Sculpture.
- Published in:
- Sculpture Journal, 2014, v. 23, n. 2, p. 127, doi. 10.3828/sj.2014.13
- By:
- Publication type:
- Article
Editorial.
- Published in:
- Sculpture Journal, 2014, v. 23, n. 2, p. 123, doi. 10.3828/sj.2014.12
- By:
- Publication type:
- Article
Untitled.
- Published in:
- 2014
- Publication type:
- Architecture Review