Works matching Close Encounters of the Third Kind (film)
Results: 14
Canary in a Coal Mine: From Mine Safety Technique to Animal Metaphor.
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- Comparative American Studies, 2024, v. 21, n. 1/2, p. 85, doi. 10.1080/14775700.2023.2278374
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- Article
Close Encounters.
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- Literature Film Quarterly, 1980, v. 8, n. 3, p. 156
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- Article
Wiedza – technologia – New Age. UFO w filmach schyłku PRL.
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- Film Quarterly / Kwartalnik Filmowy, 2024, n. 126, p. 53, doi. 10.36744/kf.2603
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- Article
SELECTIVE EXPOSURE TO THE FILM CLOSE ENCOUNTERS.
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- Journal of Psychology, 1979, v. 101, n. 2, p. 293, doi. 10.1080/00223980.1979.9915084
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- Article
HOLLYWOOD STRIKES BACK SPECIAL EFFECTS IN RECENT AMERICAN CINEMA.
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- Screen, 1980, v. 21, n. 3, p. 101, doi. 10.1093/screen/21.3.101
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- Article
EROTISMO Y SEXUALIDAD EN TRES PELÍCULAS DIRIGIDAS POR STEVEN SPIELBERG EN LAS ÚLTIMAS TRES DÉCADAS DEL SIGLO XX.
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- Revista de Comunicación de la SEECI, 2014, n. 33, p. 59, doi. 10.15198/seeci.2014.33.59-70
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- Article
Language and the music of the spheres: Steven Spielberg's Close Encounters of the Third Kind.
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- Literature Film Quarterly, 1996, v. 24, n. 4, p. 376
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- Article
Politics and parousia in Close Encounters of the Third Kind.
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- Literature Film Quarterly, 1991, v. 19, n. 3, p. 188
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- Article
Sweet Fulfillment: Allusion and Teleological Genesis in John Williams's Close Encounters of the Third Kind.
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- Musical Quarterly, 2014, v. 97, n. 1, p. 98, doi. 10.1093/musqtl/gdu001
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- Article
THE ALIEN MESSIAH IN RECENT SCIENCE FICTION FILMS.
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- Journal of Popular Film & Television, 1987, v. 14, n. 4, p. 158, doi. 10.1080/01956051.1987.9944222
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- Article
The True Stars of Star Wars? Experimental Filmmakers in the 1970s and 1980s Special Effects Industry.
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- Film History, 2014, v. 26, n. 4, p. 120, doi. 10.2979/filmhistory.26.4.120
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- Article
The ILM Version: Recent Digital Effects and the Aesthetics of 1970s Cinematography.
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- 2012
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- Essay
Childhood's End: Childhood Faith in Science Fiction.
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- 2017
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- Film/TV Criticism and Review
Digesting Steven Spielberg: ‘Perhaps table-manners are not a bad test of sincerity.’ – George Orwell, The Road to Wigan Pier (1937).
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- Film International (16516826), 2008, v. 6, n. 2, p. 24, doi. 10.1386/fiin.6.2.24
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- Article