Aspects of Coexistence between Art Glass and Architecture—Façade Graphics.
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- Arts (2076-0752), 2024, v. 13, n. 3, p. 110, doi. 10.3390/arts13030110
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Works matching IS 20760752 AND DT 2024 AND VI 13 AND IP 3
Results: 35
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The Creative Impulse: Innovation and Emulation in the Role of the Egyptian Artist during the New Kingdom—Unusual Details from Theban Funerary Art.
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- Arts (2076-0752), 2024, v. 13, n. 3, p. 109, doi. 10.3390/arts13030109
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3
Making Space for the Better: Living by the Sacred Yamuna.
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- Arts (2076-0752), 2024, v. 13, n. 3, p. 108, doi. 10.3390/arts13030108
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4
Great-Grandmother, Grandmother, Mother, and Me: A Search for My Roots through Research-based theatre.
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- Arts (2076-0752), 2024, v. 13, n. 3, p. 107, doi. 10.3390/arts13030107
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5
An Unlikely Match: Modernism and Feminism in Lynda Benglis's Contraband.
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- Arts (2076-0752), 2024, v. 13, n. 3, p. 106, doi. 10.3390/arts13030106
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6
From Primal Matter to Surrogate Veneer: Wood and Faux Bois in Picasso's Cubism.
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- Arts (2076-0752), 2024, v. 13, n. 3, p. 105, doi. 10.3390/arts13030105
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7
Introduction for Special Issue "Rethinking Contemporary Latin American Art".
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- Arts (2076-0752), 2024, v. 13, n. 3, p. 104, doi. 10.3390/arts13030104
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8
Sex, Sign, Subversion: Symbolist Art and Male Homosexuality in 19th-Century Europe.
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- Arts (2076-0752), 2024, v. 13, n. 3, p. 103, doi. 10.3390/arts13030103
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9
"Lost in Flowers & Foolery": A Gendered Reading of the 9th Earl of Devon's Flower Watercolors.
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- Arts (2076-0752), 2024, v. 13, n. 3, p. 102, doi. 10.3390/arts13030102
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10
Affect and Ethics in Mike Malloy's Insure the Life of an Ant.
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- Arts (2076-0752), 2024, v. 13, n. 3, p. 101, doi. 10.3390/arts13030101
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11
Freeport as a Hub in the Art Market: Shanghai Art Freeport.
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- Arts (2076-0752), 2024, v. 13, n. 3, p. 100, doi. 10.3390/arts13030100
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12
Dialogues between Past and Present? Modern Art, Contemporary Art Practice, and Ancient Egypt in the Museum.
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- Arts (2076-0752), 2024, v. 13, n. 3, p. 99, doi. 10.3390/arts13030099
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Leaving the "Discomfort" Zone: The Correlation between Politics and New Artistic Practices at the Beginning of the 19th Dynasty.
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- Arts (2076-0752), 2024, v. 13, n. 3, p. 98, doi. 10.3390/arts13030098
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14
Modernist Antagonisms and Material Reciprocities: Chase-Riboud's Albino.
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- Arts (2076-0752), 2024, v. 13, n. 3, p. 97, doi. 10.3390/arts13030097
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15
Transcultural Appropriation and Aesthetic Breakthrough of Hollywood Film Noir in Contemporary Taiwan Suspense Thriller Films: A Case Study of Who Killed Cock Robin (2017).
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- Arts (2076-0752), 2024, v. 13, n. 3, p. 96, doi. 10.3390/arts13030096
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16
Royal Tamga Signs and Their Significance for the Epigraphic Culture of the Bosporan Kingdom.
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- Arts (2076-0752), 2024, v. 13, n. 3, p. 95, doi. 10.3390/arts13030095
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17
Escaping from Confinement: Hell Imagery in the Shōjuraigōji Rokudō-e Scrolls.
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- Arts (2076-0752), 2024, v. 13, n. 3, p. 94, doi. 10.3390/arts13030094
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18
Images as a Hint to the Other World: The Use of Images as Mediators in Medieval and Early Modern Societies.
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- Arts (2076-0752), 2024, v. 13, n. 3, p. 93, doi. 10.3390/arts13030093
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19
Symbolist Androgyny: On the Origins of a Proto-Queer Vision.
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- Arts (2076-0752), 2024, v. 13, n. 3, p. 90, doi. 10.3390/arts13030090
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20
The Affective Byzantine Book: Reflections on Aesthetics of Gospel Lectionaries.
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- Arts (2076-0752), 2024, v. 13, n. 3, p. 92, doi. 10.3390/arts13030092
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21
The Royal Chapel of Pedro I of Castile in the Christianised Mosque of Seville.
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- Arts (2076-0752), 2024, v. 13, n. 3, p. 84, doi. 10.3390/arts13030084
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22
In Place of a Missing Place.
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- Arts (2076-0752), 2024, v. 13, n. 3, p. 91, doi. 10.3390/arts13030091
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23
Progressive Rock from the Union of Soviet Composers.
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- Arts (2076-0752), 2024, v. 13, n. 3, p. 83, doi. 10.3390/arts13030083
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24
Scythian Jewelry Meshes and the Problem of Their Interpretation.
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- Arts (2076-0752), 2024, v. 13, n. 3, p. 85, doi. 10.3390/arts13030085
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25
Reading Cisheteronormativity into the Art Historical Archives.
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- Arts (2076-0752), 2024, v. 13, n. 3, p. 89, doi. 10.3390/arts13030089
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26
A German DJ, Postmodern Dreams, and the Ambivalent Politics of East–West Exchange at the First Exhibition of Approximate Art in Riga, April 1987.
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- Arts (2076-0752), 2024, v. 13, n. 3, p. 88, doi. 10.3390/arts13030088
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27
The Spacetimes of the Scythian Dead: Rethinking Burial Mounds, Visibility, and Social Action in the Eurasian Iron Age and Beyond.
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- Arts (2076-0752), 2024, v. 13, n. 3, p. 87, doi. 10.3390/arts13030087
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28
Correction: Bloom (2024). Jewish "Ghosts": Judit Hersko and Susan Hiller and the Feminist Intersectional Art of Post-Holocaust Memory. Arts 13: 50.
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- Arts (2076-0752), 2024, v. 13, n. 3, p. 86, doi. 10.3390/arts13030086
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29
Tchaikovsky, Onegin, and the Art of Characterization.
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- Arts (2076-0752), 2024, v. 13, n. 3, p. 82, doi. 10.3390/arts13030082
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30
Testing Textual and Territorial Boundaries in Bulat Okudzhava's Song "And We to the Doorman: 'Open the Doors!'".
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- Arts (2076-0752), 2024, v. 13, n. 3, p. 81, doi. 10.3390/arts13030081
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31
Was Shostakovich's Second Cello Concerto a Hidden Homage?
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- Arts (2076-0752), 2024, v. 13, n. 3, p. 80, doi. 10.3390/arts13030080
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32
Performance, Art, Institutions and Interdisciplinarity.
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- Arts (2076-0752), 2024, v. 13, n. 3, p. 79, doi. 10.3390/arts13030079
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33
Reflection and Refraction: Multivalent Social Realism in the Work of Joaquín Sorolla.
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- Arts (2076-0752), 2024, v. 13, n. 3, p. 78, doi. 10.3390/arts13030078
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34
"Sirens" by Joyce and the Joys of Sirin: Lilac, Sounds, Temptations.
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- Arts (2076-0752), 2024, v. 13, n. 3, p. 77, doi. 10.3390/arts13030077
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35
Through the Eyes of the Beholder: Motifs (Re)Interpreted in the 27th Dynasty.
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- Arts (2076-0752), 2024, v. 13, n. 3, p. 76, doi. 10.3390/arts13030076
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