Works matching IS 20760752 AND DT 2023 AND VI 12 AND IP 4
Results: 55
Chiroscript: Transcription System for Studying Hand Gestures in Early Modern Painting.
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- Arts (2076-0752), 2023, v. 12, n. 4, p. 179, doi. 10.3390/arts12040179
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Converged Aesthetics: Blewishness in the Work of Anthony Mordechai Tzvi Russell.
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- Arts (2076-0752), 2023, v. 12, n. 4, p. 178, doi. 10.3390/arts12040178
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Mapping the Anthropocene: Atelier NL, a Case Study of Place-Based Material Craft Practices.
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- Arts (2076-0752), 2023, v. 12, n. 4, p. 177, doi. 10.3390/arts12040177
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Saint Mamas at Exeles : An Unusual Case of Ritual Piety on Karpathos.
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- Arts (2076-0752), 2023, v. 12, n. 4, p. 176, doi. 10.3390/arts12040176
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The Laocoon Moment.
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- Arts (2076-0752), 2023, v. 12, n. 4, p. 175, doi. 10.3390/arts12040175
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Artist Ethics and Art's Audience: Mus Musculus and a Dry-Roasted Peanut.
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- Arts (2076-0752), 2023, v. 12, n. 4, p. 174, doi. 10.3390/arts12040174
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Kafka's Ape Meets the Natyashastra.
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- Arts (2076-0752), 2023, v. 12, n. 4, p. 173, doi. 10.3390/arts12040173
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Elliptical Forms: Abstract Algorithmic Objects.
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- Arts (2076-0752), 2023, v. 12, n. 4, p. 172, doi. 10.3390/arts12040172
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A Foreign Artist and a Russian War: Peter von Hess, a Case Study in Imperial Patronage and National Identity.
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- Arts (2076-0752), 2023, v. 12, n. 4, p. 171, doi. 10.3390/arts12040171
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Intermedialities as Sociopolitical Assemblages in Contemporary Art.
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- Arts (2076-0752), 2023, v. 12, n. 4, p. 170, doi. 10.3390/arts12040170
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Intermediality in Academia: Creative Research through Film.
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- Arts (2076-0752), 2023, v. 12, n. 4, p. 169, doi. 10.3390/arts12040169
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Tacita Dean's Affective Intermediality: Precarious Visions in-between the Visual Arts, Cinema, and the Gallery Film.
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- Arts (2076-0752), 2023, v. 12, n. 4, p. 168, doi. 10.3390/arts12040168
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A Natural-Worker Leaves the Colonial Visual Archive: The Art of Vered Nissim.
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- Arts (2076-0752), 2023, v. 12, n. 4, p. 167, doi. 10.3390/arts12040167
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Developing Techniques for Closed-Loop-Recycling Soda-Lime Glass Fines through Robotic Deposition.
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- Arts (2076-0752), 2023, v. 12, n. 4, p. 166, doi. 10.3390/arts12040166
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My Practice of Re-Patterning My Art.
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- Arts (2076-0752), 2023, v. 12, n. 4, p. 165, doi. 10.3390/arts12040165
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Identity as Palimpsest.
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- Arts (2076-0752), 2023, v. 12, n. 4, p. 164, doi. 10.3390/arts12040164
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Back to the (Winter) Garden: On Still Video, Motion Pictures and the Time of Early Photography.
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- Arts (2076-0752), 2023, v. 12, n. 4, p. 163, doi. 10.3390/arts12040163
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The Wolf King's Leisure Estate: An Andalusi Agricultural and Palatine Project (Murcia, 12th Century).
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- Arts (2076-0752), 2023, v. 12, n. 4, p. 162, doi. 10.3390/arts12040162
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"Pretty in Pink"—The Pink Color in Architecture and the Built Environment: Symbolism, Traditions, and Contemporary Applications.
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- Arts (2076-0752), 2023, v. 12, n. 4, p. 161, doi. 10.3390/arts12040161
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Knickers in a Twist: Confronting Sexual Inequality through Art and Glass.
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- Arts (2076-0752), 2023, v. 12, n. 4, p. 160, doi. 10.3390/arts12040160
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Force-Feedback and Music: Five Decades of Research and Development at ACROE: An Interview with Claude Cadoz (ACROE, Grenoble, France).
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- Arts (2076-0752), 2023, v. 12, n. 4, p. 159, doi. 10.3390/arts12040159
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Kind Regards in These Difficult Times: Anglo–Soviet Architectural Relations during the Second World War.
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- Arts (2076-0752), 2023, v. 12, n. 4, p. 158, doi. 10.3390/arts12040158
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The Zone of Photography: Magic, Ghosts and Haecceity.
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- Arts (2076-0752), 2023, v. 12, n. 4, p. 157, doi. 10.3390/arts12040157
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Feel the Music!—Audience Experiences of Audio–Tactile Feedback in a Novel Virtual Reality Volumetric Music Video.
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- Arts (2076-0752), 2023, v. 12, n. 4, p. 156, doi. 10.3390/arts12040156
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Exploring the Legality of Artists' Use of Animals: Ethical Considerations and Legal Implications.
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- Arts (2076-0752), 2023, v. 12, n. 4, p. 155, doi. 10.3390/arts12040155
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Exploring the Opportunities of Haptic Technology in the Practice of Visually Impaired and Blind Sound Creatives.
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- Arts (2076-0752), 2023, v. 12, n. 4, p. 154, doi. 10.3390/arts12040154
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More than a Man, Less than a Painter: David Smith in the Popular Press, 1938–1966.
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- Arts (2076-0752), 2023, v. 12, n. 4, p. 153, doi. 10.3390/arts12040153
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Spectator as Witness: Trauma and Testimonio in Contemporary Cuban Art.
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- Arts (2076-0752), 2023, v. 12, n. 4, p. 152, doi. 10.3390/arts12040152
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Looking at the Evidence of Local Jewelry Production in Scythia.
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- Arts (2076-0752), 2023, v. 12, n. 4, p. 151, doi. 10.3390/arts12040151
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All Is Not Well : Contemporary Israeli Artistic Practices de-Assembling Dominant Narratives of Warfare and Water.
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- Arts (2076-0752), 2023, v. 12, n. 4, p. 150, doi. 10.3390/arts12040150
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Design and Evaluation of a Multisensory Concert for Cochlear Implant Users.
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- Arts (2076-0752), 2023, v. 12, n. 4, p. 149, doi. 10.3390/arts12040149
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Feeling Connected: The Role of Haptic Feedback in VR Concerts and the Impact of Haptic Music Players on the Music Listening Experience.
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- Arts (2076-0752), 2023, v. 12, n. 4, p. 148, doi. 10.3390/arts12040148
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Challenges and Opportunities of Force Feedback in Music.
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- Arts (2076-0752), 2023, v. 12, n. 4, p. 147, doi. 10.3390/arts12040147
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Tactual Articulatory Feedback on Gestural Input.
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- Arts (2076-0752), 2023, v. 12, n. 4, p. 146, doi. 10.3390/arts12040146
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Brass Haptics: Comparing Virtual and Physical Trumpets in Extended Realities.
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- Arts (2076-0752), 2023, v. 12, n. 4, p. 145, doi. 10.3390/arts12040145
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Perceptual Relevance of Haptic Feedback during Virtual Plucking, Bowing and Rubbing of Physically-Based Musical Resonators.
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- Arts (2076-0752), 2023, v. 12, n. 4, p. 144, doi. 10.3390/arts12040144
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Design and Assessment of Digital Musical Devices Yielding Vibrotactile Feedback.
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- Arts (2076-0752), 2023, v. 12, n. 4, p. 143, doi. 10.3390/arts12040143
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Music, Art Installations and Haptic Technology.
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- Arts (2076-0752), 2023, v. 12, n. 4, p. 142, doi. 10.3390/arts12040142
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Feeling the Future—Haptic Audio: Editorial.
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- 2023
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- Editorial
Decolonizing Photography.
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- Arts (2076-0752), 2023, v. 12, n. 4, p. 140, doi. 10.3390/arts12040140
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Post-Byzantine Cretan Icon Painting: Demand and Supply Revisited.
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- Arts (2076-0752), 2023, v. 12, n. 4, p. 139, doi. 10.3390/arts12040139
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Introduction for Special Issue "Visual Culture Exchange across the Baltic Sea Region during the Long 19th Century)".
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- Arts (2076-0752), 2023, v. 12, n. 4, p. 138, doi. 10.3390/arts12040138
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Mother Always Protects: Two Embroidered Hundred-Boys Jackets in a Ming Imperial Tomb.
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- Arts (2076-0752), 2023, v. 12, n. 4, p. 137, doi. 10.3390/arts12040137
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The Pectoral of Tovsta Mohyla: Understanding the Gold Insignia of Ancient Scythia.
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- Arts (2076-0752), 2023, v. 12, n. 4, p. 136, doi. 10.3390/arts12040136
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The Emirati Vernacular: Tracing the UAE's Art History through Architecture as a Reflection of Society.
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- Arts (2076-0752), 2023, v. 12, n. 4, p. 135, doi. 10.3390/arts12040135
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From Hellerau to Here: Tracing the Lineage and Influence of Dalcroze Eurhythmics on the Family Tree of Theatre Pedagogy.
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- Arts (2076-0752), 2023, v. 12, n. 4, p. 134, doi. 10.3390/arts12040134
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Video between Architecture and Telepathy.
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- Arts (2076-0752), 2023, v. 12, n. 4, p. 133, doi. 10.3390/arts12040133
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"Experiencing Trauma": Aesthetical, Sensational and Narratological Issues of Traumatic Representations in Slasher Horror Cinema.
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- Arts (2076-0752), 2023, v. 12, n. 4, p. 132, doi. 10.3390/arts12040132
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Of Auction Records and Non-Fungible Tokens: On the New Valences of Superhero Comics.
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- Arts (2076-0752), 2023, v. 12, n. 4, p. 131, doi. 10.3390/arts12040131
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Artistic, Commercial, and Confessional Exchanges between Venetian Crete and Western Europe: The Multiple Lives of an Icon of the Virgin and Child from Harvard Art Museums.
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- Arts (2076-0752), 2023, v. 12, n. 4, p. 130, doi. 10.3390/arts12040130
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