Results: 36
Quatre Peintres Belges au Travail : Paul Haesaerts's Film on Edgar Tytgat, Albert Dasnoy, Jean Brusselmans and Paul Delvaux (1952).
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- Arts (2076-0752), 2022, v. 11, n. 1, p. 36, doi. 10.3390/arts11010036
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Art and Place: Crossing Borders in the Work of Perejaume.
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- Arts (2076-0752), 2022, v. 11, n. 1, p. 35, doi. 10.3390/arts11010035
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Ancient Ceramic Culture and Technological Characteristics of Xiaopi Kiln Ceramics.
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- Arts (2076-0752), 2022, v. 11, n. 1, p. 34, doi. 10.3390/arts11010034
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What Approach to Flemish Annunciations?
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- Arts (2076-0752), 2022, v. 11, n. 1, p. 33, doi. 10.3390/arts11010033
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The Embodiment of Artistic Objects in Pablo Picasso's Cubism.
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- Arts (2076-0752), 2022, v. 11, n. 1, p. 32, doi. 10.3390/arts11010032
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Hedgehogs and Hedgehog-Head Boats in Ancient Egyptian Religion in the Late 3rd Millennium BCE.
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- Arts (2076-0752), 2022, v. 11, n. 1, p. 31, doi. 10.3390/arts11010031
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Acknowledgment to Reviewers of Arts in 2021.
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- Arts (2076-0752), 2022, v. 11, n. 1, p. 30, doi. 10.3390/arts11010030
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Hong Kong as a Global Art Hub: Art Ecology and Sustainability of Asia's Art Market Centre.
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- Arts (2076-0752), 2022, v. 11, n. 1, p. 29, doi. 10.3390/arts11010029
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Color in Medieval Castle Architecture in Present-Day Poland and Czech Republic.
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- Arts (2076-0752), 2022, v. 11, n. 1, p. 28, doi. 10.3390/arts11010028
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Color of Tenement Houses Built in the 19th and Early 20th Centuries in Wroclaw (Poland)—Research, Restoration and Conservation.
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- Arts (2076-0752), 2022, v. 11, n. 1, p. 27, doi. 10.3390/arts11010027
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Architecture and Contemporary Visual Culture, the Image of Realism and the Realism of Image.
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- Arts (2076-0752), 2022, v. 11, n. 1, p. 26, doi. 10.3390/arts11010026
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Sgraffito as a Method of Wall Decoration in the Renaissance and Mannerist Silesia.
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- Arts (2076-0752), 2022, v. 11, n. 1, p. 25, doi. 10.3390/arts11010025
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When the Sky Is Low and Heavy: David Lamelas and Transnational Heritage in Flanders.
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- Arts (2076-0752), 2022, v. 11, n. 1, p. 24, doi. 10.3390/arts11010024
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Our Cherished Moments of Involuntary Realism: Charles Harrison, Modernism, and Art Writing.
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- Arts (2076-0752), 2022, v. 11, n. 1, p. 23, doi. 10.3390/arts11010023
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Usological Turn in Archiving, Curating and Educating: The Case of Arte Útil.
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- Arts (2076-0752), 2022, v. 11, n. 1, p. 22, doi. 10.3390/arts11010022
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A Bronze Reliquary for an Ichneumon Dedicated to the Egyptian Goddess Wadjet.
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- Arts (2076-0752), 2022, v. 11, n. 1, p. 21, doi. 10.3390/arts11010021
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Art and the City: Contemporary Art Galleries Districts in Paris from the End of the 19th Century until Today.
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- Arts (2076-0752), 2022, v. 11, n. 1, p. 20, doi. 10.3390/arts11010020
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Glass as a Fine Art Medium: Brief History and the Role of Adriano Berengo as a Fine Art Glass Impresario.
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- Arts (2076-0752), 2022, v. 11, n. 1, p. 19, doi. 10.3390/arts11010019
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An Interview with Gregory Sholette about the Precarious Workers Pageant Project.
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- Arts (2076-0752), 2022, v. 11, n. 1, p. 18, doi. 10.3390/arts11010018
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New Form, New Material and Color Scheme, the Exposed Concrete Phenomenon—The Centennial Hall in Wrocław.
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- Arts (2076-0752), 2022, v. 11, n. 1, p. 17, doi. 10.3390/arts11010017
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Wall Surfaces as Interfaces: The First Pompeian Style.
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- Arts (2076-0752), 2022, v. 11, n. 1, p. 16, doi. 10.3390/arts11010016
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Following the Thread: Elite Iconography on Weaving Objects at Poggio Civitate (Murlo).
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- Arts (2076-0752), 2022, v. 11, n. 1, p. 15, doi. 10.3390/arts11010015
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About Performance: A Conversation with Richard Schechner †.
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- Arts (2076-0752), 2022, v. 11, n. 1, p. 14, doi. 10.3390/arts11010014
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The Last Flemish Primitive: Jan Vercruysse's Self-Fashioning of Artisthood and National Identity.
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- Arts (2076-0752), 2022, v. 11, n. 1, p. 13, doi. 10.3390/arts11010013
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Colour and Light in Berlin and Wrocław (Breslau) Department Stores Built between 1927 and 1930.
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- Arts (2076-0752), 2022, v. 11, n. 1, p. 12, doi. 10.3390/arts11010012
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The Architectural Typology of Contemporary Façades for Public Buildings in the European Context.
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- Arts (2076-0752), 2022, v. 11, n. 1, p. 11, doi. 10.3390/arts11010011
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Recto and Verso: The Pictorial Fronts and the Marbled Reverses of Two Flemish Panel Paintings.
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- Arts (2076-0752), 2022, v. 11, n. 1, p. 10, doi. 10.3390/arts11010010
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Evolution in Approach to Colour in Tall Buildings' Architecture on the Isle of Dogs, London, UK.
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- Arts (2076-0752), 2022, v. 11, n. 1, p. 9, doi. 10.3390/arts11010009
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Changes in the Medieval Colour Scheme of the Southern Façade of Wrocław Town Hall—A Case Study.
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- Arts (2076-0752), 2022, v. 11, n. 1, p. 8, doi. 10.3390/arts11010008
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The Times of Caring in a Nuclear World: Sculpture, Contamination and Stillness.
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- Arts (2076-0752), 2022, v. 11, n. 1, p. 7, doi. 10.3390/arts11010007
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Sculpture in Socialist Realism—Soviet Patterns and the Polish Reality.
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- Arts (2076-0752), 2022, v. 11, n. 1, p. 6, doi. 10.3390/arts11010006
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From Mulan (1998) to Mulan (2020): Disney Conventions, Cross-Cultural Feminist Intervention, and a Compromised Progress.
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- Arts (2076-0752), 2022, v. 11, n. 1, p. 5, doi. 10.3390/arts11010005
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Jan van Eyck's New York Diptych : A New Reading on the Skeleton of the Great Chasm.
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- Arts (2076-0752), 2022, v. 11, n. 1, p. 4, doi. 10.3390/arts11010004
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Negotiating Identity through the Architecture and Interior Decoration of Elite Households in Ptolemaic Egypt.
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- Arts (2076-0752), 2022, v. 11, n. 1, p. 3, doi. 10.3390/arts11010003
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Marina el-Alamein as an Example of Painting Decoration of Main Spaces of Hellenistic-Roman Houses in Egypt.
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- Arts (2076-0752), 2022, v. 11, n. 1, p. 2, doi. 10.3390/arts11010002
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Parasomnia : Sleep against Capitalism.
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- Arts (2076-0752), 2022, v. 11, n. 1, p. 1, doi. 10.3390/arts11010001
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