Perception and the 'I' in Samuel Beckett's Company and Francis Bacon's Paintings.Published in:Laocoonte, 2016, v. 3, p. 135, doi. 10.7203/LAOCOONTE.3.3.9365By:Álvarez Guillén, AnaPublication type:Article
SPACE AND COMMUNICATION IN SAMUEL BECKETT'S COMPANY AND IN SOME OF HIS DRAMATIC WORKS.Published in:Impulso, 2006, v. 17, n. 42, p. 29By:Wisniewski, TomaszPublication type:Article
Backett's Later Fiction and Drama: Texts for Company/Samuel Beckett's New Worlds: Style in Metafiction.Published in:1988By:Smith, Frederik N.Publication type:Book Review
WRITING AND TRANSLATING THE SELF. SAMUEL BECKETT AND THE CASE OF COMPANY/COMPAGNIE.Published in:BAS - British & American Studies, 2017, v. 23, p. 13By:DELLA CASA, MARTINAPublication type:Article
One's Own Company: Agency, Identity and the Middle Voice in the Work of Samuel Beckett.Published in:2007By:Barry, ElizabethPublication type:Literary Criticism
"Himself He Devises Too for Company": Self-Making in Samuel Beckett's Company.Published in:2006By:Salmon-Bitton, NiritPublication type:Book Review
Alternative Compagnie: Textual Variants in Beckett's Compagnie/Company.Published in:Journal of Beckett Studies (Edinburgh University Press), 2015, v. 24, n. 1, p. 87, doi. 10.3366/jobs.2015.0122By:Nugent-Folan, GeorginaPublication type:Article