"The Flesh of The Perceptible": The New Materialism of Leviathan.
- Published in:
- Film-Philosophy, 2018, v. 22, n. 3, p. 428, doi. 10.3366/film.2018.0088
- By:
- Publication type:
- Article
Works matching IS 14664615 AND DT 2018 AND VI 22 AND IP 3
Results: 12
1
2
Action and Agency in The Red Shoes.
- Published in:
- Film-Philosophy, 2018, v. 22, n. 3, p. 484, doi. 10.3366/film.2018.0091
- By:
- Publication type:
- Article
3
Mosaic Space and Mosaic Auteurs: On the Cinema of Alejandro González Iñárritu, Atom Egoyan, Hou Hsiao-hsien and Michael Haneke.
- Published in:
- 2018
- By:
- Publication type:
- Book Review
4
Through a (First) Contact Lens Darkly: Arrival, Unreal Time and Chthulucinema.
- Published in:
- Film-Philosophy, 2018, v. 22, n. 3, p. 340, doi. 10.3366/film.2018.0084
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- Publication type:
- Article
5
Allowing the Fly to Leave: The Chance Meeting of Wittgenstein and Buñuel at a Mexican Dinner Table.
- Published in:
- Film-Philosophy, 2018, v. 22, n. 3, p. 384, doi. 10.3366/film.2018.0086
- By:
- Publication type:
- Article
6
Film Bodies: Queer Feminist Encounters with Gender and Sexuality in Cinema.
- Published in:
- 2018
- By:
- Publication type:
- Book Review
7
Regarding Life: Animals and the Documentary Moving Image.
- Published in:
- 2018
- By:
- Publication type:
- Book Review
8
A Queer Aesthetic: Identity in Kurosawa Kiyoshi's Horror Films.
- Published in:
- Film-Philosophy, 2018, v. 22, n. 3, p. 448, doi. 10.3366/film.2018.0089
- By:
- Publication type:
- Article
9
Sergei Parajanov's Differential Cinema.
- Published in:
- Film-Philosophy, 2018, v. 22, n. 3, p. 465, doi. 10.3366/film.2018.0090
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- Publication type:
- Article
10
"We Do Not Look At Them As They Really Are": Technics and Photogénie in Jean Epstein's Film-Philosophy.
- Published in:
- Film-Philosophy, 2018, v. 22, n. 3, p. 406, doi. 10.3366/film.2018.0087
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- Publication type:
- Article
11
Another Look at Heideggerian Cinema: Cinematic Excess, Antonioni's Dead Time and the Film-Photographic Image as Copy.
- Published in:
- Film-Philosophy, 2018, v. 22, n. 3, p. 364, doi. 10.3366/film.2018.0085
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- Publication type:
- Article
12
Temporality, Reproduction and the Not-Yet in Denis Villeneuve's Arrival.
- Published in:
- Film-Philosophy, 2018, v. 22, n. 3, p. 321, doi. 10.3366/film.2018.0083
- By:
- Publication type:
- Article