From the Russian avant-garde to Sergei Diaghilev’s Ballets Russes.
- Published in:
- Studies in Theatre & Performance, 2016, v. 36, n. 3, p. 219, doi. 10.1080/14682761.2016.1227916
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- Article
Works matching Sergei Diaghilev
Results: 25
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Журнал «Мир искусства» (1899-1904 гг.) как источник по истории русского искусства конца XIX – начала XX вв.
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- Bylye Gody, 2023, v. 18, n. 4, p. 2025, doi. 10.13187/bg.2023.4.2025
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- Article
3
The Contemporary Context of Gurdjieff’s Movements.
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- Religion & the Arts, 2017, v. 21, n. 1/2, p. 96, doi. 10.1163/15685292-02101004
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- Article
4
'Where Burns the Artist's Soul': Tamara Karsavina's Writings on Artistry and Expression.
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- Dance Research, 2024, v. 42, n. 1, p. 78, doi. 10.3366/drs.2024.0418
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- Article
5
Bravo! Using Library Dance Collections to Recreate Historical Ballets.
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- Reference Librarian, 2016, v. 57, n. 2, p. 100, doi. 10.1080/02763877.2016.1123562
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- Article
6
Brokerage as Catalysis: How Diaghilev’s Ballets Russes Escalated Modernism.
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- Organization Studies, 2015, v. 36, n. 3, p. 343, doi. 10.1177/0170840614563743
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- Article
7
MONTHS PAST MAY.
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- History Today, 2022, v. 72, n. 5, p. 26
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- Article
8
Diaghilev/Cunningham.
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- Art Journal, 1974, v. 34, n. 2, p. 135, doi. 10.1080/00043249.1975.10793670
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9
Correcting a Ballerina's Story: The Truth Behind Makletzova v. Diaghileff.
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- American Journal of Legal History, 2013, v. 53, n. 3, p. 353, doi. 10.1093/ajlh/53.3.353
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10
Beardsley Men in Early Twentieth-Century Russia: Modernising Decadent Masculinity.
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- Modernist Cultures, 2021, v. 16, n. 2, p. 191, doi. 10.3366/mod.2021.0328
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- Article
11
Fashioning fairy fellows: Androgynous performativity in the Savoy Shakespeare Productions 1912–14.
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- Critical Studies in Men's Fashion, 2024, v. 11, n. 1, p. 37, doi. 10.1386/csmf_00082_1
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- Article
12
'A Conversation with Spectres': Russian Ballet and the Politics of Voice in T.S. Eliot.
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- Journal of Modern Literature, 2013, v. 37, n. 1, p. 158, doi. 10.2979/jmodelite.37.1.158
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13
"A Conversation with Spectres": Russian Ballet and the Politics of Voice in T. S. Eliot.
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- Journal of Modern Literature, 2013, v. 37, n. 1, p. 158, doi. 10.2979/jmodelite.37.1.158
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- Article
14
La Nijinska: Choreographer of the Modern: Lynn Garafola, New York, Oxford University Press, 2022, 688 Pages, $39.95 (hardcover), ISBN: 9780197603901.
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- Feminist Modernist Studies, 2022, v. 5, n. 3, p. 326, doi. 10.1080/24692921.2022.2140876
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- Article
15
Ciało i sacrum. O Bogu Niżyńskim Piotra Tomaszuka.
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- Kontesksty: Polska Sztuka ludowa, 2020, v. 74, n. 3, p. 161
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16
Remarks on Paul Sweezy on the Occasion of His Receipt of the Veblen-Commons Award.
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- Journal of Economic Issues, 1999, v. 33, n. 2, p. 223, doi. 10.1080/00213624.1999.11506153
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- Article
17
Aubrey Beardsley in the Russian "World of Art".
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- British Art Studies, 2020, n. 18, p. 99, doi. 10.17658/issn.2058-5462/issue-18/sdovzhyk
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18
‘The Russian Barnum : Russian Opinions on Diaghilev's Ballets Russes, 1909–1914.
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- Dance Research, 2008, v. 26, n. 1, p. 18, doi. 10.3366/E0264287508000042
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- Article
19
Balanchine's La Valse: Meanings and Implications for Ravel Studies.
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- Opera Quarterly, 2006, v. 22, n. 1, p. 90, doi. 10.1093/oq/kbi118
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- Article
20
Picasso and Stravinsky: Notes on their Friendship.
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- Colloquy: Text Theory Critique, 2011, n. 22, p. 81
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- Article
21
Artists' Balls and Conceptual Costumes at the Russian Academy of Arts, 1885-1909.
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- Fashion Theory: The Journal of Dress, Body & Culture, 2012, v. 16, n. 1, p. 29, doi. 10.2752/175174112X13183318404140
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22
14. The Violin in L'histoire Du Soldat – A Metaphor of the Soul.
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- Review of Artistic Education, 2021, v. 21, n. 1, p. 113, doi. 10.2478/rae-2021-0014
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23
14. THE VIOLIN IN L'HISTOIRE DU SOLDAT - A METAPHOR OF THE SOUL.
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- Review of Artistic Education, 2021, n. 21/22, p. 113, doi. 10.2478/rae-2021-0014
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24
Bedraggled Ballerinas on a Bus Back to Bow: The 'Fairy Business'.
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- 19: Interdisciplinary Studies in the Long Nineteenth Century, 2011, n. 13, p. 1, doi. 10.16995/ntn.618
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25
THE LEARNED JUDGE: (A PORTRAIT).
- Published in:
- Yale Review, 2012, v. 100, n. 3, p. 49, doi. 10.1353/tyr.2012.0027
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- Article