Works matching DE "FILM soundtracks"

Results: 524

Geschichte und die Krise der dramatischen Form: Handlungsfäden und Handlungsgewebe zwischen Hauptmanns Die Weber (1892), Brecht, Szondi und Polleschs Passing (2020).

Published in:

Forum Modernes Theater, 2024, v. 35, n. 1/2, p. 55, doi. 10.24053/FMTh-2024-0005

By:

Hölscher, Stefan

Publication type:

Article

Sonic Space in Djibril Diop Mambety's Films.

Published in:

2018

By:

Gerg, Ian W.

Publication type:

Book Review

Magical Musical Tour: Rock and Pop in Film Soundtracks.

Published in:

2017

By:

JUSTICE, ANDREW

Publication type:

Book Review

What Maisie Heard: Sound, Sexuality, and the Subjective Camera.

Published in:

Henry James Review, 2022, v. 43, n. 2, p. 178, doi. 10.1353/hjr.2022.0013

By:

Badley, Chip

Publication type:

Article

Theories of the Soundtrack.

Published in:

2020

By:

Myers, Marianne

Publication type:

Book Review

Revisiting the Boulevard: The Gender & Sexual Politics of Michael Pressman's Boulevard Nights.

Published in:

2017

By:

Navarro, José

Publication type:

Film/TV Criticism and Review

Primal sound effects.

Published in:: Marketing Research, 2011, v. 23, n. 1, p. 3
Publication type:: Article

Dis/joint: Unification of Sound, Music, Narrative, and Animation in Liz and the Blue Bird.

Published in:

2021

By:

Ocone(bio), Paul

Publication type:

Film/TV Criticism and Review

Entre la tradición y la vanguardia, un análisis del documental Antonio Gaudí (1984): Teshigahara Hiroshi y Takemitsu Tōru.

Published in:

Mirai. Estudios Japoneses, 2021, v. 5, p. 185, doi. 10.5209/mira.74362

By:

Vilar Sastre, Griselda

Publication type:

Article

Alejandro Amenabar, Composer.

Published in:

Bulletin of Spanish Studies: Hispanic Studies & Researches on Spain, Portugal & Latin America, 2010, v. 87, n. 2, p. 195, doi. 10.1080/14753821003693776

By:

Deveny, Thomas

Publication type:

Article

La traducción de canciones en películas: análisis contrastivo de géneros cinematográficos.

Published in:

Estudios de Traducción, 2021, n. 11, p. 137, doi. 10.5209/estr.69389

By:

Martínez Acebo, Elisa;
Rodríguez Martínez, Manuel Cristóbal

Publication type:

Article

Kerouac on Record: A Literary Soundtrack.

Published in:

Journal of Beat Studies, 2019, v. 7, p. 84

By:

Peacock, James

Publication type:

Article

An Overview of the Codes and Conventions of Drama Film Music.

Published in:

Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2022, v. 15, p. 253, doi. 10.31926/but.pa.2022.15.64.3.27

By:

VIERIU, Emanuela Izabela

Publication type:

Article

The Semantics and Pragmatics of the character of Edgardo from Donizetti's Lucia di Lammermoor.

Published in:

Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2020, v. 13, n. 2, p. 101, doi. 10.31926/but.pa.2020.13.62.2.11

By:

IFTENE, Liviu

Publication type:

Article

Each Night in Rapture: The Silent Sound of Shame.

Published in:

Studies in Gender & Sexuality, 2015, v. 16, n. 2, p. 123, doi. 10.1080/15240657.2015.1038190

By:

Blum, Adam

Publication type:

Article

Distracting effect of TV watching on children's reactivity.

Published in:

2010

By:

Bellieni, Carlo V.;
Fontani, Giulio;
Corradeschi, Franco;
Iantorno, Lorenzo;
Maffei, Marianna;
Migliorini, Silvia;
Perrone, Serafina;
Buonocore, Giuseppe

Publication type:

journal article

Regards sur la musique en Roumanie au XX<sup>e</sup> siècle. Musiciens, musiques, institutions.

Published in:

Martor, 2022, v. 27, p. 198

By:

Hurjui-Său, Mariana

Publication type:

Article

Approaches to Sound Design: Murch and Burtt.

Published in:

New Soundtrack, 2018, v. 8, n. 2, p. 169, doi. 10.3366/sound.2018.0129

By:

Costantini, Gustavo

Publication type:

Article

Unplugging the Matrix.

Published in:

New Soundtrack, 2018, v. 8, n. 1, p. 78, doi. 10.3366/sound.2018.0119

By:

Rafter, Steve

Publication type:

Article

Engagement versus Immersion.

Published in:

New Soundtrack, 2018, v. 8, n. 1, p. 73, doi. 10.3366/sound.2018.0118

By:

Deutsch, Stephen

Publication type:

Article

Symphonies of Noise: The Urban Soundscape in Rouben Mamoulian's Applause, City Lights, Dr Jekyll and Mr Hyde and Love Me Tonight.

Published in:

New Soundtrack, 2018, v. 8, n. 2, p. 91, doi. 10.3366/sound.2018.0123

By:

Power, Dominic

Publication type:

Article

Shepard Tones and Production of Meaning in Recent Films: Lucrecia Martel's Zama and Christopher Nolan's Dunkirk.

Published in:

New Soundtrack, 2018, v. 8, n. 2, p. 135, doi. 10.3366/sound.2018.0126

By:

Rapan, Eleonora

Publication type:

Article

Sounds of Slowness: Ambience and Absurd Humour in Slow Sound Design.

Published in:

New Soundtrack, 2018, v. 8, n. 1, p. 31, doi. 10.3366/sound.2018.0115

By:

Çağlayan, Emre

Publication type:

Article

Editorial.

Published in:: New Soundtrack, 2017, v. 7, n. 2, p. 93, doi. 10.3366/sound.2017.0101
Publication type:: Article

Front matter.

Published in:: New Soundtrack, 2017, v. 7, n. 2, p. 1, doi. 10.3366/sound.2017.0100
Publication type:: Article

Back matter.

Published in:: New Soundtrack, 2017, v. 7, n. 2, p. -1, doi. 10.3366/sound.2017.0111
Publication type:: Article

Cartographic Soundtrack: Voice, Sound and Music in Birdman.

Published in:

New Soundtrack, 2017, v. 7, n. 2, p. 137, doi. 10.3366/sound.2017.0105

By:

De Souza Lima, Henrique Rocha

Publication type:

Article

Environmental Sound and Soundscape Composition in Landscape and Nature Documentaries.

Published in:

New Soundtrack, 2017, v. 7, n. 2, p. 172, doi. 10.3366/sound.2017.0109

By:

Westerkamp, Hildegard

Publication type:

Article

Audio Imagineering: Utilising the Four Sound Areas Framework for Emotive Sound Design within Contemporary Audio Post-production.

Published in:

New Soundtrack, 2016, v. 6, n. 1, p. 77, doi. 10.3366/sound.2016.0084

By:

Hillman, Neil;
Pauletto, Sandra

Publication type:

Article

Sound, Space, Gravity: A Kaleidoscopic Hearing (part I).

Published in:

New Soundtrack, 2016, v. 6, n. 1, p. 1, doi. 10.3366/sound.2016.0079

By:

Liang, Dong

Publication type:

Article

The Soundscapes of Conflict: A transcript of a talk by Nadim Mishlawi and Rana Eid presented at the School of Sound, London, on 10 April 2015.

Published in:

New Soundtrack, 2015, v. 5, n. 2, p. 153, doi. 10.3366/sound.2015.0076

By:

Eid, Rana;
Mishlawi, Nadim

Publication type:

Article

Editorial.

Published in:: New Soundtrack, 2015, v. 5, n. 1, p. 1, doi. 10.3366/sound.2015.0064
Publication type:: Article

The auditory spectacle: designing sound for the 'dubbing era' of Indian cinema.

Published in:

New Soundtrack, 2015, v. 5, n. 1, p. 55, doi. 10.3366/sound.2015.0068

By:

Chattopadhyay, Budhaditya

Publication type:

Article

Scoring film: The New Soundtrack Interview with Neil Brand.

Published in:: New Soundtrack, 2014, v. 4, n. 1, p. 1, doi. 10.3366/sound.2014.0048
Publication type:: Article

The sound of Agnès Varda.

Published in:

New Soundtrack, 2014, v. 4, n. 1, p. 29, doi. 10.3366/sound.2014.0050

By:

Crittenden, Roger

Publication type:

Article

The believability of redubs and post-synchronised voices: Merging new voices with existing audio-visuals.

Published in:

New Soundtrack, 2014, v. 4, n. 1, p. 59, doi. 10.3366/sound.2014.0052

By:

Høier, Svein

Publication type:

Article

Listen to Nice.

Published in:

New Soundtrack, 2013, v. 3, n. 2, p. 89, doi. 10.3366/sound.2013.0040

By:

Cox, Geoffrey

Publication type:

Article

Emil und die Detektive: Early German sound cinema aesthetic.

Published in:

New Soundtrack, 2014, v. 4, n. 1, p. 41, doi. 10.3366/sound.2014.0051

By:

Helmers, Maike

Publication type:

Article

Altered States, Altered Sounds: An investigation of how 'subjective states' are signified by the soundtrack of dream sequences in narrative fiction cinema.

Published in:

New Soundtrack, 2013, v. 3, n. 2, p. 175, doi. 10.3366/sound.2013.0045

By:

Gabriel, Gilbert

Publication type:

Article

Editorial.

Published in:: New Soundtrack, 2013, v. 3, n. 2, p. v, doi. 10.3366/sound.2013.0039
Publication type:: Article

The sounds of space: Social space and social listening (Part II).

Published in:

New Soundtrack, 2014, v. 4, n. 1, p. 15, doi. 10.3366/sound.2014.0049

By:

Griffiths, Tom Lock

Publication type:

Article

Knocking at the door of cinematic artifice: Dolby Atmos, challenges and opportunities.

Published in:

New Soundtrack, 2013, v. 3, n. 2, p. 107, doi. 10.3366/sound.2013.0041

By:

Sergi, Gianluca

Publication type:

Article

Landscape, soundscape, taskscape in the films The Hurt Locker (2008), Katalin Varga (2009).

Published in:

New Soundtrack, 2013, v. 3, n. 2, p. 123, doi. 10.3366/sound.2013.0042

By:

Martin, Jean

Publication type:

Article

What do we hear? The pluralism of sound design in Hollywood sound production.

Published in:

New Soundtrack, 2013, v. 3, n. 2, p. 137, doi. 10.3366/sound.2013.0043

By:

Wright, Benjamin

Publication type:

Article

The sounds of space: Social space and social listening (Part 1).

Published in:

New Soundtrack, 2013, v. 3, n. 2, p. 159, doi. 10.3366/sound.2013.0044

By:

Griffiths, Tom Lock

Publication type:

Article

'The Soundtrack': The School of Sound Summer Workshop at the ifs internationale filmschule köln.

Published in:

New Soundtrack, 2013, v. 3, n. 1, p. 81, doi. 10.3366/sound.2013.0037

By:

Deutsch, Stephen;
Sider, Larry

Publication type:

Article

The 'clap'.

Published in:

New Soundtrack, 2013, v. 3, n. 1, p. 17, doi. 10.3366/sound.2013.0032

By:

Chion, Michel

Publication type:

Article

Sound at the centre: An interview with Peter Strickland.

Published in:

2013

By:

Strickland, Peter

Publication type:

Interview

Bringing vinyl into the digital domain: Aesthetics in David Lynch's Inland Empire (2006).

Published in:

New Soundtrack, 2012, v. 2, n. 2, p. 97, doi. 10.3366/sound.2012.0032

By:

Greene, Liz

Publication type:

Article

The alienated male: Silence and the soundtrack in New Hollywood.

Published in:

New Soundtrack, 2012, v. 2, n. 2, p. 143, doi. 10.3366/sound.2012.0035

By:

Wilkins, Heidi

Publication type:

Article