Music Science Today: The Permanent and the Changeable XV.
- Published in:
- Music Science Today: The Permanent & the Changeable / Mūzikas Zinātne Šodien: Pastāvīgais un Mainīgais, 2023, v. 15, p. 5
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- Article
Works matching DE "20TH century music"
Results: 486
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Music Science Today: the Permanent and the Changeable XVI.
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- Music Science Today: The Permanent & the Changeable / Mūzikas Zinātne Šodien: Pastāvīgais un Mainīgais, 2024, v. 16, p. 5
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- Article
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NEW PERIODICALS.
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- Notes, 2024, v. 81, n. 1, p. 183
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- Article
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Transformations of Musical Modernism.
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- Notes, 2024, v. 81, n. 1, p. 162
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- Article
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Samuel Barber: His Life and Legacy.
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- Notes, 2024, v. 81, n. 1, p. 123
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- Article
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Aaron Copland and the American Legacy of Gustav Mahler by Matthew Mugmon (review).
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- Notes, 2021, v. 77, n. 4, p. N.PAG, doi. 10.1353/not.2021.0051
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- Article
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Musical Functionalism: The Musical Thoughts of Arnold Schoenberg and Paul Hindemith.
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- 2014
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- Book Review
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Editor's Note.
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- Yegah Musicology Journal / Yegah Müzikoloji Dergisi, 2025, v. 8, n. 1, p. 780
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CLAUDE DEBUSSY'NİN YAYLI ÇALGILAR DÖRTLÜSÜ, OP. 10 ESERİNİN İNCELENMESİ: SEMBOLİST Mİ İZLENİMCİ Mİ?
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- Yegah Musicology Journal / Yegah Müzikoloji Dergisi, 2025, v. 8, n. 1, p. 614, doi. 10.51576/ymd.1625886
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TÜRK MAKAM MÜZİĞİ ÇEVRELERİNDE "KOMA" TERİMİNİN KULLANIMINA ELEŞTİREL BİR BAKIŞ.
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- Yegah Musicology Journal / Yegah Müzikoloji Dergisi, 2025, v. 8, n. 1, p. 529, doi. 10.51576/ymd.1625932
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JOHN CAGE VE FLUXUS SANAT HAREKETİNİN DOĞUŞU.
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- Yegah Musicology Journal / Yegah Müzikoloji Dergisi, 2025, v. 8, n. 1, p. 373, doi. 10.51576/ymd.1612605
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THE VOCAL CYCLE "MACHINES AGRICOLES" AS A MANIFESTATION OF DARIUS MILHAUD'S CREATIVE CREDO.
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- Yegah Musicology Journal / Yegah Müzikoloji Dergisi, 2024, v. 7, n. 3, p. 147, doi. 10.51576/ymd.1519103
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"NAZARİ, NAZARİYE, NAZARİYAT" KAVRAMLARININ TÜRK MÜZİĞİNDEKİ KULLANIMINA İLİŞKİN BÜTÜNLEŞTİRİCİ ARAŞTIRMA.
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- Yegah Musicology Journal / Yegah Müzikoloji Dergisi, 2023, v. 6, n. 1, p. 188, doi. 10.51576/ymd.1307959
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Sound Matters.
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- Mechademia: Second Arc, 2021, v. 13, n. 2, p. N.PAG
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RECORDS RUIN THE LANDSCAPE: JOHN CAGE, THE SIXTIES, AND SOUND RECORDING.
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- 2015
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- Book Review
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A DJ IN THE LIBRARY.
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- Leonardo, 2015, v. 48, n. 2, p. 194, doi. 10.1162/LEON_a_00915
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- Article
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MUSIC FOR THE MASSES RATHER THAN FOR THE CLASSES.
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- Journal of Education, 1917, v. 85, n. 20, p. 549, doi. 10.1177/002205741708502010
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Minstrel, oh Minstrel, Sing Me a Cause.
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- Torch, 2020, v. 93, n. 2, p. 38
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Primitivism in Early 20th Century French Music: Darius Milhaud's La création du monde.
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- Bulletin of the Transilvania University of Brasov, Series IX: Sciences of Human Kinetics, 2023, v. 16, p. 233, doi. 10.31926/but.pa.2023.16.65.3.22
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General aspects of Dumitru Capoianu's music in the feature film Adventures in the Danube Delta.
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- Bulletin of the Transilvania University of Brasov, Series IX: Sciences of Human Kinetics, 2023, v. 16, p. 163, doi. 10.31926/but.pa.2023.16.65.3.17
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Primitivism in Early 20th Century French Music: Darius Milhaud's La création du monde.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2023, v. 16, p. 233, doi. 10.31926/but.pa.2023.16.65.3.22
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General aspects of Dumitru Capoianu's music in the feature film Adventures in the Danube Delta.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2023, v. 16, p. 163, doi. 10.31926/but.pa.2023.16.65.3.17
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- Article
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The Suite for Piano in the Creation of George Enescu and Constantin Silvestri - Tradition and Originality.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2023, v. 16, p. 149, doi. 10.31926/but.pa.2023.16.65.3.15
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The Evolution of the Left-Hand Range in the Guitar Technique.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2022, v. 15, p. 99, doi. 10.31926/but.pa.2022.15.64.3.11
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A perspective on the concerto genre in the 20th century.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2022, v. 15, p. 49, doi. 10.31926/but.pa.2021.14.63.3.5
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A perspective on the concerto genre in the 20th century.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2021, v. 14, p. 49, doi. 10.31926/but.pa.2021.14.63.3.5
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Dave Weckl. Particulars of style and performance.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2019, v. 12, p. 145, doi. 10.31926/but.pa.2019.12.61.38
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Accompanying and the Orchestral Reduction of 20th Century Music.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2019, v. 12, p. 77, doi. 10.31926/but.pa.2019.12.61.31
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Highlights of repetitive minimalism in the work of composer Liana Alexandra.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2018, v. 11, p. 251
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The Brașov's musical life at the dawn of the 20th century, mirrored in the activity of the musician Gheorghe Dima.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2018, v. 11, n. 1, p. 31
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The Opera orchestra and great conductors in the 20th century.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2017, v. 10, p. 269
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Basic Jazz Cords and Chords Progressions.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2017, v. 10, n. 2, p. 15
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Elements of modal writing in the Piano Sonatina by Peter Vermesy.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2016, v. 9, n. 2, p. 59
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Igor Stravinsky's "Symphony of Psalms" - a testimony of the composer's faith.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2016, v. 9, n. 2, p. 17
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GLAZBENE PREFERENCIJE UČENIKA PREMA KLASIČNOJ GLAZBI, GLAZBI 20. STOLJEĆA I GLAZBAMA SVIJETA - HIPOTEZA OTVORENOSTI.
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- Journal for Pedagogical & Educational Matters / Školski Vjesnik, 2021, v. 70, n. 1, p. 11
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Léo Ferré: Modernism, Postmodernism and the Avant-Grande in Popular Chanson.
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- French Cultural Studies, 2005, v. 16, n. 2, p. 169, doi. 10.1177/0957155805053705
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Noise: A Flaw in Human Judgement<sup>*</sup>.
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- Economic Record, 2022, v. 98, n. 320, p. 120, doi. 10.1111/1475-4932.12661
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- Article
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EL FIN DE LA HISTORIA DEL SIGLO XX DEL FOLCLORE MUSICAL ARGENTINO: EL SURGIMIENTO DEL FOLCLORE JOVEN.
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- Impossibilia: Revista Internacional de Estudios Literarios, 2024, n. 28, p. 81, doi. 10.30827/impossibilia.282024.30619
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A Rough Guide to Musical Anthropology.
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- Journal of Comparative Research in Anthropology & Sociology, 2011, v. 2, n. 1, p. 183
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Prince Albert and Anglo-German Connections in 19th-Century Music.
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- Angermion, 2020, v. 13, n. 1, p. 197, doi. 10.1515/anger-2020-0013
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Mapping Contemporary Music: Four Positions.
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- Dissonance / Dissonanz, 2017, n. 140, p. 4
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42
«con alcuna licenza für mich selbst».
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- Dissonance / Dissonanz, 2013, n. 122, p. 22
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De bouche à oreille: Pierre Schaeffer, Michel Chion, Lionel Marchetti: Drei Stimmen der «musiques concrètes».
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- Dissonance / Dissonanz, 2013, n. 121, p. 11
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«Une machine de guerre culturelle en Suisse romande»: Ein Gespräch mit Brice Pauset, dem neuen künstlerischen Direktor von Contrechamps.
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- 2013
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- Publication type:
- Interview
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JAN KLUSÁK AND JAN NOVÁK'S INVENTIONS IN THE CONTEXT OF CZECH MUSIC AFTER 1960.
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- Musicology / Hudební Věda, 2024, v. 61, n. 4, p. 507, doi. 10.54759/MUSICOLOGY-2024-0403
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JANÁČEK'S THEORETICAL VIEWS ON SČASOVÁNÍ (MUSICAL EVENTS IN TIME) AND THEIR PROJECTIONS IN HIS COMPOSITIONAL PRACTICE.
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- Musicology / Hudební Věda, 2020, v. 57, n. 3, p. 291
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LANDSCAPE IN THE TWENTIETH CENTURY COMPOSING IN THE ASPECT OF PERFORMING INTERPRETATION.
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- Studia Universitatis Babes-Bolyai, Musica, 2024, v. 69, p. 49, doi. 10.24193/subbmusica.2024.spiss1.03
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THE USE OF THE HARMONIUM IN OPERA.
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- Studia Universitatis Babes-Bolyai, Musica, 2024, v. 69, n. 1, p. 181, doi. 10.24193/subbmusica.2024.1.13
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THE REFORM OF LEO KESTENBERG – KODÁLY PARALLELS IN THE GERMAN MUSIC EDUCATION OF THE 20th CENTURY.
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- Studia Universitatis Babes-Bolyai, Musica, 2023, v. 68, n. 1, p. 101, doi. 10.24193/subbmusica.2023.1.07
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PARALLELS AND DIFFERENCES IN TRENDS IN MUSIC PEDAGOGY IN THE 20TH CENTURY – THE PLACE OF THE KODÁLY CONCEPT IN EUROPEAN MUSIC PEDAGOGY OF THE LAST CENTURY –.
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- Studia Universitatis Babes-Bolyai, Musica, 2023, v. 68, n. 1, p. 89, doi. 10.24193/subbmusica.2023.1.06
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- Publication type:
- Article