Works matching IS 00111570 AND DT 2022 AND VI 34 AND IP 1
Results: 7
Romantic Love, Gender Imbalance and Feminist Readings in Iris Murdoch's The Sea, The Sea.
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- Critical Survey, 2022, v. 34, n. 1, p. 27, doi. 10.3167/cs.2021.340103
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- Article
Fudging the Outcome of Much Ado About Nothing: How the Villains, Don Pedro and Count Claudio, Are Allowed to Stay and Dance.
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- Critical Survey, 2022, v. 34, n. 1, p. 56, doi. 10.3167/cs.2021.340105
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Whoso List to Find?: Hard Facts, Soft Data, and Women Who Count.
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- Critical Survey, 2022, v. 34, n. 1, p. 1, doi. 10.3167/cs.2021.340102
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'Fanciful associations': The Perverse Endurance of Derrida's [sic] 'logical phallusies'.
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- Critical Survey, 2022, v. 34, n. 1, p. 87, doi. 10.3167/cs.2021.340107
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Urban Decay or the Uncanny Return of Dionysus: An Analysis of the Ruins in Shelley's 'Ozymandias'.
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- Critical Survey, 2022, v. 34, n. 1, p. 74, doi. 10.3167/cs.2021.340106
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Liturgical Time in Chaucer's Canterbury Tales: Meditated, Measured and Manipulated.
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- Critical Survey, 2022, v. 34, n. 1, p. 45, doi. 10.3167/cs.2021.340104
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Editorial.
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- Critical Survey, 2022, v. 34, n. 1, p. v, doi. 10.3167/cs.2021.340101
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- Article