Communicating Identity of Patrons Through Works of Art: Donatello’s David and the Medici. Reflections and Interpretations.
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- Ars (0044-9008), 2022, v. 55, n. 2, p. 143, doi. 10.31577/ars-2022-0009
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Works matching IS 00449008 AND DT 2022 AND VI 55 AND IP 2
Results: 6
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Imrich Esterházi a jeho historiografia pri výskume dejín umenia.
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- Ars (0044-9008), 2022, v. 55, n. 2, p. 169, doi. 10.31577/ars-2022-0011
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- Article
3
Dominikánsky kostol v Košiciach – niekoľko poznámok k pretrvávajúcim dilemám.
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- Ars (0044-9008), 2022, v. 55, n. 2, p. 109, doi. 10.31577/ars-2022-0008
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- Article
4
Pokus o interpretáciu rytých symbolov na fasáde kaplnky sv. Margity Antiochijskej v Kopčanoch.
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- Ars (0044-9008), 2022, v. 55, n. 2, p. 79, doi. 10.31577/ars-2022-0006
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- Article
5
The Right of Art, the Principle of the Artist, the Imperative of the Scholar. The Example of a Romanesque Sculptor’s Workshop in the Context of the Law of the Frame.
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- Ars (0044-9008), 2022, v. 55, n. 2, p. 98, doi. 10.31577/ars-2022-0007
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- Article
6
Patrón dynastie a mesta?: Sv. Ján Almužník a jeho kult pri formovaní dynastickej a mestskej identity.
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- Ars (0044-9008), 2022, v. 55, n. 2, p. 152, doi. 10.31577/ars-2022-0010
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- Article