Works matching DE "MARBLE sculpture"
Results: 233
WHEN DID ART BECOME MEANINGLESS?
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- Yale Review, 2011, v. 99, n. 2, p. 94, doi. 10.1111/j.1467-9736.2011.00706.x
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Colorado Artist Susan A. Judy (b. 1955).
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- Rocks & Minerals, 2020, v. 95, n. 5, p. 447, doi. 10.1080/00357529.2020.1771153
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Liquid Marble Patchwork: Liquid Marble Patchwork on Super‐Repellent Surface (Adv. Funct. Mater. 21/2021).
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- Advanced Functional Materials, 2021, v. 31, n. 21, p. 1, doi. 10.1002/adfm.202170146
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When Blue and White Obscure Black and Red: Conditions of Wedgwood's 1787 Antislavery Medallion.
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- Journal 18, 2024, n. 17, p. 1
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Unsettled Sculptures: Mapping the Afterlife of Ammannati's Juno Fountain.
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- Journal 18, 2018, p. 1
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الهدم والبناء في النحت الحديث(جياكوميتي إنموذجاً).
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- Journal of Babylon Center for Humanities Studies, 2023, v. 13, n. 3, p. 781
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A Escultura Social de Shelley Sacks: ecologia radical e desenvolvimento interior.
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- Revista Croma, 2021, v. 9, n. 17, p. 175
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CZARTORYSKI & TORLONIA. A COLLECTION OF ROMAN MARBLE STATUES IN THE PRINCES CZARTORYSKI MUSEUM.
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- Studies in Ancient Art & Civilization, 2019, v. 23, p. 243, doi. 10.12797/SAAC.23.2019.23.12
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On white marble half-lotus meditation statues carved in Wuding Era of the Eastern Wei Dynasty.
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- Chinese Archaeology, 2019, v. 19, n. 1, p. 182, doi. 10.1515/char-2019-0014
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Vico ve Herder'in Tarih ve İnsaniyet (Humanite) Hakkındaki Fikirleri.
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- Beytulhikme: An International Journal of Philosophy, 2021, v. 11, n. 1, p. 173, doi. 10.18491/beytulhikme.1612
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- Article
WRECKED CARGOES OF MARMOR LUCULLEUM (AFRICANO) OF THE ROMAN PERIOD. AN ARCHAEOLOGICAL AND ARCHAEOMETRICAL STUDY.
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- Oxford Journal of Archaeology, 2020, v. 39, n. 3, p. 290, doi. 10.1111/ojoa.12199
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Preliminary Note on Some Gandharan Sculptures Depicting Warriors in their Native Costume- Study based on the Museum Collections.
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- Journal of Humanities & Social Sciences (Pakistan), 2018, v. 26, n. 2, p. 1
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Uncovering local endemism from southeastern Myanmar: description of the new karst-associated terrestrial snail genus Burmochlamys (Eupulmonata, Helicarionidae).
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- ZooKeys, 2022, n. 1110, p. 1, doi. 10.3897/zookeys.1110.82461
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Made in China-Globalization: Art, Production, and Social Change.
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- Yishu: Journal of Contemporary Chinese Art, 2016, v. 15, n. 6, p. 15
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Mediating Role of Social Media in the Memorability of Street Sculpture Art: Jogja Street Sculpture Project 2017 as Case Study.
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- Wacana Seni Journal of Arts Discourse, 2019, v. 18, p. 95, doi. 10.21315/ws2019.18.5
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Sculptural friends and relations and their marble surfaces: Roubiliac's busts of Henry, 9th Earl of Pembroke, and his other busts at Wilton House.
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- Sculpture Journal, 2024, v. 33, n. 3, p. 383, doi. 10.3828/sj.2024.33.3.04
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The special correspondents' monuments: Melton Prior, imperial memory and the Victorian press in the shadow of the South African War, 1899–1901.
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- Sculpture Journal, 2024, v. 33, n. 2, p. 275, doi. 10.3828/sj.2024.33.2.12
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The Great Game? Anglo-Afghan monuments in St Paul's Cathedral, c. 1816–1916.
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- Sculpture Journal, 2024, v. 33, n. 2, p. 237, doi. 10.3828/sj.2024.33.2.08
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'Death, like a sculptor': archaeology, materials and text in Harriet Hosmer's Pompeian Sentinel.
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- Sculpture Journal, 2024, v. 33, n. 1, p. 47, doi. 10.3828/sj.2024.33.1.04
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A 'milky mass' and 'uniform material': white marble in eighteenth-century French discourses on sculpture and geology.
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- Sculpture Journal, 2021, v. 30, n. 2, p. 215, doi. 10.3828/sj.2021.30.2.9
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The term 'marble' in eighteenth-century encyclopaedic literature: from colourful and exclusive to grainy and popular.
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- Sculpture Journal, 2021, v. 30, n. 2, p. 203, doi. 10.3828/sj.2021.30.2.8
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'New Carrara': Lasa marble in the service of artistic ideas and economic interests during the long nineteenth century.
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- Sculpture Journal, 2021, v. 30, n. 2, p. 189, doi. 10.3828/sj.2021.30.2.7
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On the reception and agency of neoclassical sculpture and its material: case studies from Viennese sculpture galleries (c. 1780–1820).
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- Sculpture Journal, 2021, v. 30, n. 2, p. 299, doi. 10.3828/sj.2021.30.2.6
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Pioneering sculptural workshop techniques: Filippo della Valle and Francesco Cerroti in eighteenth-century Rome.
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- Sculpture Journal, 2021, v. 30, n. 2, p. 299, doi. 10.3828/sj.2021.30.2.4
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Impure stone and the threat to decency: marble tints and veins.
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- Sculpture Journal, 2021, v. 30, n. 2, p. 139, doi. 10.3828/sj.2021.30.2.3
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Sculpture and representation: apprehending marble portrait sculpture in the eighteenth century.
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- Sculpture Journal, 2021, v. 30, n. 2, p. 123, doi. 10.3828/sj.2021.30.2.2
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New Votive Plates Discovered in the Temple of Men and its Sanctuary in Pisidian Antioch.
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- Adalya, 2023, n. 26, p. 171, doi. 10.47589/adalya.1414543
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Simon Keay Award in Mediterranean Archaeology: Revisiting the sculptures of Sperlonga: new research and community engagement.
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- Papers of the British School at Rome, 2023, v. 91, p. 371, doi. 10.1017/S0068246223000387
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AMANDA CLARIDGE (1949–2022).
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- Papers of the British School at Rome, 2022, v. 90, p. 1, doi. 10.1017/S0068246222000034
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Will to the Original: Platonism in Henry James' Roderick Hudson.
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- American Literary Realism, 2023, v. 55, n. 2, p. 153, doi. 10.5406/19405103.55.2.04
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Materiality of Marble: Explorations in the Artistic Life of Stone.
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- Thesis Eleven, 2010, v. 103, n. 1, p. 65, doi. 10.1177/0725513610381375
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CORINTH, 2020 AND 2021: NORTHEAST OF THE THEATER.
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- Hesperia, 2023, v. 92, n. 2, p. 355, doi. 10.2972/hes.2023.a901602
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CLASSICAL SCULPTURE FROM THE ATHENIAN AGORA, PART 3: THE PEDIMENTS, METOPES, AND AKROTERIA OF THE TEMPLE OF ARES (TEMPLE OF ATHENA PALLENIS).
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- Hesperia, 2021, v. 90, n. 3, p. 533, doi. 10.2972/hesperia.90.3.0533
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A PHRYGIAN SCULPTOR AT WORK IN ROMAN ATHENS.
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- Hesperia, 2021, v. 90, n. 2, p. 359, doi. 10.2972/hesperia.90.2.0359
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My name's William and I'm a sculptor: William Eicholtz.
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- Australian Art Education, 2019, v. 40, n. 1, p. 115
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The Lost Classic: The Case ofthe "Venus de' Medici'.
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- Raritan, 2022, v. 42, n. 2, p. 27
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Tunable wettability on Pendelic marble: could an inorganic marble surface behave as a 'self-cleaning' biological surface?
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- Journal of Materials Science, 2014, v. 49, n. 5, p. 1931, doi. 10.1007/s10853-013-7902-8
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Early Cycladic Art, Marble Seated Harp Player, 2800–2700 BCE.
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- Occupational Medicine, 2024, v. 74, n. 7, p. 472, doi. 10.1093/occmed/kqac134
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HISTORICKY VÝZNAMNÉ BUDOVY JAKO CÍL PETROLOGICKÉ EXKURZE.
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- Biology-Chemistry-Geography / Biologie-Chemie-Zeměpis, 2020, v. 29, n. 3, p. 15, doi. 10.14712/25337556.2020.3.2
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Fraturas contemporâneas de histórias indígenas em Belém: sobre mármores e grafites.
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- Revista Maracanan, 2020, n. 24, p. 544, doi. 10.12957/revmar.2020.47606
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UN "FIUME DI FOGNA": IL TEVERE, GIOVENALE E LA PISCATRIX AURELIA.
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- Thiasos, 2022, n. 11, p. 75
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NOTE PER LA RICOSTRUZIONE DEL PORTICO A SIGMA DELLA BASILICA EPISCOPALE DI PARTHICOPOLIS (SANDANSKI, BULGARIA).
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- Thiasos, 2020, n. 9, p. 21
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ARREDO URBANO E RAPPRESENTATIVITÀ PUBBLICA E PRIVATA: IL CASO DELL'APULIA MERIDIONALE IN ETÀ TARDO REPUBBLICANA E IMPERIALE.
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- Thiasos, 2019, n. 8, p. 37
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Necrography: Death-Writing in the Colonial Museum.
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- British Art Studies, 2021, n. 19, p. 109, doi. 10.17658/issn.2058-5462/issue-19/conversation
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BISHOP STROSSMAYER AND THE GATES OF HEAVEN SCULPTURE AT THE DOMINICAN MONASTERY IN DUBROVNIK.
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- Theological Review / Bogoslovska Smotra, 2020, v. 90, n. 5, p. 975
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La recuperación museográfica de la Apoteosis de Claudio: cronología de un regalo para el Rey Planeta y su fortuna historiográfica.
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- Boletin del Museo del Prado, 2024, n. 60, p. 6
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THE MARBLE LION FROM LION TUMULUS NEAR KERCH TO THE QUESTION ABOUT SCULPTURES ON THE CIMMERIAN BOSPORUS.
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- Acta Archaeologica Lodziensia, 2020, n. 66, p. 9, doi. 10.26485/AAL/2020/66/1
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Recomposing the Body Politic in Seventeenth-century Delft.
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- Oxford Art Journal, 2008, v. 31, n. 3, p. 361, doi. 10.1093/oxartj/kcn029
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LA ESTATUA DE FORTUNA DE NÁPOLES: NOTAS PARA UNA RECONSTRUCCIÓN DEL PAISAJE URBANO NAPOLITANO EN LA ÉPOCA ROMANA.
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- Zephyrus, 2024, v. 94, p. 159, doi. 10.14201/zephyrus202494159172
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Identificación del mármol de Göktepe en el retrato de Adriano de Los Torrejones (Yecla, Murcia) y algunas consideraciones sobre el uso de este mármol en Hispania.
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- Zephyrus, 2024, v. 93, p. 7
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- Article