The Science of Fiction: Human-Robot Interaction in McEwan's Machines Like Me.
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- English Literature, 2022, v. 9, p. 147, doi. 10.30687/EL/2420-823X/2022/01/008
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Works matching IS 23851635 AND DT 2022 AND VI 9
Results: 8
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Edwardian Hegemony in Tressell and Sassoon.
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- English Literature, 2022, v. 9, p. 115, doi. 10.30687/EL/2420-823X/2022/01/007
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- Article
3
Clarissa's Party in the House of the Sleeping Beauties: A Study of Memory and Time in Woolf's Mrs. Dalloway and Kawabata's The House of the Sleeping Beauties.
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- English Literature, 2022, v. 9, p. 103, doi. 10.30687/EL/2420-823X/2022/01/006
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- Article
4
Empowering the Virgin: Rethinking the Agency of the Feminine Characters in James Joyce's Works.
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- English Literature, 2022, v. 9, p. 81, doi. 10.30687/EL/2420-823X/2022/01/005
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- Article
5
"Into the Exquisitely Obscure": Aestheticism and Fragmentation in Oscar Wilde's The Picture of Dorian Gray.
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- English Literature, 2022, v. 9, p. 67, doi. 10.30687/EL/2420-823X/2022/01/004
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- Article
6
Anatole France, Oscar Wilde, and James Joyce: A Queer Genealogy of "The Dead".
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- English Literature, 2022, v. 9, p. 43, doi. 10.30687/EL/2420-823X/2022/01/003
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- Article
7
"Strange Sight this Congress!" Byron's The Age of Bronze (1823) and the Congress of Verona.
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- English Literature, 2022, v. 9, p. 25, doi. 10.30687/EL/2420-823X/2022/01/002
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- Article
8
British Physico-Theological Poetry and Newtonian Physics: The Use of Principia Mathematica (1687) in Sir Richard Blackmore's Creation (1712).
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- English Literature, 2022, v. 9, p. 5, doi. 10.30687/EL/2420-823X/2022/01/001
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- Article