Speaking the Unnameable: A Phenomenology of Sense in T. S. Eliot's "Four Quartets."Published in:2013By:Levina, JūratėPublication type:Literary Criticism
Fallen Love: Eros and "Ta'wīl" in the Poetry of Robert Duncan.Published in:2013By:Hair, RossPublication type:Literary Criticism
"More than Anything Else, I Like My Closets": Willa Cather's Melancholic Erotics in "The Professor's House."Published in:2013By:Kishi, MadokaPublication type:Literary Criticism
"She was born a thing": Disability, the Cyborg and the Posthuman in Anne McCaffrey's "The Ship Who Sang."Published in:2013By:Cheyne, RiaPublication type:Literary Criticism
"There will be a new embodiment, in a new way": Alternative Posthumanisms in "Women in Love."Published in:2013By:Wendel, DeannaPublication type:Literary Criticism
Dogging the Subject: Samuel Beckett, Emmanuel Levinas, and Posthumanist Ethics.Published in:2013By:Kendall-Morwick, KaralynPublication type:Literary Criticism
Into Cleanness Leaping: Brooke, Eliot, and the Decadent Body.Published in:2013By:Lockerd, MartinPublication type:Literary Criticism
Organisms and Machines.Published in:Journal of Modern Literature, 2013, v. 36, n. 3, p. vBy:Caserio, Robert L.Publication type:Article
Interruption Overload: Telephones in Ford Madox Ford's "'4692 Padd'," "ACall" and "A Man Could Stand Up—."Published in:2013By:McLoughlin, KatePublication type:Literary Criticism
Typewriter Psyche: Henry James's Mechanical Mind.Published in:2013By:Schilleman, MatthewPublication type:Literary Criticism
Beckett, Painting and the Question of "the human."Published in:2013By:Brazil, KevinPublication type:Literary Criticism
Virginia Woolf's Emersonian Metaphors of Sight in "To the Lighthouse": Visionary Oscillation.Published in:2013By:Luttrell, RosemaryPublication type:Literary Criticism
"The Lives of Others": Motoring in Henry James's "The Velvet Glove."Published in:2013By:Rix, AliciaPublication type:Literary Criticism