Works matching IS 15363155 AND DT 2023 AND VI 14 AND IP 2
Results: 23
Get Out from the Horrors of Slavery.
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- Black Camera: The New Series, 2023, v. 14, n. 2, p. 295, doi. 10.2979/blackcamera.14.2.17
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"There Existed an Addiction to Blood"<sup> 1 </sup>: Exhuming the Transtemporal Body.
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- Black Camera: The New Series, 2023, v. 14, n. 2, p. 275, doi. 10.2979/blackcamera.14.2.16
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Vanilla Nightmares and Urban Legends: The Racial Politics of Candyman (1992).
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- Black Camera: The New Series, 2023, v. 14, n. 2, p. 252, doi. 10.2979/blackcamera.14.2.15
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Submission Guidelines.
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- Black Camera: The New Series, 2023, v. 14, n. 2, p. 413, doi. 10.2979/blackcamera.14.2.23
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Professional Notes and Research Resources.
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- Black Camera: The New Series, 2023, v. 14, n. 2, p. 408, doi. 10.2979/blackcamera.14.2.22
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Film Review: Dune.
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- Black Camera: The New Series, 2023, v. 14, n. 2, p. 404, doi. 10.2979/blc.2023.a883822
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Exploring African Women's Cinematic Practice as Womanist Work<sup> * </sup>.
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- Black Camera: The New Series, 2023, v. 14, n. 2, p. 364, doi. 10.2979/blackcamera.14.2.20
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Dossier: Spectacles of Anti-Black Violence and Contemporary Black Horror.
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- Black Camera: The New Series, 2023, v. 14, n. 2, p. 319, doi. 10.2979/blc.2023.a883820
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The Work of Horror after Get Out<sup> 1 </sup>.
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- Black Camera: The New Series, 2023, v. 14, n. 2, p. 308, doi. 10.2979/blackcamera.14.2.18
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Introduction.
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- Black Camera: The New Series, 2023, v. 14, n. 2, p. 243, doi. 10.2979/blackcamera.14.2.14
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Remembering the Past: A Conversation with Afolabi Adesanya as Film Exhibitor<sup> 1 </sup>.
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- Black Camera: The New Series, 2023, v. 14, n. 2, p. 227, doi. 10.2979/blackcamera.14.2.13
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Still Got the News: Fifty Years Out on Finally Got the News.
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- Black Camera: The New Series, 2023, v. 14, n. 2, p. 3, doi. 10.2979/blackcamera.14.2.02
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- Article
Vanishing Point: Chadwick Boseman's Body and the Still Image.
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- Black Camera: The New Series, 2023, v. 14, n. 2, p. 185, doi. 10.2979/blackcamera.14.2.11
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The Politics of Colonization in Ryan Coogler's Black Panther.
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- Black Camera: The New Series, 2023, v. 14, n. 2, p. 172, doi. 10.2979/blackcamera.14.2.10
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Archiving Africa: Notes for the Contemporary African Filmmaker.
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- Black Camera: The New Series, 2023, v. 14, n. 2, p. 144, doi. 10.2979/blackcamera.14.2.09
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The Survival of Big-Screen Cinema in South Africa.
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- Black Camera: The New Series, 2023, v. 14, n. 2, p. 121, doi. 10.2979/blackcamera.14.2.08
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The Jew, the Arab, the Black: La Haine and the Structure of Anti-Black Violence.
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- Black Camera: The New Series, 2023, v. 14, n. 2, p. 204, doi. 10.2979/blackcamera.14.2.12
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Slavery and the Ambiguities of Diaspora in Haile Gerima's Sankofa.
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- Black Camera: The New Series, 2023, v. 14, n. 2, p. 71, doi. 10.2979/blackcamera.14.2.06
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Filming Social Death and the Fixed Position of Blackness: On L.A. Rebellion Director Julie Dash's Four Women.
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- Black Camera: The New Series, 2023, v. 14, n. 2, p. 49, doi. 10.2979/blackcamera.14.2.05
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"That's the Difference, I Am Fully Engaged With Art": Renée Baker on the Practice of Scoring Silent Film and the Matter of "Race Movies"<sup> 1 </sup>.
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- Black Camera: The New Series, 2023, v. 14, n. 2, p. 7, doi. 10.2979/blc.2023.a883805
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Protesting on Screen: Black Protest Films in the Era of #BlackLivesMatter.
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- Black Camera: The New Series, 2023, v. 14, n. 2, p. 92, doi. 10.2979/blackcamera.14.2.07
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Editor's Notes.
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- Black Camera: The New Series, 2023, v. 14, n. 2, p. 1, doi. 10.2979/blackcamera.15.1.01
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A Wide Shot: Expanding the Frame on Melvin Van Peebles.
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- Black Camera: The New Series, 2023, v. 14, n. 2, p. 5, doi. 10.2979/blackcamera.14.2.03
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- Article