Young and Innocent? The Cinema in Britain, 1896-1930 (Book).
- Published in:
- 2002
- By:
- Publication type:
- Book Review
Works matching IS 08922160 AND DT 2002 AND VI 14 AND IP 3/4
Results: 14
1
2
Murnau in America: Chronicle of lost films.
- Published in:
- Film History, 2002, v. 14, n. 3/4, p. 430, doi. 10.2979/FIL.2002.14.3-4.430
- By:
- Publication type:
- Article
3
Edward H. Amet and the Spanish-American War film.
- Published in:
- Film History, 2002, v. 14, n. 3/4, p. 405, doi. 10.2979/FIL.2002.14.3-4.405
- By:
- Publication type:
- Article
4
How cinema became a cultural industry: the big boom in France between 1905 and 1908.
- Published in:
- Film History, 2002, v. 14, n. 3/4, p. 418, doi. 10.2979/FIL.2002.14.3-4.418
- By:
- Publication type:
- Article
5
'Watch the picture carefully, and see if you can identify anyone': recognition in factual film of the First World War period.
- Published in:
- Film History, 2002, v. 14, n. 3/4, p. 390, doi. 10.2979/FIL.2002.14.3-4.390
- By:
- Publication type:
- Article
6
Propaganda, patriotism and profit: Charles Urban and British official war films in America during the First World War.
- Published in:
- Film History, 2002, v. 14, n. 3/4, p. 369, doi. 10.2979/FIL.2002.14.3-4.369
- By:
- Publication type:
- Article
7
Early warnings of the Red Peril: A pre-history of Cold War British cinema, 1917-1939.
- Published in:
- Film History, 2002, v. 14, n. 3/4, p. 354, doi. 10.2979/FIL.2002.14.3-4.354
- By:
- Publication type:
- Article
8
D-Day Filming -- For Real. A comparison of 'truth' and 'reality' in Saving Private Ryan and combat film by the British Army's Film and Photographic Unit.
- Published in:
- Film History, 2002, v. 14, n. 3/4, p. 332, doi. 10.2979/FIL.2002.14.3-4.332
- By:
- Publication type:
- Article
9
The AFPU -- The origins of British Army combat filming during the Second World War.
- Published in:
- Film History, 2002, v. 14, n. 3/4, p. 316, doi. 10.2979/FIL.2002.14.3-4.316
- By:
- Publication type:
- Article
10
Subway commandos: Hollywood filmmakers at the Signal Corps Photographic Center.
- Published in:
- Film History, 2002, v. 14, n. 3/4, p. 296, doi. 10.2979/FIL.2002.14.3-4.296
- By:
- Publication type:
- Article
11
Great Escapes: 'Englishness' and the Prisoner of War genre.
- Published in:
- Film History, 2002, v. 14, n. 3/4, p. 282, doi. 10.2979/FIL.2002.14.3-4.282
- By:
- Publication type:
- Article
12
Right-wing propaganda or reporting history? -- the newsreels and the Suez crisis of 1956.
- Published in:
- Film History, 2002, v. 14, n. 3/4, p. 261, doi. 10.2979/FIL.2002.14.3-4.261
- By:
- Publication type:
- Article
13
The depiction of war reporters in Hollywood feature films from the Vietnam War to the present.
- Published in:
- Film History, 2002, v. 14, n. 3/4, p. 243, doi. 10.2979/FIL.2002.14.3-4.243
- By:
- Publication type:
- Article
14
Introduction: War and Militarism. Dead white males.
- Published in:
- Film History, 2002, v. 14, n. 3/4, p. 239
- By:
- Publication type:
- Article